EDITIONS OF GUILLAUME DE MACHAUT’S WORKS

Boogaart, Jacques, ed. Guillaume de Machaut: The Complete Poetry and Music, Volume 9: The Motets. Trans. R. Barton Palmer. Kalamazoo, MI: Medieval Institute Publications, 2018.

Cerquiglini, Jacqueline, ed. and trans. Le Livre de la Fontaine Amoureuse. Paris: Stock, 1993.

Chichmaref, V., ed. Guillaume de Machaut: Poésies Lyriques. 2 vols. Paris: H. Champion, 1909.

Earp, Lawrence, Domenic Leo, and Carla Chapreau, eds. Ferrell-Vogüé Machaut Manuscript: Facsimile and Introductory Study. 2 vols. Oxford: Digital Image Archive of Medieval Music Publications, 2014.

Edbury, Peter W., ed. The Capture of Alexandria. Trans. Janet Shirley. Burlington, VT: Ashgate, 2001.

Froissart, Jean. “Dits” et “Débats”: Introduction, Édition, Notes, Glossaire. Avec en Appendice Quelques Poèmes de Guillaume de Machaut. Ed. Anthime Fourrier. Geneva: Droz, 1979.

Gaudet, Minnette, and Constance B. Hieatt, eds. and trans. The Tale of the Alerion. Toronto: University of Toronto Press, 1994.

Hoepffner, Ernest, ed. OEuvres de Guillaume de Machaut. 3 vols. Paris: Firmin-Didot, 1908–21.

Imbs, Paul, and Jacqueline Cerquiglini-Toulet, eds. Le Livre du Voir Dit. Paris: Librairie Générale Française, 1999.

Leech-Wilkinson, Daniel, ed. Le Livre dou Voir Dit (The Book of the True Poem). Trans. R. Barton Palmer. New York: Garland Publishing, 1998.

Ludwig, Friedrich, ed. Guillaume de Machaut: Musikalische Werke. 4 vols. Leipzig: Breitkopf and Härtel, 1926–29 and 1954.

Mas Latrie, M. L. de, ed. La Prise d’Alexandrie ou Chronique du Roi Pierre 1er de Lusignan. Geneva: Jules-Guillaume Fick, 1877.

Palmer, R. Barton, ed. and trans. The Judgment of the King of Bohemia (Le Jugement dou Roy de Behaingne). New York: Garland, 1984.

———, ed. and trans. The Judgment of the King of Navarre (Le Jugement dou roy de Navarre). New York: Garland, 1988.

———, ed. and trans. Le Confort d’Ami (Comfort for a Friend). New York: Garland, 1992.

———, ed. and trans. The Fountain of Love (La Fonteinne Amoureuse) and Two Other Love Vision Poems. New York: Garland, 1993.

———, ed. and trans. La Prise d’Alixandre (The Taking of Alexandria). New York: Routledge, 2002.

———, ed. and trans. Guillaume de Machaut: The Complete Poetry and Music, Volume 1: The Debate Poems. Kalamazoo, MI: Medieval Institute Publications, 2016.

———, ed. and trans. Guillaume de Machaut: The Complete Poetry and Music, Volume 3: Love Visions. Kalamazoo, MI: Medieval Institute Publications, forthcoming.

———, ed. and trans. Guillaume de Machaut: The Complete Poetry and Music, Volume 4: The True Tale. Kalamazoo, MI: Medieval Institute Publications, forthcoming.

———, ed. and trans. Guillaume de Machaut: The Complete Poetry and Music, Volume 6: The Taking of Alexandria. Kalamazoo, MI: Medieval Institute Publications, forthcoming.

Paris, P., ed. Le Livre du Voir-Dit de Guillaume de Machaut. Paris: Société des Bibliophiles François, 1875.

Plumley, Yolanda, Uri Smilansky, and Tamsyn Mahoney-Steel, eds. The Works of Guillaume de Machaut: Music, Image, Text in the Middle Ages. University of Exeter. Online at http://machaut.exeter.ac.uk/.

Schrade, Leo, ed. The Works of Guillaume de Machaut. 2 vols. Monaco: Editions L’Oiseau–Lyre, 1956.

Wilkins, Nigel, ed. La Louange des Dames by Guillaume de Machaut. Edinburgh: Scottish Academic Press, 1972.

Wimsatt, James I., ed. The Marguerite Poetry of Guillaume de Machaut. Chapel Hill: University of North Carolina Press, 1970.

Wimsatt, James I., and William W. Kibler, eds. Le Jugement du Roy de Behaingne and Remede de Fortune. Athens: University of Georgia Press, 1988.

Young, Karl. “The Dit de la Harpe of Guillaume de Machaut.” In Essays in Honor of Albert Feuillerat. Ed. Henri M. Peyre. New Haven: Yale University Press, 1943. Pp. 1–20.

CRITICISM AND STUDY GUIDES

Alberni, Anna. “El Roman de Cardenois i l’Empremta de Guillaume de Machaut en la Poesia Catalana Medieval.” Romania 130 (2012), 74–108.

Albritton, Benjamin. “Citation and Allusion in the Lays of Guillaume de Machaut.” Ph.D. dissertation: University of Washington, 2009.

———. “Moving Across Media: Machaut’s Lais and the Judgement Tradition.” In McGrady and Bain. Pp. 119–39.

Alexander, Jonathan J. G. Medieval Illuminators and Their Methods of Work. New Haven: Yale University Press, 1992.

Alighieri, Dante. Paradiso. Trans. Stanley Lombardo. Indianapolis, IN: Hackett Publishing, 2017.

Allen, Graham. Intertextuality. London and New York: Taylor & Francis, 2000.

Altmann, Barbara K. “Reopening the Case: Machaut’s Jugement Poems as a Source in Christine de Pizan.” In Reinterpreting Christine de Pizan. Ed. Earl Jeffrey Richards. Athens: University of Georgia Press, 1992. Pp. 137–56.

———. “Guillaume de Machaut’s Lyric Poetry.” In McGrady and Bain. Pp. 311–31.

Altmann, Barbara K., and R. Barton Palmer, eds. and trans. An Anthology of Medieval Love Debate Poetry. Gainesville: University Press of Florida, 2006.

Amon, Nicole. “Le Vert: Guillaume de Machaut, Poète de l’affirmation et de la Joie.” Revue du Pacifique 2 (1976), 3–11.

Amtower, Laurel. Engaging Words: The Culture of Reading in the Later Middle Ages. New York: Palgrave, 2000.

Anderson, J. J. “Criseyde’s Assured Manner.” Notes and Queries 38.2 (1991), 160–61.

———. “The Man in Black, Machaut’s Knight, and their Ladies.” English Studies 73.5 (1992), 417–30.

Areford, David S. “The Passion Measured: A Late-Medieval Diagram of the Body of Christ.” In The Broken Body: Passion Devotion in Late-Medieval Culture. Eds. A. A. MacDonald, H. N. B. Ridderbos, and R. M. Schlusemann. Groningen: Egbert Forsten, 1998. Pp. 211–38.

Ariès, Phillipe, and Georges Duby. Histoire de la Vie Privée. 5 vols. Paris: Seuil, 1985.

Aristotle. Nicomachean Ethics. Trans. Martin Ostwald. Indianapolis, IN: Bobbs-Merrill, 1962.

Arlt, Wulf. “Donnez signeurs — Zum Brückenschlag zwishchen Ästhetik und Analyse bei Guillaume de Machaut.” In Tradition und Innovation in der Musik. Festschrift für Ernst Lichtenhahn zum 60. Eds. Christoph Ballmer and Thomas von Gartmann. Winterthur: Amadeus, 1993. Pp. 39–64.

———. “Machaut in Context.” In Cerquiglini-Toulet and Wilkins. Pp. 147–64.

L’Art au Temps des Rois Maudits: Philippe le Bel et Ses Fils, 1285–1328. Paris: Réunion des musées nationaux, 1998. Exhibition Catalog.

Attwood, Catherine. Dynamic Dichotomy: The Poetic “I” in Fourteenth- and Fifteenth-Century French Lyric Poetry. Amsterdam: Rodopi, 1998.

———. “The Image in the Fountain: Fortune, Fiction and Femininity in the Livre du Voir Dit of Guillaume de Machaut.” Nottingham French Studies 38.2 (1999), 137–49.

Aubailly, Jean-Claude, Emmanuèle Baumgartner, Francis Dubost, Liliane Dulac, Marcel Faure, and René Martin, eds. Et c’est la fin pour quoy sommes ensemble: hommage à Jean Dufournet professeur à la Sorbonne Nouvelle: Littérature, histoire et lange du Moyen Age. 3 vols. Paris: Honoré Champion, 1993.

Auerbach, Erich. Scenes from the Drama of European Literature. New York: Meridian, 1959.

Avril, François. Manuscript Painting at the Court of France: The Fourteenth Century (1310–1380). Trans. Ursule Molinaro with Bruce Benderson. New York: George Braziller, 1978.

———. “Les Manuscrits Enluminés de Guillaume de Machaut: Essai de Chronologie.” In Chailley, Imbs, and Poirion. Pp. 117–133.

Badel, Pierre-Yves. “Le débat.” In Poirion, La Littérature Française. Pp. 95–110.

Bain, Jennifer. “‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs.” In McGrady and Bain. Pp. 79–101.

Bakhtin, Mikhail M. “Epic and Novel: Toward a Methodology for the Study of the Novel.” In The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. Pp. 3–40.

———. “From the Prehistory of Novelistic Discourse.” In The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. Pp. 41–83.

Baltzer, Rebecca A., Thomas Cable, and James I. Wimsatt, eds. The Union of Words and Music in Medieval Poetry. Austin: University of Texas Press, 1991.

Basso, Hélène. “Relier, Relire: Des Poèmes Courtois Faits Galanteries.” Babel: Littératures Plurielles 16 (2007), 185–208.

Baumgartner, Emmanuèle, and Laurence Harf-Lancner, eds. Progrès, Réaction, Décadence dans l’Occident Médiéval. Geneva: Droz, 2003.

Bec, Pierre. “Note Musico-Philologique sur l’Orgue et l’Aile Chez Guillaume de Machaut.” In Aubailly et al. 1:149–61.

Beer, Jeanette M. A. “The Ambiguity of Guillaume de Machaut.” Parergon [Original Series] 27 (1980), 27–31.

———. Narrative Conventions of Truth in the Middle Ages. Geneva: Droz, 1981.

Bennett, Philip E. “The Mirage of Fiction: Narration, Narrator, and Narratee in Froissart’s Lyrico-Narrative Dits.” Modern Language Review 86.2 (1991), 285–97.

———. “Rhetoric, Poetics and History: Machaut’s Prise d’Alixandre and the Anonymous Geste des ducs de Bourgogne.” Reading Medieval Studies 34 (2008), 53–75.

Bent, Margaret. “The Machaut Manuscripts, Vg, B and E.” Musica Disciplina 37 (1983), 53–82.

Bétemps, Isabelle. L’Imaginaire dans l’OEuvre de Guillaume de Machaut. Paris: Honoré Champion, 1998.

———. “La Figure du Poète dans le Voir Dit: du Coeur d’Amant au Testam(a)nt.” Littératures 45 (2001), 5–22.

———. “Les Lais de Plour: Guillaume de Machaut et Oton de Granson.” In Cerquiglini-Toulet and Wilkins. Pp. 95–106.

Bevington, David, ed. Medieval Drama. Boston: Houghton Mifflin, 1975. Reprinted Indianapolis, IN: Hackett Publishing, 2012.

Biblia Sacra Iuxta Vulgatam Clementinam. Eds. Alberto Colunga and Laurentio Turrado. Madrid: Biblioteca de Auctores Cristianos, 1977.

Bibliothèque nationale de France. “Guillaume de Machaut, Poésies.” 2011. Online at https://gallica.bnf.fr/ark:/12148/btv2b84490444. [MS A]

———. “Guillaume de Machaut, Poésies.” 2011. Online at http://gallica.bnf.fr/ark:/12148/btv1b8449043q/f30.image.r=Machaut+1586.langEN. [MS C]

Biernoff, Suzannah. Sight and Embodiment in the Middle Ages. Houndmills: Palgrave MacMillan, 2002.

Biezen, J. van, and J. P. Gumbert. Two Chansonniers from the Low Countries: French and Dutch Polyphonic Songs from the Leiden and Utrecht Fragments. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1985.

Blamires, Alcuin, ed. Woman Defamed and Woman Defended: An Anthology of Medieval Texts. Oxford: Clarendon Press, 1992.

———. The Case for Women in Medieval Culture. Oxford: Clarendon Press, 1997.

Blanc, Odile. “From Battlefield to Court: The Invention of Fashion in the Fourteenth Century.” In Koslin and Snyder. Pp. 157–72.

Blumenfeld-Kosinski, Renate. Reading Myth: Classical Mythology and Its Interpretations in Medieval French Literature. Stanford, CA: Stanford University Press, 1997.

Boenig, Robert. “Musical Instruments as Iconographical Artifacts in Medieval Poetry.” In Material Culture and Cultural Materialisms in the Middle Ages and Renaissance. Ed. Curtis Perry. Turnhout: Brepols, 2001. Pp. 1–15.

Boethius. Theological Tractates: The Consolation of Philosophy. Trans. H. F. Stewart, E. K. Rand, and S. J. Tester. Cambridge, MA: Harvard University Press, 1973. First published in 1918. Available online at: https://www.loebclassics.com/view/LCL074/1973/volume.xml.

———. The Consolation of Philosophy. Trans. Richard Green. New York: Macmillan Publishing, 1962. Rpt. Indianapolis, IN: Bobbs-Merrill, 1983.

———. Fundamentals of Music. Ed. Claude V. Palisca. Trans. Calvin M. Bower. New Haven, CT: Yale University Press, 1989.

Boogaart, Jacques. "Encompassing Past and Present: Quotations and Their Function in Machaut's Motets." Early Music History 20 (2001), 1-86.

———. “Folie Couvient Avoir: Citation and Transformation in Machaut’s Musical Works — Gender Change and Transgression.” In Plumley, Di Bacco, and Jossa. Pp. 15–40.

———. “L’Amant Confus: Interprétation du Motet 2, Tous Corps / de Souspirant Cuer / Susprio, de Guillaume de Machaut.” In La Chanson de Trouvères. Formes, Registres, Genres. Ed. Marie-Geneviève Grossel. Valenciennes: Presses Universitaires de Valenciennes, 2012. Pp. 29–48.

———. "Sound and Cipher: Number Symbolism in Machaut's Motets." In Earp, Leo, and Hartt.

Bordonove, Georges. Jean le Bon et Son Temps. Paris: Éditions Ramsay, 1980.

Boswell, John. Christianity, Social Tolerance, and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century. Chicago: University of Chicago Press, 1980.

Boudet, Jean-Patrice, and Hélène Millet, eds. Eustache Deschamps en Son Temps. Paris: Publications de la Sorbonne, 1997.

Boulton, Maureen Barry McCann. “The Dialogical Imagination in the Middle Ages: The Example of Guillaume de Machaut’s Voir Dit.” Allegorica 10 (1989), 85–94.

———. “Guillaume de Machaut’s Voir Dit: The Ideology of Form.” In Busby and Kooper. Pp. 39–47.

———. The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200–1400. Philadelphia: University of Pennsylvania Press, 1993.

Bowers, Roger. “Guillaume de Machaut and His Canonry of Reims, 1338–1377.” Early Music History 23 (2004), 1–48.

Boynton, Susan, and Diane Reilly, eds. The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christendom. New York: Columbia University Press, 2011.

Brewer, Derek. “Chaucer’s Knight As Hero, and Machaut’s Prise d’Alexandrie.” In Heroes and Heroines in Medieval English Literature: A Festchrift Presented to André Crépin on the Occasion of his Sixty-Fifth Birthday. Ed. Leo Carruthers. Cambridge: D. S. Brewer, 1994. Pp. 81–96.

Brothers, Thomas. “Musica Ficta and Harmony in Machaut’s Songs.” The Journal of Musicology 15.4 (1997), 501–28.

Brown, Cynthia J. Poets, Patrons, and Printers: Crisis of Authority in Late Medieval France. Ithaca, NY: Cornell University Press, 1995.

Brownlee, Kevin. “The Poetic OEuvre of Guillaume de Machaut: The Identity of Discourse and the Discourse of Identity.” In Cosman and Chandler. Pp. 219–33.

———. “Transformations of the Lyric ‘Je’: The Example of Guillaume de Machaut.” L’Esprit Créateur 18.1 (1978), 5–18.

———. Poetic Identity in Guillaume de Machaut. Madison: University of Wisconsin Press, 1984.

———. “Metaphoric Love Experience and Poetic Craft: Guillaume de Machaut’s Fonteinne amoureuse.” In Poetics of Love in the Middle Ages: Texts and Contexts. Eds. Moshe Lazar and Norris J. Lacy. Fairfax, VA: George Mason University Press, 1989. Pp. 147–55.

———. “Guillaume de Machaut’s Remede de Fortune: The Lyric Anthology as Narrative Progression.” In The Ladder of High Designs: Structure and Interpretation of the French Lyric Sequence. Eds. Doranne Fenoaltea and David Lee Rubin. Charlottesville: University Press of Virginia, 1991. Pp. 1–25.

———. “Authorial Self-Representation and Literary Models in the Roman de Fauvel.” In Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris Bibliothèque Nationale de France, MS Français 146. Eds. Margaret Bent and Andrew Wathey. Oxford: Clarendon Press, 1998. Pp. 73–104.

———. “Pygmalion, Mimesis, and the Multiple Endings of the Roman de la Rose.” Yale French Studies 95 (1999), 193–211.

———. “Fire, Desire, Duration, Death: Machaut’s Motet 10.” In Clark and Leach. Pp. 79–93.

Brownlee, Kevin, and Sylvia Huot, eds. Rethinking the Romance of the Rose: Image, Text, Reception. Philadelphia: University of Pennsylvania Press, 1992.

Bullock, Alison Julia. “The Musical Readings of the Machaut Manuscripts.” Ph.D. dissertation: University of Southampton, 1997.

Buren, Ann Hagopian van. "Reality and Literary Romance in the Park of Hesdin." In Medieval Gardens. Ed. Elisabeth Blair MacDougall. Washington, DC: Dumbarton Oaks Research Library and Collection, 1986. Pp. 115–34.

———. “Thoughts, Old and New, on the Sources of Early Netherlandish Painting.” Simiolus: Netherlands Quarterly for the History of Art 16.2/3 (1986), 93–112.

Buren, Anne H. van, and Roger S. Wieck. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: The Pierpont Morgan Library and Museum, 2011.

Burger, Glenn, and Steven F. Kruger, eds. Queering the Middle Ages. Minneapolis: University of Minnesota Press, 2001.

Burke, Mary Ann. “A Medieval Experiment in Adaptation: Typology and Courtly Love. Poetry in the Second Rhetoric.” Res Publica Litterarum 3 (1980), 165–75.

Burkholder, J. Peter, Donald Jay Grout, and Claude V. Palisca, eds. A History of Western Music. Seventh edition. New York: W. W. Norton & Co., 2006.

Burrow, John A. Ricardian Poetry: Chaucer, Gower, Langland and the ‘Gawain’ Poet. London: Routledge and K. Paul, 1971.

———. “Poems without Contexts: The Rawlinson Lyrics.” Essays in Criticism 29 (1979), 6–32.

———. “The Poet and the Book.” In Genres, Themes, and Images in English Literature: From the Fourteenth to the Fifteenth Centuries. Eds. Piero Boitani and Anna Torti. Tübingen: Gunter Narr Verlag, 1988. Pp. 230–45.

Busby, Keith. Codex and Context: Reading Old French Verse Narrative in Manuscript. 2 vols. Amsterdam: Rodopi, 2002.

Busby, Keith, and Erik Kooper, eds. Courtly Literature: Culture and Context: Selected papers from the 5th Triennia Congress of the International Courtly Literature Society. Dalfsen, The Netherlands, 9–16 August 1986. Amsterdam: John Benjamins, 1990.

Butterfield, Ardis. “Interpolated Lyric in Medieval Narrative Poetry.” Ph.D. dissertation: University of Cambridge, 1988.

———. “Lyric and Elegy in The Book of the Duchess.” Medium Ævum 60.1 (1991), 33–60.

———. “Pastoral and the Politics of Plague in Machaut and Chaucer.” Studies in the Age of Chaucer 16 (1994), 3–27.

———. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Cambridge: Cambridge University Press, 2002.

———. “Articulating the Author: Gower and the French Vernacular Codex.” Yearbook of English Studies 33 (2003), 80–96.

———. “Confessio Amantis and the French Tradition.” In A Companion to Gower. Ed. Siân Echard. Cambridge: D. S. Brewer, 2004. Pp. 165–80.

Calin, Françoise, and William Calin. “Medieval Fiction and New Novel: Some Polemical Remarks on the Subject of Narrative.” Yale French Studies 51 (1974), 235–50.

Calin, William. “A Reading of Machaut’s Jugement dou Roy de Navarre.” Modern Language Review 66.2 (1971), 294–97.

———. A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut. Lexington: University Press of Kentucky, 1974.

———. “The Poet at the Fountain: Machaut as Narrative Poet.” In Cosman and Chandler. Pp. 177–87.

———. “Problèmes de technique narrative au Moyen-Age: Le Roman de la Rose et Guillaume de Machaut.” In Mélanges de Langue et Littérature Françaises du Moyen-Âge Offerts à Pierre Jonin. Paris: Honoré Champion, 1979. Pp. 125–38.

———. “Le Moi Chez Guillaume de Machaut.” In Chailley, Imbs, and Poirion. Pp. 241–52.

———. A Muse for Heroes: Nine Centuries of the Epic in France. Toronto: University of Toronto Press, 1983.

———. In Defense of French Poetry: An Essay in Revaluation. University Park: Pennsylvania State University Press, 1987.

———. “Medieval Intertextuality: Lyrical Inserts and Narrative in Guillaume de Machaut.” The French Review 62.1 (1988), 1–10.

———. “Contre la Fin’Amor? Contre la Femme? Une Relecture du Textes de Moyen Age.” In Busby and Kooper. Pp. 61–82.

———. The French Tradition and the Literature of Medieval England. Toronto: University of Toronto Press, 1994.

———. “Machaut’s Legacy: The Chaucerian Inheritance Reconsidered.” In Palmer, Chaucer’s French Contemporaries. Pp. 29–46.

Calvez, Daniel. “La Structure du Rondeau: Mise au Point.” French Review 55.4 (1982), 461–70.

Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: Cambridge University Press, 1989.

———. “Gothic Signs and the Surplus: The Kiss on the Cathedral.” In Contexts: Styles and Values in Medieval Art. Eds. Daniel Poirion and Nancy Freeman Regalado. Special Issue of Yale French Studies (1991), 151–70.

———. The Medieval Art of Love: Objects and Subjects of Desire. New York: Harry N. Abrams, 1998.

———. “‘For Our Devotion and Pleasure’: The Sexual Objects of Jean, Duc de Berry.” Art History 24.2 (2001), 169–94.

Campbell, Anna Montgomery. The Black Death and Men of Learning. New York: Columbia University Press, 1931.

Campbell, Thomas P. “Machaut and Chaucer: Ars Nova and the Art of Narrative.” Chaucer Review 24.4 (1990), 275–89.

Capellanus, Andreas. The Art of Courtly Love. Trans. John Jay Parry. Ed. and abridged by Frederick W. Locke. New York: Frederick Ungar Publishing Co., 1957. First published in 1941.

Cappelli, Adriano. Cronologia, Cronografia e Calendario Perpetuo: Dal Principio Dell’Èra Christiana ai Nostri Giorni. Tavole Cronologico-Sincrone e Quadri Sinottici per Verificare le Date Storiche. Third edition. Milan: Editore Ulrico Hoepli, 1969.

Carré, Yannick. Le Baiser sur la Bouche au Moyen Âge: Rites, Symboles, Mentalités (XIe-XVe Siècles). Paris: Éditions Le Léopard d’Or, 1992.

Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Second edition. Cambridge and New York: Cambridge University Press, 2008.

Catholic Encyclopedia. Gen. ed. Kevin Knight, 1995–2018. Online at http://www.newadvent.org/cathen/.

Cattin, Giulio, and Francesco Facchin, eds. French Sacred Music. 2 vols. Monaco: Éditions de l’Oiseau–Lyre, 1991.

Caviness, Madeline H. Visualizing Women in the Middle Ages: Sight, Spectacle, and Scopic Economy. Philadelphia: University of Pennsylvania Press, 2001.

Cayley, Emma. “Machaut and Debate Poetry.” In McGrady and Bain. Pp. 103–18.

Cayley, Emma, and Ashby Kinch, eds. Chartier in Europe. Cambridge: D. S. Brewer, 2008.

Caylus, M. le Comte de. “Premier Mémoire sur Guillaume de Machaut, Poëte et Musicien dans le XIVe siècle: Contenant des recherches sur sa vie, avec une notice de ses principaux ouvrages.” Mémoires de Littérature, Tirés des Registres de l’Académie Royale des Inscriptions et Belles-Lettres: Depuis l’Année M. DCCVLIX, Jusques et Compris l’Année M. DCCXLVI. Vol. 20. Paris: L’Imprimerie Royale, 1753. Pp. 399–414.

Cazelles, Raymond. Jean l’Aveugle, Comte de Luxembourg, Roi de Bohême. Bourges: Tardy, 1947.

———. Société Politique, Noblesse et Couronne sous Jean le Bon et Charles V. Geneva: Librairie Droz, 1982.

———. Étienne Marcel, Champion de l’Unité Française. Paris: Tallandier, 1984.

Celsus, Aulus Cornelius. On Medicine. Volume 3: Books VII–VIII. Trans. W. G. Spencer. Cambridge, MA: Harvard University Press, 1938. Rpt. 1994.

Cerquiglini, Jacqueline. See Cerquiglini-Toulet, Jacqueline.

Cerquiglini-Toulet, Jacqueline. “Le clerc et l’écriture: Le voir dit de Guillaume de Machaut et la définition du dit.” In Literatur in der Gesellschaft des Spätmittelalters. Ed. Hans Ulrich Gumbrecht. Heidelberg: C. Winter, 1980. Pp. 151–68.

———. “Éthique de la totalisation et esthétique de la rupture dans le Voir Dit de Guillaume de Machaut.” In Chailley, Imbs, and Poirion. Pp. 253–62.

———. “‘Le Clerc et le Louche’: Sociology of an Esthetic.” Trans. Monique Briand-Walker. Poetics Today 5.3 (1984), 479–91.

———. “L’Écriture Louche. La Voie Oblique Chez les Grands Rhétoriqueurs.” In Les Grands Rhétoriqueurs. Actes de Ve Colloque International sur le Moyen Français. Milan, 6–8 Mai 1985. Vol. 1. Milan: Pubblicazioni della Università Cattolica del Sacro Cuore, 1985. Pp. 21–31.

———. “Un Engin si Soutil”: Guillaume de Machaut et l’Écriture au XIVe Siècle. Geneva: Slatkine, 1985.

———. “Écrire le Temps. Le Lyrisme de la Durée aux XIVe et XVe Siècles.” In Le Temps et la Durée dans la Littérature au Moyen Âge et à la Renaissance. Ed. Yvonne Bellenger. Paris: A. G. Nizet, 1986. Pp. 103–14.

———. “Le Dit.” Grundriss der Romanischen Literaturen des Mittelalters 8 (1988), 86–94.

———. “Le Voir Dit Mis à Nu Par Ses Éditeurs, Même. Étude de la Réception d’un Texte à Travers Ses Éditions.” In Mittelalter-Rezeption. Zur Rezeptionsgeschichte der Romanischen Literaturen des Mittelalters in der Neuzeit. Ed. Reinhold Grimm. Heidelberg: Carl Winter, 1991. Pp. 337–80.

———. The Color of Melancholy: The Uses of Books in the Fourteenth Century. Trans. Lydia G. Cochrane. Baltimore, MD: Johns Hopkins University Press, 1997.

———. “‘Ma Fin est Mon Commencement’: The Essence of Poetry and Song in Guillaume de Machaut.” In McGrady and Bain. Pp. 69–78.

———. “De l’Anecdote. La Bague Rendue avec le Doigt, de Guillaume de Machaut à Jean Molinet.” Romania 131 (2013), 70–82.

Cerquiglini-Toulet, Jacqueline, and Bernard Cerquiglini. “L’Écriture Proverbiale.” Revue des Sciences Humaines 163 (1976), 359–75.

Cerquiglini-Toulet, Jacqueline, and Nigel Wilkins. Guillaume de Machaut: 1300–2000. Paris: Presses de l’Université de Paris-Sorbonne, 2002.

Cerquiglini-Toulet, Jacqueline, René Pérennec, and Uwe Grüning. Guillaume de Machaut: Lob der Frauen. Gedichte Altfranzösisch und Deutsch. Leipzig: Philipp Reclam, 1987.

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