New Site Announcement: Over the past several years, the METS team has been building a new website and new digital edition, in collaboration with Cast Iron Coding. This next phase of METS' editions includes improved functionality and accessibility, an increased focus on transparency, and conformity to best practices for open access and digital editions, including TEI markup. We are currently in a "soft launch" phase in which we will monitor the new site for bugs and errors. We encourage you to visit our new site at https://metseditions.org, and we welcome feedback here: https://tinyurl.com/bdmfv282

We will continue to publish all new editions in print and online, but our new online editions will include TEI/XML markup and other features. Over the next two years, we will be working on updating our legacy volumes to conform to our new standards.

Our current site will be available for use until mid-December 2024. After that point, users will be redirected to the new site. We encourage you to update bookmarks and syllabuses over the next few months. If you have questions or concerns, please don't hesitate to contact us at robbins@ur.rochester.edu.
Back to top

The York Corpus Christi Plays: Bibliography

The references presented here include works cited in this edition. For an extensive biblio­graphy of medieval drama, theater, and iconography up to 2003, see the following website: http://www.wmich.edu/medieval/resources/edam/index.html.

MANUSCRIPTS AND INCUNABULA

Bolton Hours. York, York Minster Library, MS. Add. 2.

Carthusian Miscellany. London, British Library, MS. Add. 37049.

Hore beatissime Virginis Mariae. Rouen: Guillaume Bernard and Jacques Cousin, 1517.

Hymni canori cum jubilo secundum. [York Hymnal.] ?1517.

Missale secundum usum ecclesie Eboracensis. Paris: F. Regnault, 1533.

N-Town Plays. London, British Library, MS. Cotton Vespasian D.8.

Oxford, Bodleian Library, MS. Lat. liturg.f.2. (Book of Hours)

Psalter. London, British Library, MS. Add. 54179.

Psalter. Cambridge, Trinity College, MS. O.3.10.

Skryveners [Pageant]. York, York City Archives, MS. Sykes.

Torre, James. The Antiquities of York Minster. York, York Minster Library, MS. L1 (7).

———. Antiquities Ecclesiastical of the City of York. York, York Minster Library, MS. L1 (8).

York Hours. York, York Minster Library, MS. XVI.K.6.

York Plays. London, British Library, MS. Add. 35290.


PRIMARY SOURCES (PRINTED)

The Ancient Cornish Drama. Ed. and trans. Edwin Norris. 2 vols. Oxford: Oxford University Press, 1859. Reprint, New York: Benjamin Blom, 1968.

Apocalyptic Christianity. Trans. Bernard McGinn. New York: Paulist Press, 1979.

St. Augustine. The City of God. Trans. Marcus Dods et al. New York: Random House, 1950.

Bevington, David, ed. Medieval Drama. Boston: Houghton Mifflin, 1975.

Biblia Pauperum: A Facsimile and Edition. Ed. Avril Henry. Ithaca, NY: Cornell University Press, 1987.

Biblia Sacra iuxta vulgatam versionem. Ed. Robert Weber. Third ed. Stuttgart: Deutsche Bibelgesellschaft, 1969.

Birgitta of Sweden. Life and Selected Revelations. Ed. Marguerite Tjader Harris. Trans. Albert Ryle Kezel. New York: Paulist Press, 1990.

Breviarium ad usum insignis Ecclesie Eboracensis. Ed. S. W. Lawley. 2 vols. Surtees Society 71 and 75. Durham: Andrews, 1880–83.

Brown, Carleton, ed. Religious Lyrics of the XVth Century. Oxford: Clarendon Press, 1939.

Caedmon Manuscript of Anglo-Saxon Biblical Poetry: Junius XI in the Bodleian Library. Intro. Israel Gollancz. London: Oxford University Press, 1927.

Cawley, A. C. “The Sykes MS of the York Scriveners’ Play.” Leeds Studies in English 7–8 (1952), 45–80.

The Chester Mystery Cycle. Ed. R. M. Lumiansky and David Mills. 2 vols. EETS s.s. 3 and 9. London: Oxford University Press, 1974–86.

Churchwardens’ Accounts of St. Michael, Spurriergate, York, 1518–1548. Ed. C. C. Webb. 2 vols. York: Borthwick Institute, 1997.

The Coventry Corpus Christi Plays. Ed. Pamela M. King and Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 2000.

The Creacion of the World: A Critical Edition and Translation. Ed. and trans. Paula Neuss. New York: Garland, 1983.

Cursor Mundi. Ed. Richard Morris. 7 vols. EETS o.s. 57, 59, 62, 66, 68, 99, and 101. 1874–75. Reprint, London: Oxford University Press, 1961–66.

Dante Alighieri. The Divine Comedy. Trans. Allen Mandelbaum. 3 vols. Berkeley: University of California Press, 1980–84.

Davis, Norman, ed. Non-Cycle Plays and Fragments. EETS s.s. 1. London: Oxford University Press, 1970.

Dives and Pauper. Ed. Priscilla Heath Barnum. EETS o.s. 275. London: Oxford University Press, 1976.

Everyman and Its Dutch Original, Elckerlijc. Ed. Clifford Davidson, Martin W. Walsh, and Ton J. Broos. Kalamazoo, MI: Medieval Institute Publications, 2007.

The Fabric Rolls of York Minster. Ed. James Raine. Surtees Society 35. Durham: George Andrews, 1869.

Gospel of Nicodemus. See The Middle-English Harrowing of Hell and Gospel of Nicodemus.

Greene, Richard Leighton, ed. Early English Carols. Second ed. Oxford: Clarendon Press, 1977.

Happé, Peter, ed. English Mystery Plays: A Selection. Harmondsworth: Penguin, 1975.

Holkham Bible Picture Book. Intro. and commentary W. O. Hassall. London: Dropmore Press, 1954.

Holy Bible Translated from the Latin Vulgate. Baltimore, MD: John Murphy, 1914.

Jacobus de Voragine. The Golden Legend. Trans. William Granger Ryan. 2 vols. Princeton: Princeton University Press, 1993.

James, Montague Rhodes, ed. The Apocryphal New Testament. 1924. Reprint, Oxford: Clarendon Press, 1980.

Kramer, Heinrich, and Jacob Sprenger. The Malleus Maleficarum. Trans. Montague Summers. 1928. Reprint, New York: Dover, 1971.

The Lay Folks’ Catechism. Ed. Thomas Frederick Simmons and Henry Edward Noloth. EETS o.s. 118. London: N. Trübner, 1879.

The Lay Folks Mass Book. Ed. Thomas Frederick Simmons. EETS o.s. 71. London: N. Trübner, 1879.

Liber Usualis. Tournai: Desclee, 1959.

Love, Nicholas. Mirror of the Blessed Life of Jesus Christ. Ed. Michael G. Sargent. New York: Garland, 1992.

Meditations on the Life of Christ. Trans. Isa Ragusa and Rosalie B. Green. Princeton: Princeton University Press, 1961.

Meredith, Peter, and John E. Tailby, eds. The Staging of Religious Drama in the Later Middle Ages: Texts and Documents in English Translation. Kalamazoo, MI: Medieval Institute Publications, 1982.

The Middle-English Harrowing of Hell and Gospel of Nicodemus. Ed. William Henry Hulme. EETS e.s. 100. London: Oxford University Press, 1907.

A Middle-English Metrical Paraphrase of the Old Testament. Ed. Herbert Kalén and Urban Ohlander. 3 vols. Göteborg: Elanders, 1923–61.

Mirk, John. Festial. Ed. Theodor Erbe. EETS e.s. 96. 1905. Reprint, Millwood, NY: Kraus Reprint, 1987.

The Mirour of Mans Saluacioune: A Middle English Translation of Speculum Humanae Salvationis. Ed. Avril Henry. Philadelphia: University of Pennsylvania Press, 1987.

Missale ad usum insignis Ecclesiæ eboracensis. Ed. W. G. Henderson. 2 vols. Surtees Society 59–60. Durham: Andrews, 1874.

The Northern Passion. Ed. Frances A. Foster. 2 vols. EETS o.s. 145 and 147. 1913–16. Reprint, New York: Kraus Reprint, 1971.

The N-Town Play: Cotton MS Vespasian D.8. Ed. Stephen Spector. 2 vols. EETS s.s. 11–12. Oxford: Oxford University Press, 1991.

The N-Town Plays. Ed. Douglas Sugano. Kalamazoo, MI: Medieval Institute Publications, 2007.

Ordo paginarum. See Records of Early English Drama: York.

The Pepysian Gospel Harmony. Ed. Margery Goates. EETS o.s. 157. 1922. Reprint, Millwood, NY: Kraus Reprint, 1971.

Plato. The Collected Dialogues, Including the Letters. Ed. Edith Hamilton and Huntington Cairns. 1963. Reprint, Chicago: University of Chicago Press, 1973.

The Pricke of Conscience. Ed. Richard Morris. Berlin: A. Asher, 1863.

Promptorium Parvulorum sive Clericorum, Dictionarius Anglo-Latinus Princeps. Ed. Albertus Way. 3 vols. London: Camden Society, 1843–65. Reprint, New York: AMS Press, 1968.

Records of Early English Drama: Chester. Ed. Lawrence M. Clopper. Toronto: University of Toronto Press, 1979.

Records of Early English Drama: Coventry. Ed. R. W. Ingram. Toronto: University of Toronto Press, 1981.

Records of Early English Drama: Norwich, 1540–1642. Ed. David Galloway. Toronto: University of Toronto Press, 1984.

Records of Early English Drama: York. Ed. Alexandra F. Johnston and Margaret Rogerson. 2 vols. Toronto: University of Toronto Press, 1979.

Sheingorn, Pamela. The Easter Sepulchre in England. Kalamazoo, MI: Medieval Institute Publications, 1987.

Statutes of the Realm. Ed. T. Edlyn Tomlins et al. 11 vols. London: Eyre, 1808–21. Reprint, London: Dawson, 1963.

A Stanzaic Life of Christ. Ed. Frances A. Foster. EETS o.s. 166. London: Oxford University Press, 1926.

Stevens, John, ed. Mediaeval Carols. Second ed. London: Stainer and Bell, 1957.

The Towneley Plays. Ed. Martin Stevens and A. C. Cawley. 2 vols. EETS s.s.13 and 14. Oxford: Oxford University Press, 1994.

A Tretise of Miraclis Pleyinge. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 1993.

York Civic Records. Ed. Angelo Raine and Deborah Sutten. 9 vols. York: Yorkshire Archaeological Society, 1939–78.

York Cycle of Mystery Plays, a Complete Version. Trans. J. S. Purvis. London: SPCK, 1957.

York Memorandum Book A/Y. Ed. Maud Sellers. 2 vols. Surtees Society 120 and 125. Durham: Andrews, 1912–15.

York Memorandum Book B/Y. Ed. Joyce W. Percy. Surtees Society 186. Gateshead: Northumberland Press, 1973.

York Mystery Plays: A Selection in Modern Spelling. Ed. Richard Beadle and Pamela M. King. Oxford: Clarendon Press, 1984.

The York Play: A Facsimile of British Library MS Additional 35290. Intro. Richard Beadle and Peter Meredith. Leeds: University of Leeds School of English, 1983.

York Plays. Ed. Lucy Toulmin Smith. 1885. Reprint, New York: Russell and Russell, 1963.

The York Plays. Ed. Richard Beadle. London: Edward Arnold, 1982.

Young, Karl. The Drama of the Medieval Church. 2 vols. Oxford: Clarendon Press, 1933.


SECONDARY SOURCES

Anderson, M. D. Drama and Imagery in English Medieval Churches. Cambridge: Cambridge University Press, 1963.

Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. Rev. ed. New York: Viking Press, 1965.

Aslan, Reza. No God but God: The Origins, Evolution, and Future of Islam. New York: Random House, 2005.

Ault, Warren O. “The Village Church and Village Community in Mediaeval England.” Speculum 45 (1970), 197–215.

Barker, Margaret. The Great High Priest: The Temple Roots of Christian Liturgy. Edinburgh: T. and T. Clark, 2003.

Barnwell, P. S., Claire Cross, and Ann Rycraft, eds. Mass and Parish in Late Medieval England: The Use of York. Reading: Spire Books, 2005.

Beadle, Richard. “An Unnoticed Lacuna in the York Chandlers’ Pageant.” In So Meny People, Longages and Tonges: Philological Essays in Scots and Mediaeval English Presented to Angus McIntosh. Ed. Michael Benskin and M. L. Samuels. Edinburgh: Benskin and Samuels, 1981. Pp. 229–35.

———. “The Shipwrights’ Craft.” In Aspects of Early English Drama. Ed. Paula Neuss. Cambridge: D. S. Brewer, 1983. Pp. 50–61.

———. “Verbal Texture and Wordplay in the York Cycle.” Early Theatre 3 (2000), 167–84.

Beadle, Richard, and Alan J. Fletcher, eds. The Cambridge Companion to Medieval English Theatre. Second ed. Cambridge: Cambridge University Press, 2008.

Beadle, Richard, and Peter Meredith. “Further External Evidence for Dating the York Register (BL Additional MS 35290).” Leeds Studies in English, n.s. 11 (1980), 51–58.

Blair, John, and Nigel Ramsay, eds. English Medieval Industries: Craftsmen, Techniques, Products. London: Hambledon Press, 1991.

Bonnell, J. K. “The Serpent with a Human Head in Art and in Mystery Play.” American Journal of Archaeology, second ser. 21 (1917), 255–91.

Brawer, Robert A. “The Characterization of Pilate in the York Cycle Play.” Studies in Philology 69 (1972), 289–303.

Breeze, Andrew. “The Girdle of Prato and Its Rivals.” Bulletin of the Board of Celtic Studies 33 (1986), 95–100.

———. “The Number of Christ’s Wounds.” Bulletin of the Board of Celtic Studies 32 (1985), 84–91.

Briscoe, Marianne G. “Some Clerical Notions of Dramatic Decorum in Late Medieval England.” Comparative Drama 19 (1985), 1–13.

Brown, Sarah. York Minster: An Architectural History, c.1220–1500. Swindon: English Heritage, 2003.

Browne, E. Martin, with Henzie Browne. Two in One. Cambridge: Cambridge University Press, 1981.

Browne, John. The History of the Metropolitan Church of St. Peter, York. 2 vols. London: Longman, 1847.

Butterworth, Philip. “The York Crucifixion: Actor/Audience Relationship.” Medieval English Theatre 14 (1992), 67–76.

———. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research, 1998.

———. Magic on the Early English Stage. Cambridge: Cambridge University Press, 2005.

Bynum, Caroline Walker. The Resurrection of the Body in Western Christianity, 200–1336. New York: Columbia University Press, 1995.

Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press, 1990.

Carter, Henry Holland. A Dictionary of Middle English Musical Terms. Ed. George B. Gerhard et al. Bloomington: Indiana University Press, 1961.

Catholic Encyclopedia. Ed. Charles G. Herbermann et al. 15 vols. New York: Appleton, 1907–12.

Cawley, A. C. “Middle English Metrical Versions of the Decalogue with Reference to the English Corpus Christi Cycles.” Leeds Studies in English, n.s. 8 (1975), 129–45.

Cawley, A. C., Jean Forrester, and John Goodchild. “References to the Corpus Christi Play in the Wakefield Burgess Court Rolls: The Originals Rediscovered.” Leeds Studies in English, n.s. 19 (1988), 85–104.

Chambers, E. K. English Literature at the Close of the Middle Ages. Oxford: Clarendon Press, 1945.

Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon, Christie’s, 1984.

Clark, Eleanor Grace. “The York Plays and the Gospel of Nichodemus.” PMLA 43 (1928), 153–61.

Clopper, Lawrence M. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. Chicago: University of Chicago Press, 2001.

Collier, Richard J. Poetry and Drama in the York Corpus Christi Play. Hamden, CT: Archon Books, 1978.

Collins, Patrick J. “Narrative Bible Cycles in Medieval Art and Drama.” Comparative Drama 9 (1975), 125–46.

Cornell, Henrik. The Iconography of the Nativity of Christ. Uppsala: Uppsala Universitets Årsskrift, 1924.

Craig, Hardin. English Religious Drama of the Middle Ages. Oxford: Clarendon Press, 1955.

Craigie, W. A. “The Gospel of Nicodemus and the York Mystery Plays.” In An English Miscellany Presented to Dr. Furnivall in Honour of His Seventy-Fifth Birthday. Ed. W. P. Ker, A. S. Napier, and W. W. Skeat. Oxford: Clarendon Press, 1901. Pp. 52–61.

Cross, F. L., and E. A. Livingstone, eds. The Oxford Dictionary of the Christian Church. Third ed. Oxford: Oxford University Press, 1997.

Crouch, David. “Paying to See the Play: The Stationholders on the Route of the York Corpus Christi Play in the Fifteenth Century.” Medieval English Theatre 13 (1991), 64–111.

Curtiss, Chester G. “The York and Towneley Plays on The Harrowing of Hell.” Studies in Philology 30 (1933), 24–33.

Daniélou, Jean. From Shadows to Reality: Studies in the Biblical Typology of the Fathers. Trans. Wulstan Hibbard. London: Burns and Oates, 1960.

Davidson, Audrey Ekdahl. Substance and Manner: Studies in Music and the Other Arts. St. Paul, MN: Hiawatha Press, 1977.

———. “High, Clear, and Sweet: Singing Early Music.” In Sacra/Profana: Studies in Sacred and Secular Music for Johannes Riedel. Ed. Audrey Ekdahl Davidson and Clifford Davidson. Minneapolis: Friends of Minnesota Music, 1985. Pp. 217–26.

Davidson, Clifford. From Creation to Doom: The York Cycle of Mystery Plays. New York: AMS Press, 1984.

———. Illustrations of the Stage and Acting in England to 1580. Kalamazoo, MI: Medieval Institute Publications, 1991.

———. “Positional Symbolism and Medieval English Drama.” Comparative Drama 25 (1991), 66–76.

———. “Northern Spirituality and the Late Medieval Drama and Art of York.” In Davidson, On Tradition: Essays on the Use and Valuation of the Past. New York: AMS Press, 1992. Pp. 30–55.

———. Technology, Guilds, and Early English Drama. Kalamazoo, MI: Medieval Institute Publications, 1997.

———. “Gesture in Medieval British Drama.” In Davidson, Gesture in Medieval Art and Drama. Kalamazoo, MI: Medieval Institute Publications, 2001. Pp. 66–127.

———. History, Religion, and Violence: Cultural Contexts for Medieval and Renaissance English Drama. Aldershot: Ashgate, 2002.

———. Deliver Us from Evil: Essays on Symbolic Engagement in Early Drama. New York: AMS Press, 2004.

———. “Memory, the Resurrection, and Early Drama.” In Davidson, Selected Studies in Drama and Renaissance Literature. New York: AMS Press, 2006. Pp. 3–37.

———. “York Guilds and the Corpus Christi Plays: Unwilling Participants?” Early Theatre 9 (2006), 11–33.

———. Festivals and Plays in Late Medieval Britain. Aldershot: Ashgate, 2007.

———. “The York Corpus Christi Plays and Visual Piety.” Research Opportunities in Medieval and Renaissance Drama 46 (2007), 25–50.

———. Corpus Christi Plays at York: A Context for Religious Drama. New York: AMS Press, forthcoming.

———, ed. The Iconography of Heaven. Kalamazoo, MI: Medieval Institute Publications, 1994.

Davidson, Clifford, and David E. O’Connor. York Art: A Subject List of Lost and Extant Art. Kalamazoo, MI: Medieval Institute Publications, 1978.

Davidson, Clifford, and Thomas H. Seiler, eds. The Iconography of Hell. Kalamazoo, MI: Medieval Institute Publications, 1992.

Diller, Hans-Jürgen. “The Torturers in the English Mystery Plays.” In Evil on the Medieval Stage. Ed. Meg Twycross. Lancaster: Medieval English Theatre, 1992. Pp. 57–65.

———. The Middle English Mystery Play: A Study in Dramatic Speech and Form. Trans. Frances Wessels. Cambridge: Cambridge University Press, 1992.

Dobson, R. B. “Craft Guilds and the City: The Historical Origins of the York Plays Reassessed.” In The Stage as Mirror: Civic Theatre in Late Medieval Europe. Ed. Alan E. Knight. Cambridge: D. S. Brewer, 1997. Pp. 91–105.

Dorrell [later Rogerson], Margaret. “The Mayor of York and the Coronation Pageant.” Leeds Studies in English, n.s. 5 (1971), 35–45.

———. “Performance in Procession: A Medieval Stage for the York Corpus Christi Play.” Leeds Studies in English, n.s. 6 (1972), 77–111.

Duchesne, L. Christian Worship: Its Origin and Evolution. Trans. M. L. McClure. Fifth ed. London: SPCK, 1920.

Duclow, Donald F. “The Virgin’s ‘Good Death’: The Dormition in Fifteenth-Century Drama and Art.” Fifteenth-Century Studies 21 (1994), 55–86.

Dudley, Martin R. “Sacramental Liturgies in the Middle Ages.” In The Liturgy of the Medieval Church. Ed. Thomas J. Heffernan and E. Ann Matter. Kalamazoo, MI: Medieval Institute Publications, 2001. Pp. 215–43.

Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England 1400–1580. New Haven: Yale University Press, 1992.

Dutka, JoAnna. Music in the English Mystery Plays. Kalamazoo, MI: Medieval Institute Publications, 1980.

Dyer, Christopher. Standards of Living in the Later Middle Ages: Social Change in England, c. 1200–1520. Rev. ed. Cambridge: Cambridge University Press, 1998.

Elliott, John R., Jr. Playing God: Medieval Mysteries on the Modern Stage. Toronto: University of Toronto Press, 1989.

Emmerson, Richard K., and Bernard McGinn. The Apocalypse in the Middle Ages. Ithaca, NY: Cornell University Press, 1992.

Epp, Garrett P. J. “Visible Words: The York Plays, Brecht, and Gestic Writing.” Comparative Drama 24 (1990–91), 289–305.

Erler, Mary C. “Palm Sunday Prophets and Processions and Eucharistic Controversy.” Renaissance Quarterly 48 (1995), 58–81.

Feasey, Henry John. Ancient English Holy Week Ceremonial. London: Thomas Baker, 1897.

Flanigan, Tom. “Everyman or Saint? Doubting Joseph in the Corpus Christi Cycles.” Medieval and Renaissance Drama in England 8 (1996), 19–48.

Fletcher, Alan J. “The N-Town Plays.” In The Cambridge Companion to Medieval English Theatre. Second ed. Ed. Richard Beadle and Alan J. Fletcher. Cambridge: Cambridge University Press, 2008. Pp. 183–210.

———. Drama, Performance, and Polity in Pre-Cromwellian Ireland. Toronto: University of Toronto Press, 2000.

Florovsky, Georges. “The Work of the Holy Spirit in Revelation.” Christian East 13 (1932), 49–64.

Foster, Frances A. A Study of the Middle-English Poem Known as the Northern Passion and Its Relation to the Cycle Plays. London: Richard Clay and Sons, 1914.

Frampton, Mendal G. “The Brewbarret Interpolation in the York Play the Sacrificium Cayme and Abell.” PMLA 52 (1937), 895–900.

———. “The York Play of Christ Led up to Calvary (Play XXXIV).” Philological Quarterly 20 (1941), 198–203.

French, Thomas. York Minster: The Great East Window. Oxford: Oxford University Press, 1995.

French, Thomas, and David E. O’Connor. York Minster: The West Window of the Nave. Oxford: Oxford University Press, 1987.

Friedman, John B. Northern English Books, Owners, and Makers in the Late Middle Ages. Syracuse, NY: Syracuse University Press, 1995.

Gardiner, F. C. The Pilgrimage of Desire: A Study of Theme and Genre in Medieval Literature. Leiden: E. J. Brill, 1971.

Gardiner, Harold C. Mysteries’ End: An Investigation of the Last Days of the Medieval Religious Stage. New Haven: Yale University Press, 1946.

Gee, E. A. “The Painted Glass of All Saints’ Church, North Street, York.” Archaeologia 102 (1969), 151–202.

Gent, Thomas. The Antient and Modern History of the Famous City of York. York: Thomas Hammond and A. Bettesworth, 1730.

Gibson, Gail McMurray. “‘Porta haec clausa erit’: Comedy, Conception, and Ezekiel’s Closed Door in the Ludus Coventriae Play of ‘Joseph’s Return.'” Journal of Medieval and Renaissance Studies 8 (1978), 137–56.

———. The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages. Chicago: University of Chicago Press, 1989.

———. “Writing before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play.” Comparative Drama 27 (1993–94), 399–407.

Goldberg, Jeremy. “Craft Guilds, the Corpus Christi Play and Civic Government.” In The Government of Medieval York: Essays in Commemoration of the 1396 Royal Charter. Ed. Sarah Rees Jones. York: Borthwick Institute, 1997. Pp. 141–63.

Grantley, Darryll. “The National Theatre’s Productions of The Mysteries: Some Observations.” Theatre Notebook 40 (1986), 70–73.

Gray, Douglas. “The Five Wounds of Our Lord.” Notes and Queries 208 (1963), 50–51, 82–89, 127–34, and 163–68.

———. Themes and Images in the Medieval English Religious Lyric. London: Routledge and Kegan Paul, 1972.

Greg, W. W. “Bibliographical and Textual Problems of the English Miracle Cycles. III — Christ and the Doctors: Inter-Relation of the Cycles.” Library, third ser. 5 (1914), 280–319.

———. The Trial and Flagellation with Other Studies in the Chester Cycle. Oxford: Malone Society, 1935.

Guilfoyle, Cherrell. “The Staging of the First Murder in the Mystery Plays in England.” Comparative Drama 25 (1991), 42–51.

Halbwachs, Maurice. On Collective Memory. Trans. Lewis A. Cosner. Chicago: University of Chicago Press, 1992.

Halfpenny, Joseph. Fragmenta Vetusta; or, the Remains of Ancient Buildings in York. York: J. Halfpenny, 1807.

Hanks, Dorrel T. “New Sources for York Play XLV, ‘The Death of Mary’: Legenda Aurea and Vincent’s Speculum Historiale.” English Language Notes 14 (1976), 5–7.

Hanning, R. W. “‘You have begun a Parlous Pleye’: The Nature and Limits of Dramatic Mimesis as a Theme in Four Middle English ‘Fall of Lucifer’ Cycle Plays.” In Drama in the Middle Ages. Ed. Clifford Davidson, C. J. Gianakaris, and John H. Stroupe. New York: AMS Press, 1982. Pp. 140–68.

Happé, Peter. “Devils in the York Cycle: Language and Dramatic Technique.” Research Opportunities in Renaissance Drama 37 (1998), 79–98.

Hardison, O. B., Jr. Christian Rite and Christian Drama in the Middle Ages. Baltimore, MD: Johns Hopkins Press, 1965.

Harrison, Tony. The Mysteries. London: Faber and Faber, 1985.

Heffernan, Thomas J., and E. Ann Matter, eds. The Liturgy of the Medieval Church. Kalamazoo, MI: Medieval Institute Publications, 2001.

Hildburgh, W. L. “English Alabaster Carvings as Records of the Medieval Religious Drama.” Archaeologia 93 (1949), 51–101.

Hill, G. F. “The Thirty Pieces of Silver.” Archaeologia 59 (1905), 235–54.

Horne, Ethelbert. “The Crown of Thorns in Art.” Downside Review 53 (1935), 48–51.

Hoskins, W. G. Local History in England. Third ed. London: Longman, 1984.

Hourihane, Colum. Virtue and Vice: The Personifications in the Index of Christian Art. Princeton: Princeton University Press, 2000.

Hughes, Jonathan. Pastors and Visionaries: Religion and Secular Life in Late Medieval Yorkshire. Wood-bridge: Boydell Press, 1988.

Humphreys, K. W., ed. The Friars’ Libraries. London: British Library, 1990.

Inventory of the Historical Monuments in the City of York. 5 vols. London: Royal Commission on Historical Monuments of England, 1962–81.

Ishii, Mikiko. “A Spoon and the Christ Child.” In The Dramatic Tradition of the Middle Ages. Ed. Clifford Davidson. New York: AMS Press, 2005. Pp. 128–39.

James, Mervyn. “Ritual, Drama and Social Body in the Late Medieval English Town.” Past and Present 98 (1983), 3–29.

Johnson, Stephen. “The Last Judgment.” Early Theatre 3 (2000), 259–74.

Johnston, Alexandra F., ed. Editing Early English Drama: Special Problems and New Directions. New York: AMS Press, 1987.

———. “What If No Texts Survived? External Evidence for Early Drama.” In Contexts for Early English Drama. Ed. Marianne G. Briscoe and John C. Coldewey. Bloomington: Indiana University Press, 1989. Pp. 1–19.

———. “Four York Pageants Performed in the Streets of York: July 9, 1988.” Research Opportunities in Renaissance Drama 31 (1992), 101–04.

———. “The Word Made Flesh: Augustinian Elements in the York Cycle.” In The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle. Ed. Robert A. Taylor et al. Kalamazoo, MI: Medieval Institute Publications, 1993. Pp. 225–46.

———. “Traders and Playmakers: English Guildsmen and the Low Countries.” In England and the Low Countries in the Late Middle Ages. Ed. Caroline M. Barron and Nigel Saul. Stroud: Alan Sutton, 1995. Pp. 99–114.

———. “The City as Patron: York.” In Shakespeare and Theatrical Patronage in Early Modern England. Ed. Paul Whitfield White and Suzanne R. Westfall. Cambridge: Cambridge University Press, 2002. Pp. 150–75.

———. “The York Cycle and the Libraries of York.” In The Church and Learning in Later Medieval Society: Essays in Honour of R. B. Dobson. Ed. Caroline M. Barron and Jenny Stratford. Donnington: Shaun Tyas, 2002. Pp. 355–70.
Johnston, Alexandra F., and Margaret Dorrell [Rogerson]. “The York Mercers and Their Pageant of Doomsday, 1433–1526.” Leeds Studies in English, n.s. 6 (1972), 11–35.

Justice, Alan D. “Trade Symbolism in the York Cycle.” Theatre Journal 31 (1979), 47–58.

Kierkegaard, Søren. Fear and Trembling and the Sickness unto Death. Trans. Walter Lowrie. Princeton: Princeton University Press, 1968.

King, Pamela M. “York Plays, Urban Piety, and the Case of Nicholas Blackburn, Mercer.” Archiv 232 (1995), 37–50.

———. “Corpus Christi Plays and the ‘Bolton Hours,' 1: Tastes in Lay Piety and Patronage in Fifteenth-Century York.” Medieval English Theatre 18 (1996), 46–62.

———.“Contemporary Cultural Models for the Trial Plays in the York Cycle.” In Drama and Community: People and Plays in Medieval Europe. Ed. Alan Hindley. Turnhout: Brepols, 1999. Pp. 200–16.

———. “The York Plays and the Feast of Corpus Christi: A Reconsideration.” Medieval English Theatre 22 (2000), 13–32.

———. The York Mystery Cycle and the Worship of the City. Cambridge: D. S. Brewer, 2006.

Kinneavy, Gerald Byron. A Concordance to the York Plays. New York: Garland, 1986.

Kipling, Gordon. Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph. Oxford: Oxford University Press, 1998.

Knight, Alan. “Processional Theatre and the Rituals of Social Unity in Lille.” In Drama and Community: People and Plays in Medieval Europe. Ed. Alan Hindley. Turnhout: Brepols, 1999. Pp. 99–109.

Knowles, John A. “The East Window of Holy Trinity, Goodramgate, York.” Yorkshire Archaeological Journal 28 (1924–26), 1–24.

Köbling, E. “Beiträge zur Erklärung und Textkritik der York Plays.” Englische Studien 20 (1895), 179–220.

Leach, Arthur F. "Some English Plays and Players, 1220–1548." In An English Miscellany, Presented to Dr. Furnivall in Honour of His Seventy-fifth Birthday. Ed. W. P. Ker, A. S. Napier, and W. W. Skeat. Oxford: Clarendon Press, 1901. Pp. 205–34.

Lloyd, Megan S. “Reflections of a York Survivor: The York Cycle and Its Audience.” Research Opportunities in Renaissance Drama 39 (2000), 223–35.

Lovejoy, Arthur O. The Great Chain of Being: A Study of the History of an Idea. 1936. Reprint, New York: Harper and Row, 1965.

Lyle, Marie C. The Original Identity of the York and Towneley Cycles. Minneapolis: University of Minnesota, 1919.

Macaulay, Peter Stuart. “The Play of the Harrowing of Hell as a Climax in the English Mystery Cycles.” Studia Germanica Gandensia 8 (1966), 115–34.

MacCulloch, J. A. The Harrowing of Hell: A Comparative Study of an Early Christian Doctrine. Edinburgh: T. and T. Clark, 1930.

Mâle, Émile. Religious Art in France. Trans. Marthiel Mathews. 3 vols. Princeton: Princeton University Press, 1976–86.

Malvern, Marjorie M. Venus in Sackcloth: The Magdalen’s Origins and Metamorphoses. Carbondale: Southern Illinois University Press, 1975.

Marrow, James H. “Circumdederunt me canes multi: Christ’s Tormentors in Northern European Art of the Late Middle Ages and Early Renaissance.” Art Bulletin 59 (1977), 167–81.

———. Passion Icongraphy in Northern European Art of the Late Middle Ages and Early Renaissance: A Study of the Transformation of Sacred Metaphor into Descriptive Narrative. Kortrijk: Van Ghemmert, 1979.

Marshall, John. “‘The Crowning with Thorns and the Mocking of Christ’: A Fifteenth-Century Performance Analogue.” Theatre Notebook 45 (1991), 114–21.

Marx, C. W. The Devil’s Rights and the Redemption in the Literature of Medieval England. Cambridge: D. S. Brewer, 1995.

Massip, Francesc. “The Cloud: A Medieval Aerial Device, Its Origins, and Its Use in Spain Today.” In The Dramatic Tradition of the Middle Ages. Ed. Clifford Davidson. New York: AMS Press, 2005. Pp. 262–74.

May, Steven. “A Medieval Stage Property: The Spade.” Medieval English Theatre 4 (1982), 77–92.

McKinnell. John. “The Medieval Pageant Wagons at York: Their Orientation and Height.” Early Theatre 3 (2000), 79–104.

McLachlan, Elizabeth Parker. “Liturgical Vessels and Implements.” In The Liturgy of the Medieval Church. Ed. Thomas J. Heffernan and E. Ann Matter. Kalamazoo, MI: Medieval Institute Publications, 2001. Pp. 369–429.

Mellinkoff, Ruth. The Mark of Cain. Berkeley: University of California Press, 1981.

———. Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages. 2 vols. Berkeley: University of California Press, 1993.

Meredith, Peter. “The Ordo paginarum and the Development of the York Tilemakers’ Pageant.” Leeds Studies in English, n.s. 11 (1980), 59–73.

———. “John Clerke’s Hand in the York Register.” Leeds Studies in English, n.s. 12 (1981), 245–71.

———.“The Iconography of Hell in the English Cycles: A Practical Perspective.” In The Iconography of Hell. Ed. Clifford Davidson and Thomas H. Seiler. Kalamazoo, MI: Medieval Institute Publications, 1992. Pp. 158–86.

Middle English Dictionary. Ed. Hans Kurath and Sherman Kuhn. Ann Arbor: University of Michigan Press 1952– .

Mill, Anna J. “The York Bakers’ Play of the Last Supper.” Modern Language Review 30 (1935), 145–58.

———. “The York Plays of the Dying, Assumption, and Coronation of Our Lady.” PMLA 65 (1950), 866–76.

Mills, David. “The Chester Cycle.” In The Cambridge Companion to Medieval English Theatre. Second ed. Ed. Richard Beadle and Alan J. Fletcher. Cambridge: Cambridge University Press, 2008. Pp. 125–51.

Montagu, Jeremy. The World of Medieval and Renaissance Musical Instruments. Newton Abbot: David and Charles, 1976.

Muir, Lynette R. The Biblical Drama of Medieval Europe. Cambridge: Cambridge University Press, 1995.

Munson, William F. “Self, Action, and Sign in the Towneley and York Plays on the Baptism of Christ and in Ockhamist Salvation Theology.” In Nominalism and Literary Discourse: New Perspectives. Ed. Hugo Keiper, Christoph Bode, and Richard J. Utz. Amsterdam: Rodopi, 1997. Pp. 191–216.

Mussetter, Sally. “The York Pilate and the Seven Deadly Sins.” Neuphilologische Mitteilungen 81 (1980), 57–64.

Nagler, A. M. The Medieval Religious Stage: Shapes and Phantoms. New Haven: Yale University Press, 1976.

Nelson, Alan H. “The Temptation of Christ; or, The Temptation of Satan.” In Medieval English Drama: Essays Critical and Contextual. Ed. Jerome Taylor and Alan H. Nelson. Chicago: University of Chicago Press, 1972. Pp. 218–29.

Nichols, Ann Eljenholm. “The Hierosphithitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption.” Comparative Drama 25 (1991), 29–41.

———. “The Bread of Heaven: Foretaste or Foresight?” In The Iconography of Heaven. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 1994. Pp. 40–68.

———. Seeable Signs: The Iconography of the Seven Sacraments, 1350–1544. Woodbridge: Boydell Press, 1994.

Nicholson, R. H. “The Trial of Christ the Sorcerer in the York Cycle.” Journal of Medieval and Renaissance Studies 16 (1986), 125–69.

Oakshott, Jane. “Experiment with a Long-Range Cue: York Mystery Plays, 1994.” Leeds Studies in English, n.s. 29 (1998), 249–55.

———. “York Guilds’ Mystery Plays 1998: The Rebuilding of Dramatic Community.” In Drama and Community: People and Plays in Medieval Europe. Ed. Alan Hindley. Turnhout: Brepols, 1999. Pp. 270–89.

O’Connor, David E. “The Bedern Stained Glass.” In The Vicars Choral of York Minster: The College at Bedern. Ed. Julian D. Roberts. York: Council for British Archaeology, 2001. Pp. 559–75.

Ogden, Dunbar H. “The Visitatio Sepulchri: Public Enactment and Hidden Rite.” Early Drama, Art, and Music Review 16 (1994), 95–102.

Olson, Glending. “Plays as Play: A Medieval Ethical Theory of Performances and the Intellectual Context of The Tretise of Miraclis Pleyinge.” Viator 26 (1995), 195–221.

Oosterwijk, Sophie. “‘Long lullynge haue I lorn!’: The Massacre of the Innocents in Word and Image.” Medieval English Theatre 25 (2003), 3–53.

Ostovich, Helen, and Alexandra F. Johnston, eds. The York Cycle Then and Now. Special issue of Early Theatre 3 (2000).

Owst, G. R. Literature and Pulpit in Medieval England. Second ed. 1961. Reprint Oxford: Basil Blackwell, 1966.

Oxford English Dictionary. Ed. James Murray et al. Rev. ed. 20 vols. Oxford: Clarendon Press, 1989.

Pagels, Elaine. The Origin of Satan. New York: Random House, 1995.

Palliser, D. M. Tudor York. Oxford: Oxford University Press, 1979.

Palmer, Barbara D. “‘Towneley Plays’ or ‘Wakefield Cycle’ Revisited.” Comparative Drama 21 (1988), 318–48.

———. The Early Art of the West Riding of Yorkshire. Kalamazoo, MI: Medieval Institute Publications, 1990.

———. “The Inhabitants of Hell: Devils.” In The Iconography of Hell. Ed. Clifford Davidson and Thomas H. Seiler. Kalamazoo, MI: Medieval Institute Publications, 1992. Pp. 20–40.

———. “Corpus Christi ‘Cycles’ in Yorkshire: The Surviving Records.” Comparative Drama 27 (1993), 218–31.

———. “Gestures of Greeting: Annunciations, Sacred and Secular.” In Gesture in Medieval Art and Drama. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 2001. Pp. 128–77.

Palmer, Barbara D., et al. “The York Cycle in Performance: Toronto and York.” Early Theatre 1 (1998), 139–63.

Parshall, Peter. “The Art of Memory and the Passion.” Art Bulletin 81 (1999), 456–72.

Phythian-Adams, Charles. “Ceremony and the Citizen: The Communal Year at Coventry, 1450–1550.” In Crisis and Order in English Towns, 1500–1700. Ed. Peter Clark and Paul Slack. Toronto: University of Toronto Press, 1972. Pp. 57–85.

Pickering, F. P. Literature and Art in the Middle Ages. Coral Gables, FL: University of Miami Press, 1970.

Purvis, J. S. From Minster to Marketplace. York: St. Anthony’s Press, 1969.

Raby, F. J. E. A History of Christian-Latin Poetry from the Beginnings to the Close of the Middle Ages. Second ed. Oxford: Oxford University Press, 1953.

Raine, Angelo. Mediaeval York: A Topological Survey Based on Original Sources. London: John Murray, 1955.

Rastall, Richard. “Heaven: The Musical Repertory.” In The Iconography of Heaven. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 1994. Pp. 162–96.

———. The Heaven Singing. Cambridge: Boydell and Brewer, 1996.

———. Minstrels Playing. Cambridge: D. S. Brewer, 2001.

———. “The Mystery Plays 25 Years On.” <http://www.leeds.ac.uk/reporter/252/mysteryp.htm> (accessed 7–2–08).

Réau, Louis. Iconographie de l'art chrétien. 3 vols. Paris: Presses universitaires de France, 1955–59.

Rees Jones, Sarah. “York’s Civic Administration, 1354–1464.” In The Government of Medieval York: Essays in Commemoration of the 1396 Royal Charter. Ed. Sarah Rees Jones. York: Borthwick Institute, 1997. Pp. 108–40.

Reese, Jesse Byers. “Alliterative Verse in the York Cycle.” Studies in Philology 48 (1951), 639–68.

Reiss, Edmund. “The Story of Lamech and Its Place in Medieval Drama.” Journal of Medieval and Renaissance Studies 2 (1972), 35–48.

Remnant, Mary. “Musical Instruments in Early English Drama.” In Material Culture and Medieval Drama. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 1999. Pp. 141–94.

Robb, David M. “The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries.” Art Bulletin 18 (1936), 480–526.

Robbins, Rossell Hope. "Levation Prayers in Middle English Verse." Modern Philology 40 (1942), 131–46.

Robinson, J. W. “The Art of the York Realist.” Modern Philology 60 (1963), 241–51.

———. “The Late Medieval Cult of Jesus and the Mystery Plays.” PMLA 80 (1965), 508–14.

———. Studies in Fifteenth-Century Stagecraft. Kalamazoo, MI: Medieval Institute Publications, 1991.

Rogerson, Margaret. “Living History: The Modern Mystery Plays in York.” Research Opportunities in Renaissance Drama 43 (2004), 12–28.

Rubin, Miri. Corpus Christi: The Eucharist in Late Medieval Culture. Cambridge: Cambridge University Press, 1991.

Rushforth, Gordon McN. Medieval Christian Imagery. Oxford: Clarendon Press, 1936.

Russell, Jeffrey Burton. Satan: The Early Christian Tradition. Ithaca, NY: Cornell University Press, 1981.

Scarisbrick, J. J. The Reformation and the English People. Oxford: Basil Blackwell, 1984.

Schapiro, Meyer. Late Antique, Early Christian, and Mediaeval Art: Selected Papers. New York: George Braziller, 1979.

Schiller, Gertrud. Iconography of Christian Art. Trans. Janet Segilman. 2 vols. Greenwich, CT: New York Graphic Society, 1971.

Schmitt, Natalie Crohn. “The Body in Motion in the York Adam and Eve in Eden.” In Gesture in Medieval Art and Drama. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 2001. Pp. 158–77.

Scott, Kathleen L. Later Gothic Manuscripts, 1390–1490. 2 vols. London: Harvey Miller, 1996.

Seiler, Thomas H. “Filth and Stench as Aspects of the Iconography of Hell.” In The Iconography of Hell. Ed. Clifford Davidson and Thomas H. Seiler. Kalamazoo, MI: Medieval Institute Publications, 1992. Pp. 132–40.

Sharp, Thomas. A Dissertation on the Pageants or Dramatic Mysteries Anciently Performed at Coventry. Coventry: Merridew and Son, 1825.

Sheingorn, Pamela. “The Moment of the Resurrection in the Corpus Christi Plays.” Medievalia et Humanistica, n.s. 11 (1982), 111–29.

———. “The Te Deum Altarpiece and the Iconography of Praise.” In Early Tudor England: Proceedings of the 1987 Harlaxton Symposium. Ed. Daniel Williams. Woodbridge: Boydell Press, 1989. Pp. 171–82.

———. “‘Who can open the doors of his face?’ The Iconography of Hell Mouth.” In The Iconography of Hell. Ed. Clifford Davidson and Thomas H. Seiler. Kalamazoo, MI: Medieval Institute Publications, 1992. Pp. 1–19.

Shorr, Dorothy C. “The Iconographic Development of the Presentation in the Temple.” Art Bulletin 28 (1946), 17–32.

Skey, Miriam. “Herod’s Demon Crown.” Journal of the Warburg and Courtauld Institutes 40 (1977), 274–76.

Snyder, Susan.”The Left Hand of God: Despair in Medieval and Renaissance Tradition.” Studies in the Renaissance 12 (1965), 18–59.

Spector, Stephen. “Anti-Semitism in the English Mystery Plays.” Comparative Drama 13 (1979), 3–16.

Spinrad, Phoebe S. The Summons of Death on the Medieval and Renaissance Stage. Columbus: Ohio State University Press, 1987.

Stanton, Anne Rudloff. The Queen Mary Psalter: A Study of Affect and Audience. Philadelphia, PA: American Philosophical Society, 2001.

Steiner, Ruth. “Note on the Transcriptions.” See Wall, “York Pageant XLVI and Its Music.”

Stevens, John. “Music in Mediaeval Drama.” Proceedings of the Royal Musical Association 84 (1957–58), 81–95.

———. “The Music of Play XLV: The Assumption of the Virgin.” In The York Plays. Ed. Richard Beadle. London: Edward Arnold, 1982. Pp. 465–74.

Stevens, Martin. Four Middle English Mystery Cycles: Textual, Contextual, and Critical Interpretations. Princeton: Princeton University Press, 1987.

Sullivan, Mark R. “The Missing York Funeral of the Virgin.” In The Dramatic Tradition of the Middle Ages. Ed. Clifford Davidson. New York: AMS Press, 2005. Pp. 150–54.

Swanson, Heather. “The Illusion of Economic Structure: Craft Guilds in Late Medieval English Towns.” Past and Present 121 (1988), 29–48.

———. Medieval Artisans: An Urban Class in Late Medieval England. Oxford: Basil Blackwell, 1989.

Tilley, Morris Palmer. Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor: University of Michigan Press, 1950.

Tillott, P. M., ed. A History of Yorkshire: The City of York. London: Oxford University Press, 1961.

Tiner, Elza C. “English Law in the York Trial Plays.” In The Dramatic Tradition of the Middle Ages. Ed. Clifford Davidson. New York: AMS Press, 2005. Pp. 140–49.

———, ed. Teaching with the Records of Early English Drama. Toronto: University of Toronto Press, 2006.

Trexler, Richard C. The Journey of the Magi: Meanings in History of a Christian Story. Princeton: Princeton University Press, 1997.

Tristram, E. W. English Wall Painting in the Fourteenth Century. London: Routledge and Kegan Paul, 1955.

Turner, Ralph V. “Descendit ad Inferos: Medieval Views on Christ’s Descent into Hell and the Salvation of the Ancient Just.” Journal of the History of Ideas 27 (1966), 173–94.

Turville-Petre, T. The Alliterative Revival. Cambridge: D. S. Brewer, 1977.

Twycross, Meg. “‘Places to hear the play’: Pageant Stations at York, 1398–1572.” REED Newsletter (1978), 10–33.

———. “The Flemish Ommegang and Its Pageant Cars.” Medieval English Theatre 2 (1980), 15–41 and 80–98.

———. “Playing ‘The Resurrection.'” In Medieval Studies for J. A. W. Bennett. Ed. P. L. Heyworth. Oxford: Clarendon Press, 1981. Pp. 273–96.

———.“Apparell Comely.” In Aspects of Early English Drama. Ed. Paula Neuss. Cambridge: D. S. Brewer, 1983. Pp. 30–49.

———. “‘With what body shall they come?’: Black and White Souls in the English Mystery Plays.” In Langland, the Mystics, and the Medieval Religious Tradition: Essays in Honour of S. S. Hussey. Ed. Helen Philips. Cambridge: D. S. Brewer, 1990. Pp. 271–86.

———. “Forget the 4:30 a.m. Start: Recovering a Palimpsest in the York Ordo paginarum.” Medieval English Theatre 25 (2003), 98–152.

———. “The Ordo paginarum Revisited, with a Digital Camera.” In “Bring furth the pagants”: Essays in Early English Drama Presented to Alexandra F. Johnston. Ed. David N. Klausner and Karen Sawyer Marsalek. Toronto: University of Toronto Press, 2007. Pp. 105–31.

Twycross, Meg, and Sarah Carpenter. Masks and Masking in Medieval and Early Tudor England. Aldershot: Ashgate, 2002.

Wall, Carolyn. “York Pageant XLVI and Its Music (With a Note on the Transcriptions by Ruth Steiner).” Speculum 46 (1971), 689–712.

Wallis, J. P. R. “The Miracle Play of ‘Crucifixio Cristi’ in the York Cycle.” Modern Language Review 12 (1917), 494–95.

Walters, Barbara R., Vincent J. Corrigan, and Peter T. Ricketts. The Feast of Corpus Christi. University Park: Pennsylvania State University Press, 2006.

Warner, George. Queen Mary’s Psalter: Miniatures and Drawings by an English Artist of the Early Fourteenth Century. London: British Museum, 1912.

Warner, Marina. Alone of All Her Sex: The Myth and the Cult of the Virgin Mary. London: Weidenfeld and Nicolson, 1976.

Watson, Arthur. The Early Iconography of the Tree of Jesse. Oxford: Oxford University Press, 1934.

Wayment, Hilary. The Stained Glass of the Church of St. Mary, Fairford, Gloucestershire. London: Society of Antiquaries, 1984.

Wee, David L. “The Temptation of Christ and the Motif of Divine Duplicity in the Corpus Christi Cycle Drama.” Modern Philology 72 (1974), 1–16.

Wells, Minnie. “The Age of Isaac at the Time of the Sacrifice.” Modern Language Notes 54 (1939), 579–82.

White, Eileen. “Places for Hearing the Corpus Christi Play in York.” Medieval English Theatre 9 (1987), 23–63.

———. “Places to Hear the Play in York.” Early Theatre 3 (2000), 49–78.

White, Sheila. “A Psychodynamic Perspective of Workplace Bullying: Containment, Boundaries, and a Futile Search for Recognition.” British Journal of Guidance and Counseling 32 (2003), 269–80.

Whiting, Bartlett Jere, with the collaboration of Helen Wescott Whiting. Proverbs, Sentences, and Proverbial Phrases from English Writings Mainly before 1500. Cambridge, MA: Belknap Press, 1968.

Williams, Rowan. Why Study the Past? The Quest for the Historical Church. Grand Rapids, MI: Eerdmans, 2005.

Wilson, Adrian, and Joyce Lancaster Wilson. A Medieval Mirror: Speculum humanae salvationis 1324–1500. Berkeley: University of California Press, 1984.

Woolf, Rosemary. “The Effect of Typology on the English Mediaeval Plays of Abraham and Isaac.” Speculum 32 (1957), 805–25.

———. “The Theme of Christ the Lover-Knight in Medieval English Literature.” Review of English Studies, n.s. 13 (1962), 1–16.

———. The English Religious Lyric in the Middle Ages. Oxford: Clarendon Press, 1968.

———. The English Mystery Plays. Berkeley: University of California, 1972.

Young, James M. “The York Pageant Wagon.” Speech Monographs 34 (1967), 1–20.

Zimbardo, Philip. The Lucifer Effect: Understanding How Good People Turn Evil. New York: Random House, 2007.


DIALECT STUDIES


Aitken, A. Jack. “Variation and Variety in Written Middle Scots.” In Edinburgh Studies in English and Scots. Ed. A. Jack Aitken, Angus McIntosh, and Herman Pálsson. London: Longman, 1971. Pp. 177–209.

Aitken, A. Jack, and Caroline Macafee. The Older Scots Vowels: A History of the Stressed Vowels of Older Scots from the Beginnings to the Eighteenth Century. Guildford: Scottish Text Society, 2002.

Chambers, E. K. See entry in previous section.

Cowling, George H. The Dialect of Hackness, North-east Yorkshire. Cambridge: Cambridge University Press, 1915.

Ellis, Alexander J. Early English Pronunciation. 5 vols. EETS e.s. 2, 7, 14, 23, and 56. London: Trübner, 1869–89.

Fisher, John H. The Emergence of Standard English. Lexington: University Press of Kentucky, 1996.

Gayley, Charles Mills. Plays of Our Forefathers and Some of the Traditions upon Which They Were Founded. New York: Duffield, 1907.

Greg, W. W. “Bibliographical and Textual Problems of the English Miracle Cycles. III — Christ and the Doctors: Inter-Relation of the Cycles.” Library, third ser. 5 (1914), 280–319.

Hohlfeld, Alex. “Die Altenglischen Kollektivmisterien: Unter besonderer Berücksictigung des Verhältnisses der York- und Towneley-spiele.” Anglia 11 (1889): 219-310.

Jack, Ronald D. S. “The Language of Literary Materials: Origins to 1700.” In The Edinburgh History of the Scots Language. Ed. Charles Jones. Edinburgh: Edinburgh University Press, 1997. Pp. 213–63.

Johnston, Paul A., Jr. “Lass’s Law and West Germanic Vowel Shifts.” Folia Linguistica Historica 10.2 (1989), 199–261.

———. “English Vowel Shifting: A Great Vowel Shift or Two ‘Small Vowel Shifts’?” Diachronica 9 (1992), 189–226.

———. “The Dialect of A Tretise of Miraclis Pleyinge.” In A Tretise of Miraclis Pleyinge. Ed. Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 1993. Pp. 53–84.

———. “Older Scots Phonology and Its Regional Variation.” In The Edinburgh History of the Scots Language. Ed. Charles Jones. Edinburgh: Edinburgh University Press, 1997. Pp. 47–111.

———. “The Dialect of The Worlde and the Chylde.” In The Worlde and the Chylde. Ed. Clifford Davidson and Peter Happé. Kalamazoo, MI: Medieval Institute Publications, 1999. Pp. 118–21.

Jordan, Richard. Handbook of Middle English Grammar: Phonology. Fourth ed. Trans. Eugene J. Crook. The Hague: Mouton, 1974.

Kniesza, Veronika. “The Problem of the Merger of Middle English /a:/ and /ai/ in Northern English.” In Current Topics in English Historical Linguistics. Ed. Michael Davenport, Erik Hansen, and Hans Frede Nielsen. Odense: Odense University Press, 1983. Pp. 95–102.

———. “<ai> and <a> in Medieval Northern English Manuscripts.” Folia Linguistica Historica 3.1 (2003), 45–53.

Kristensson, Gillis. A Survey of Middle English Dialects 1290–1350: The Six Northern Counties and Lincolnshire. Lund: C. W. K. Gleerup, 1967.

Lass, Roger. “Vowel Shifts: Great and Otherwise; Remarks on Stockwell and Minkova.” In Luick Revisted: Papers Read at the Luick-Symposium at Schloss Liechtenstein, 15.–18.9.1985. Ed. Dieter Kastovsky and Gero Bauer. Tübingen: Gunter Narr, 1988. Pp. 395–410.

Luick, Karl W. Studien zur Englischen Lautgeschichte. 2 vols. 1898. Reprint, New York: Johnson, 1964.

McIntosh, Angus, M. L. Samuels, and Michael Benskin, eds. A Linguistic Atlas of Late Mediaeval English. 4 vols. Aberdeen: Aberdeen University Press, 1986. [LALME]

Moorman, Frederick W. Yorkshire Dialect Poems, 1673–1915. 1915. Electronic reprint, David Fawthrop and David Widger, 2009: <www.gutenberg.org>, ebook #2888.

Orton, Harold. The Phonology of a South Durham Dialect: Descriptive, Historical, and Comparative. London: Kegan Paul, Trench and Trübner, 1933.

Orton, Harold, and Wilfred A. H. Halliday, eds. The Survey of English Dialects. Vol l: Basic Material: The Six Northern Counties and the Isle of Man. 3 parts. Leeds: E. J. Arnold and Son, 1962.

Reese, Jesse Byers. “Alliterative Verse in the York Cycle.” Studies in Philology 48 (1951), 639–68.

Samuels, M. L. “Some Applications of Middle English Dialectology.” In Middle English Dialectology: Essays on Some Principles and Problems. Ed. Angus McIntosh, M. L. Samuels, and Margaret Laing. Averdeen: Aberdeen University Press, 1978. Pp. 67–80.

Stockwell, Robert, and Donka Minkova. “The English Vowel Shift: Problems of Coherence and Explanation.” In Luick Revisted: Papers Read at the Luick-Symposium at Schloss Liechtenstein, 15.–18.9.1985. Tübingen: Gunter Narr, 1998. Pp. 355–93.

Trudgill, Peter. The Social Differentiation of English in Norwich. Cambridge: Cambridge University Press, 1974.

Wales, Katie. Northern English: A Social and Cultural History. Cambridge: Cambridge University Press, 2006.

Wright, Joseph. A Grammar of the Dialect of Windhill, in the West Riding of Yorkshire. 1892. Reprint, London: Caffin, 2008.

———. English Dialect Grammar. London: Henry Frowde, 1905.