New Site Announcement: Over the past several years, the METS team has been building a new website and new digital edition, in collaboration with Cast Iron Coding. This next phase of METS' editions includes improved functionality and accessibility, an increased focus on transparency, and conformity to best practices for open access and digital editions, including TEI markup. We are currently in a "soft launch" phase in which we will monitor the new site for bugs and errors. We encourage you to visit our new site at https://metseditions.org, and we welcome feedback here: https://tinyurl.com/bdmfv282
We will continue to publish all new editions in print and online, but our new online editions will include TEI/XML markup and other features. Over the next two years, we will be working on updating our legacy volumes to conform to our new standards.
Our current site will be available for use until mid-December 2024. After that point, users will be redirected to the new site. We encourage you to update bookmarks and syllabuses over the next few months. If you have questions or concerns, please don't hesitate to contact us at robbins@ur.rochester.edu.
We will continue to publish all new editions in print and online, but our new online editions will include TEI/XML markup and other features. Over the next two years, we will be working on updating our legacy volumes to conform to our new standards.
Our current site will be available for use until mid-December 2024. After that point, users will be redirected to the new site. We encourage you to update bookmarks and syllabuses over the next few months. If you have questions or concerns, please don't hesitate to contact us at robbins@ur.rochester.edu.
Art. 58, Dulcis Jesu memoria: Introduction
ABBREVIATIONS: AND: Anglo-Norman Dictionary; ANL: Anglo-Norman Literature: A Guide to Texts and Manuscripts (R. Dean and Boulton); BL: British Library (London); Bodl.: Bodleian Library (Oxford); CCC: Corpus Christi College (Cambridge); CUL: Cambridge University Library (Cambridge); IMEV: The Index of Middle English Verse (Brown and Robbins); IMEV Suppl.: Supplement to the Index of Middle English Verse (Robbins and Cutler); MED: Middle English Dictionary; MWME: A Manual of the Writings in Middle English, 1050–1500 (Severs et al.); NIMEV: A New Index of Middle English Verse (Boffey and Edwards); NLS: National Library of Scotland (Edinburgh).
Like Sweet Jesus, King of Bliss (art. 50), this religious lyric is a hymn of praise on the name of Jesus. The scribe supplies the underlined title Dulcis Jesu memoria in the upper margin, a title that associates it with a well-known Latin hymn ascribed to Bernard of Clairvaux (Daniel 1:227). One editor notes that the poem “has just 50 stanzas, so it was probably meant to form a rosary” (Horstmann 1896, 2:11), but this count is not correct: the Harley poem has forty-eight and a half stanzas (lines 49–50 are lost or never existed). In the Ludlow scribe’s arrangement of matter, Mary, Mother of the Savior (art. 57) serves as prelude to this poem. Jesus, Sweet Is the Love of You belongs to a cluster of related English lyrics in the same 4-line meter that names Jesus at the head of each stanza. Stanzas from these deeply devotional lyrics were freely extracted, blended, and multiplied. Elsewhere, this lyric is yoked to Sweet Jesus, King of Bliss to make a long poem that survives in Vernon and other manuscripts (IMEV, NIMEV 3238; ed. Furnivall, pp. 449–62). On the affiliation of these malleable lyrics with the school of Richard Rolle, see the explanatory note to art. 50. For recent commentary on this item, see Durling, pp. 285–86.
[Fols. 77vb–78va. IMEV, NIMEV 1747 (compare NIMEV 3238). Compare MWME 9:3061–63 [12], 11:4340 [15, Version C]. Scribe: B (Ludlow scribe). Quires: 8–9 (fol. 78 opens quire 9). Meter: Forty-nine monorhymed quatrains, aaaa4, each stanza beginning Jesu. Stanza 13, written at the base of a column, lacks two lines (lines 49–50, here numbered). Layout: Double columns; title is provided and underlined by the scribe. Editions: Wright 1842, pp. 68–76 (no. 25); Böddeker, pp. 198–205; Horstmann 1896, 2:11–24. Other MSS: Three other MSS contain versions of this lyric; see NIMEV 1747.]
Go To Art. 58, Dulcis Jesu memoria
Like Sweet Jesus, King of Bliss (art. 50), this religious lyric is a hymn of praise on the name of Jesus. The scribe supplies the underlined title Dulcis Jesu memoria in the upper margin, a title that associates it with a well-known Latin hymn ascribed to Bernard of Clairvaux (Daniel 1:227). One editor notes that the poem “has just 50 stanzas, so it was probably meant to form a rosary” (Horstmann 1896, 2:11), but this count is not correct: the Harley poem has forty-eight and a half stanzas (lines 49–50 are lost or never existed). In the Ludlow scribe’s arrangement of matter, Mary, Mother of the Savior (art. 57) serves as prelude to this poem. Jesus, Sweet Is the Love of You belongs to a cluster of related English lyrics in the same 4-line meter that names Jesus at the head of each stanza. Stanzas from these deeply devotional lyrics were freely extracted, blended, and multiplied. Elsewhere, this lyric is yoked to Sweet Jesus, King of Bliss to make a long poem that survives in Vernon and other manuscripts (IMEV, NIMEV 3238; ed. Furnivall, pp. 449–62). On the affiliation of these malleable lyrics with the school of Richard Rolle, see the explanatory note to art. 50. For recent commentary on this item, see Durling, pp. 285–86.
[Fols. 77vb–78va. IMEV, NIMEV 1747 (compare NIMEV 3238). Compare MWME 9:3061–63 [12], 11:4340 [15, Version C]. Scribe: B (Ludlow scribe). Quires: 8–9 (fol. 78 opens quire 9). Meter: Forty-nine monorhymed quatrains, aaaa4, each stanza beginning Jesu. Stanza 13, written at the base of a column, lacks two lines (lines 49–50, here numbered). Layout: Double columns; title is provided and underlined by the scribe. Editions: Wright 1842, pp. 68–76 (no. 25); Böddeker, pp. 198–205; Horstmann 1896, 2:11–24. Other MSS: Three other MSS contain versions of this lyric; see NIMEV 1747.]
Go To Art. 58, Dulcis Jesu memoria
share this page
