[Includes “Aiken-Drum, the Brownie,” “Pat and the Fairies,” “Change About,” “Cinderella,” “Snow-White and Rose-Red,” “Snip, the Tailor,” “Brier Rose,” “Prince Hal and the Giant,” “Hansel and Gretel,” “The Princess on the Glass Hill,” and “East of the Sun and West of the Moon.”]

[This reader includes two stories, the first an adaptation of Perrault’s Cinderella, the second, “The Sisters,” a story about a bad woman with two daughters who, after the death of the father, favors the bad daughter but hates the virtuous younger girl whom she treats as a slave. An old woman passes by and the younger girl serves her water from her waterjug. She turns out to be a fairy who rewards the girl’s kind generosity with flowers and jewels. The girl’s mother is angry. She sends the older daughter to the spring. The fairy appears again, this time as a beautiful young lady. She asks for a drink but is denied, since the bad girl is waiting for the older woman who puts jewels in one’s mouth. The fairy responds, “Toads and snakes are going to come out of your mouth, because you aren’t a kind girl.” The girl laughs and goes home, but, as the fairy said, toads and snakes come out of her mouth rather than jewels. The angry mother sends the younger daughter away. As she sits weeping in the forest a prince comes by and asks why she is crying. She tells her story. The prince admires her kindness and takes her to the palace. They are married and love each other very much.]

[A sixteen-page glossy color foldout of illustrations from books in the Perrault's Cinderella collection at the Cotsen Library, with a short introduction by Andrea Immel, Curator. Photographs by Blazejewski. Design by Laurel Masten Cantor. Includes front cover woodcut by Arthur Rackham, from Cinderella Retold by C. S. Evans (Philadelphia, 1919); Klaus Ensikat's drawing of the corsetting of the stepsisters for the ball, Der kleine Däumling und andere Märchen (Stuttgart, 1980); Quentin Blake's fairy godmother hovering over Cinderella and mice as the dirty girl demands, "Get me to the Ball! There is a Disco at the Palace! The rest have gone and I am jalous!", Revolting Rhymes (New York, 1983); Adrien Marie's Cinderella with pumpkin before a statuesque fairy godmother, Perrault's Le contes de fées(Paris 1884); Gustave Doré's dumpy fairy godmother cutting open a huge pumpkin as Cinderella holds the candle, Perrault's Le contes (Paris, 1883); Hanns Anker's illustration of Aschenbrödel under the lindentree at her mother's grave receiving elegant clothing,Aschenbrödel (Hannover, 1910); Sarah Stilwell Weber's "Here's A New Frock For You," with Cinderella admiring her reflection on the bottom of a shiny metal pan, Sarah Stilwell Weber,The Musical Tree (Philadelphia, 1925); Cinderella dancing with the Prince at the ball,Cinderella, or The Little Glass Slipper (London, 1832); Carl Offterdinger's Cinderella fleeing down the stairway, leaving her slipper behind, Cendrillon (Paris, 1884); Arthur Rackham silhouette of fleeing Cinderella, one shoe on, one off, C.S.Evans, Cinderella Retold(Philadelphia, 1919); Edouard de Beaumont's illustrated page of many feet pointed toward the slipper on a pillow with the herald's trumpet on it, Cinderella and the Two Gifts(Asnières, Boussod, Valadon, 1886); Roberto Innocenti's art deco drawing of a spectacled gentleman in derby hat admiring Cinderella's leg as the shoe fits while the cat watches and the two taller and leggier stepsisters put their shoes back on while sitting on a couch, Cinderella (Mankato, MN, 1983). The essay is headed by a etching of Cinderella starting to flee at the ball with musicians and dancers all about as the Prince picks up the slipper, from one of eight surviving copies of Perrault's first edition of Les contes (1697). The Cotsen Library has over one hundred editions of Perrault's fairy tales, along with dozens of other editions other unusual presentations of the story.]

[Educational material. An adaptation of the story into a rap chant for all ages.]

Includes the songs “A Dream is a Wish Your Heart Makes” and “Bibbidi-Bobbidi-Boo!”

[“Relive the magic!” The audio tape indicates page changes. The narrative provides favorite character voices, vivid sound effects, and memorable music. The text offers word-for-word narration that builds vocabulary and encourages reading independently. The book has beautiful art work to enhance the narrative. “Perfect for quiet times, auto trips and gift giving throughout the year [providing] hours of fun as they [your children] learn to read these timeless tales” (back cover).]

[A teacher’s guide to ten films produced by Tom and Mimi Davenport (see individual entries under Movies and TV), including The Frog King, or Faithful Henry; Bearskin; Hansel and Gretel; Rapunzel Rapunzel; Bristlelip; The Goose Girl; Jack and the Dentist’s Daughter; Soldier Jack; Ashpet; and Mutzmag. The guide includes facts about making the films, overall suggested curriculum for the book and the Film/Video Series scaled for grades 2-3, 4-6, 7-9, 10-12. Has a section on folktales, types and motifs as well as introductions and interpretations of the specific films. Good follow up materials included as well.]

[Discusses uses of the series of Grimm based films cited in the entry above, along with discussion of scriptwriting, casting, makeup, locations, set design, sound, cinematography, editing, and movie acting. Includes “Tips for Teachers,” by George Weathers, and “Movies with a Classroom Crew,” by Betsy Newman. The appendix considers treatment, screenplay, storyboards, composition, glossary, and bibliography.]

[Ch. 1. An Introduction to Fantasy Literature in the Classroom. Ch.2. Literature Studies, with discussion of teaching literature to intermediate children (fourth graders and beyond) through discussion, journals, oral readings, writing, and other projects. Ch. 3. Talking Animals: An Author Study of E. B. White, with discussions of close reading and classroom reading; samples of student writing. Ch. 4. Thematic Study of Cinderella, with sections on historical background, uses of a Cinderella center, Cinderella themes in popular culture and elsewhere, analyses of variants, recommended readings and videos, and a student packet that uses Cinderella to define what a fairy tale is. Edinger includes student responses to Cinderella issues (including comments on Chaplin movies with male Cinderella plots, and Charlie and the Chocolate Factory as a Cinderella story) and rewritings of Cinderella stories by fourth graders (Matthew Spiro’s “Baseballella,” Erica Bromley’s “Cinderella Goes to CAMP!,” Anna Monaco’s “Shoerella,” Steven Rosenblatt’s “Ovenella or the Little Brass Knuckles,” and Anne Kurtz’s “Cinderella Poem.” Ch. 5. Visualizing Fantasy: A Study of Alice in Wonderland & its Illustrators, with discussion of functions of illustrations in children’s literature, recommended videos and a student packet on the many faces of Alice. Ch. 6. Book into Film: A Comparative Study of The Wonderful Wizard of Oz - Baum’s Book and the MGM Movie, with a student packet and projects. Ch. 7. Reading Fantasy Literature Aloud, with comments on story time as ritual and etiquette. Ch. 8. Fantasy Literature in an Independent Reading Program. Includes bibliography for each chapter. The book is thoughtful, inventive, and a lot of fun.]

[Three sets of picture cards, one storybook, and twenty decorative stamps with which children ages 4-7 may tell and recreate scenes from the story of Cinderella.]

[A word about culture and the characteristics of Folk Tales, story mapping, games such as a crossword puzzle, a “Help Cinderella Get to the Ball” Board Game, and a Cinderella Song to be sung to the tune of “Frere Jacque.” Work units on “The Egyptian Cinderella,” “Yeh-Shen,” Grimms’ “Cinderella,” “Nomi and the Magic Fish,” “Talking Eggs,” “Mufaro’s Beautiful Daughters,” “The Rainbow-Colored Horse,” “Rough-Face Girl,” “The Magic Orange Tree,” and Perrault’s “Cinderella.”]

[A first-grade reader, written in 44 preprimer words: e.g., the herald says: “Come to the ball/ Come to the ball!”; to which the stepsisters reply: “Oh, Mother, Mother. / We can go to the ball. / We two can go./ A ball is fun.” Then to Cinderella: “Come here, you. / Run, run, run. / You can help. / We want you to help.” etc.]

[Lesson plans for the teaching of ten ethnic versions of the Cinderella story from Africa, the Americas, Asia, Europe, and the Middle East, including The Egyptian Cinderella,Cendrillon: A Caribbean Cinderella, Domiatila: A Cinderella Tale from the Mexican Tradition,The Rough Face Girl, The Turkey Girl: A Zuni Cinderella Story, Angkat: The Cambodian Cinderella, Jouanah: A Hmong Cinderella, Yeh-Shen: A Cinderella Story from China, Baba Yaga & Vasilisa the Brave, and The Persian Cinderella. The works are summarized and incorporated into lessons for middle and upper grades. Each story is accompanied by a booktalk, motifs and ideas for discussion, a connection subject area, and vocabulary exercises. Material for group activities and self evaluation are also included.]

[Shari Lewis tells the glass slipper story to Lamb Chop, who keeps interrupting with mixed-up responses, like stepladders for stepsisters, pet for bride which the prince will choose, carrot for pumpkin, monkeys for horses, shovels for slippers, and so on. With each of Lamb Chop’s enthusiastic mistakes Ms Lewis shows him three picture cards, one of which has the right answer on it for him to choose from as he (and presumably the child to whom the story is being read) attempts to get the story straight.]

[“Cinderella’s Wedding Cake with Orange and Lemon Frosting,” pp. 68-72.]

[Localized interface of the Cinderella story in nine languages: English, Spanish, French, German, Italian, Portuguese, Japanese, Korean, Chinese, which makes possible study of any of the nine in conjunction with any other of the nine. All menus and help files are in the language chosen. Includes Foreign Language Drills, which include the possibility of comparing your voice to that of a native speaker with the Record/Playback feature.]

[For fifth graders. Includes story summaries and work/study units on an Italian Cinderella, Korean Cinderella, Moss Gown, Sootface, Wishbones, Mother Holly, The Enchanted Anklet, Tam & Cam, Poor Turkey Girl, and Abadeha. Nowak co-authored Who’s Got the Slipper? with Nancy Hicks.]

[Grandma tells Cinderella to grandchildren Millicent and Matthew at bedtime. They want more so Grandma explains that Cinderella stories come from all over the world, which she illustrates with an ABC, where each letter summarizes a version from different places. E.g., A=Ashes, as in the Native American Sootface tale. Z=zzzz, as it’s almost midnight and long past bedtime; but the children are reminded as they fall asleep that “your fairy godmother is always here for you.”]

[Teaching plans, exercises, booktalk, projects on different cultures and approaches to stories, for Egyptian Cinderella, Korean Cinderella, Mufaro’s Beautiful Daughters, Princess Furball, The Rough Face Girl, Tattercoats, Vasilisa the Beautiful, and Yeh-Shen.]

[Study guides for Climo and Heller’s The Egyptian Cenderella and The Korean Cinderella, Steptoe’s Mufaro’s Beautiful Daughters, Huck’s Princess Furball, Martin’s The Rough-Face Girl, Stelle and Goode’s Tattercoats: An Old English Tale, Whitney and Hogrogian’s Vasilisa the Beautiful, and Ai-Ling Louie’s Yeh-Shen. Does not include the texts themselves.]

[Includes discussion of Curricular Organization for the use of the book, strategies for teaching cultural materials, a class schedule, and various study forms; 26 sheets of study guides on sixteen Cinderella tales, plus crossword and word search puzzles, tale summaries, multipurpose study charts, reading logs, and student evaluations of creative writing assignments. Includes materials on Perrault’s Cinderella, Yeh-Shen, Mufaro’s Beautiful Daughters, Vasilissa the Beautiful, The Rough-Face Girl, Moss Gown, The Talking Eggs, Princess Furball, Abadeha The Philippine Cinderella, Dona Labismina, The Cinderella Rebus Book, Prince Cinders, Korean Cinderella, The Egyptian Cinderella, The Brocaded Slipper, and Cinderella (Suddon).]

[An eight thick-cardboard-page book with four pages of text and two elaborate double-spread pop-ups, the first of Cinderella’s arrival at the ball as she steps from the coach; the second of the wedding itself.]

[Five pop-up images with moving parts: Cinderella weeps in the kitchen as the Fairy Godmother appears; the coach departs for the ball, with bowing footmen and wand waving fairy; Cinderella arrives at the ball in a splendidly bustled dress; the prince meets Cinderella, then hides her behind a curtain while others bow and try to peek; Cinderella flees down the staircase, losing her slipper; the wedding feast with the new couple flanked at the table by king and queen and a grand Bavarian wedding cake rising in the center. This final scene of the feast is especially well done, with moving parts that make the servants wave their arms in celebration of the event while a cat and dog pop out from either end of the bench. The story is an efficient adaptation of Perrault. The front cover shows Cinderella descending the staircase, losing her slipper; the back cover shows the fitting as the mean and fat stepmother watches in dismay, along with her two ugly daughters who have taken their big shoes off. The chamberlain removes Cinderella’s wooden clog and places the radiant slipper on her foot. The 1982 edition is a precise reprint of the first edition.]

[A slightly modified reprint of the well-designed and much reprinted Kubasta edition, with its twelve pages with spine at the top to create six fairly complex pop-up scenes with text at the bottom horizontal pages. The front cover of this reprint shows Cinderella transformed in radiance by the fairy godmother with the fireplace in the background. The back cover has a mandorla of her sitting by the fire in her raggety dress. The cover images are by a different artist.]

[The narrative is based mainly on Perrault’s glass slipper story, though the illustrations are closer to Grimms, with the lentils sorted by the helpful birds and the dove in the tree who helps her as her mother might have done. In the narrative the animals prove to be good friends. A frog becomes her coachman.]

[Six pop-up double spreads: Cinderella in the kitchen meets the godmother; she sets out for the ball; she meets the prince while the stepmother scorns her; the stepsisters scorn her at the ball; Cinderella flees at midnight losing her slipper on the stair; the wedding feast. The cover depicts the Prince presenting the slipper to the patchwork Cinderella.]

[Four pop-up panels: Cinderella scrubbing the floor while the stepmother, daughters, and two puppy dogs watch; The young and pretty fairy godmother appears to scraggly Cinderella in the rose garden to prepare her for the ball; Cinderella flees down the palace stair, losing her slipper, as the Prince pursues; The slipper fits, to the amazement of all. The cover shows Cinderella, wild hair flowing in the wind, waving from the coach as three white horses dash toward the palace.]

[The first twelve pages tell the story with text on the left and full-page illustrations on the right. At the end is the fold-out palace, with base ca. 5 inches square and a green steeple that fits over the box reaching to a height of about 9 inches. Between the two turrets is a functional balcony. Doors and windows open to reveal the palace interior where Cinderella may dance or relax in her own stand-up space.]

[The four pop-up settings are for Cinderella, Sleeping Beauty, Hansel and Gretel, and Little Red Riding Hood. The miniature texts are in pockets placed at the base of the residence, to be removed and read aloud while the child plays with the edifice that rises when the book is fully opened flat and placed on the table, or whatever.]

[A pop-up book with an audiocassette that stores inside the book, narrated by Annie Potts. Through paper mechanics Cinderella scrubs floors, moves her eyes as the fairy godmother enters, rides in a bumpy pumpkin coach while a moon comes out and she waves goodbye to her fairy godmother; the prince picks up the slipper, then slips it onto her foot, and a castle unfolds into which the bride and groom enter. The book is the same dimension as the cassette it holds.]

[Pop-up Theater with stage, curtain, four scrims, and a full cast of characters, mainly from Perrault’s version of the story. A play script is included that gives all the necessary stage directions, set changes, and dialogue between the several characters. The script is written in form of a play, in rhyming couplets. The tale is well told and the dialogue is excellent. Repeatedly, the mice come to Cinderella’s support, whether in frightening the step sisters away or getting the slipper to the prince.]

[Play script and ink drawings of all characters, with descriptions. See Drama.]

[5 3/4” x 5 3/4”. 10 pages with illustrations on recto, story on verso, with an 11th and 12th page folding out into a turreted castle with roof, floor, and windows and doors that open. Outside the pumpkin carriage is parked and heralds sound trumpets from the balcony; inside the ball is in full swing with a pop-up Cinderella and Prince dancing, while the stepmother and sisters pop up and watch. A magnificent multi-tiered wedding cake pops up as well. The castle is nicely engineered.]

[This series of four pop-up books includes also a Little Mermaid, Beauty and the Beast, and Snow White. Each has five horizontal pop-ups with text and continuing artwork on the facing page, which becomes the horizontal plane to a vertical backdrop out of which the figures pop out. The artwork is excellent. The five Cinderella panels depict 1.) Cinderella scrubbing the kitchen floor as the two stepsisters mock her, deliberately spilling more tea on the floor; 2.) the preparation of the stepsisters for the ball under the supervision of the stepmother, with clothes strewn everywhere; 3.) Cinderella transformed by the fairy godmother and ready to get into the coach at 10:35 p.m.; 4.) Cinderella fleeing the ball, leaving her slipper on the stair; 5.) and Cinderella fitting into the glass slipper to a happy prince and weeping sisters. She is still in her rags, but the mice seem very pleased. A miniature version of this pop-up was also published in the same year. The 10 1/4 X 8 version sold for $6.95; the 6 3/8 X 4 5/8 version for $3.95.]

[One in a series of six pop-up books on common fairytales (Peter Pan, Red Riding Hood, The Three Bears, Snow White, and Puss in Boots being the other five) printed with spine at top so that when the book is opened the perpendicular page lifts the pop-up illustration, with the text on the flat page. Six horizontal pages of text and six vertical pop-ups. Quite handsomely done. The artist-designer is not identified.]

[One in a series of Fairy Tales Pop-Up Books that includes Beauty and the Beast (see Beauty and the Beast), Goldilocks and the Three Bears, Hansel and Gretel, Jack and the Beanstalk, Little Red Riding Hood, Puss in Boots, and Pinocchio. No artist is identified. The cover shows the Prince, in his red jacket with gold trim, reaching toward Cinderella, in her blue ball gown, who with an alarmed look heads for the stairs with her bare foot showing. The coach is in the background with the attendant holding the door open. One of the blue horses has already turned back into a mouse. People at the ball watch. The first of five pop-up pictures shows Cinderella scrubbing floor while the stepmother hovers over her and the stepsisters gossip in the background; Pop-up 2 shows the coach ready, surrounded with fairy dust as the fairy godmother waves her wand. One mouse is yet to be transformed, and Cinderella is still in her rags. Pop-up 3 shows Cinderella in her blue gown dancing with the Prince as the people watch. Pop-up 4 shows her fleeing down the stairs with the Prince in pursuit. Pop-up 5 shows Cinderella smiling in her rags with the slipper on and the Prince, with his right hand taking her left hand, while in his left, he holds a diamond ring to place on her ring finger. She looks mighty pleased and the stepsisters look dumbfounded: one gasps in protest and the other spills coffee down the front of her pretty dress. The stepmother just steams in anger.]

[This 10 1/2 X 8 1/4 book with a 2 inch wide spine is the ultimate Cinderella Pop-Up book. Designed around six double page full three-dimensional spreads, each of the six sets includes one or two booklets that not only tell the story, but, in turn, open up into additional pop-ups that work into components of the double spread setting. The first double spread set consists of a standing cottage with shrubberies and animals. Cinderella looks out of the window toward a standing gazebo, where the stepsisters are having tea while the stepmother rushes toward the cottage shouting orders at Cinderella. There is also a covered well, with shiny water inside, a fish pond, and a chicken coop with doors and chickens inside at the edge of a wood with standing trees where deer feed. In the upper right corner of the estate is the pumpking patch. As you read the story in the booklet in the lower right corner, you turn the first page of the booklet to encounter a double spread with narrative on both sides, where Cinderella, upside-down slides down the chimney (as the page is opened) into the hearth, as she cleans out the soot. The next page-turn of the booklet opens into another two page spread, this one of the king telling his surprised son about the ball where he is to choose his bride. The second large double spread setting shows the dressing room in the cottage with the two stepsisters putting on their wigs and fancy gowns. Cinderella tugs on the corset strings of one sister. The booklet this time extends along the full length of the left side. On the first page turn the double-spread pop-up is of the fiendish-looking stepmother gesturing as she gives orders; at the bottom is a scroll that opens to reveal the invitation to the ball. The second pop-up page of the booklet shows the fairy godmother flying through the air over the pumpkin patch as she gestures with her wand. When you open up the third of the six large double spread settings a huge pumpkin coach appears, pulled by six white prancing horses. Cinderella stands before the coach as the fairy godmother prepares to transform her dress. The booklet is in the lower left. Through a window you see the head of a large black rat, but as you turn the page the rat stands up and unfolds into a smiling coachman. Through a second window you see a row of dancing lizards which, upon turning the page, transform into six footmen, all dressed in green and yellow. The fourth large double-spread setting opens up to show Cinderella, her red hair flowing behind, moving across a tesselated floor in her spectacular ball gown (ca. 7 inches in diameter and 3 1/2 inches high up to her waist) with real-satin flowing blue ribbons around the complete circumference of the gown. There are two booklets for this setting, one in each lower corner above which are rosebushes where rabbits play. The left booklet opens up into a double spread of the king and queen pointing out the approaching Cinderella to an eager Prince, who gestures toward her. The righthand booklet shows princess Cinderella seated at a table in the palace, sharing a roast chicken with the two step-sisters who wolf down drumsticks without recognizing that the mysterious princess is really Cinderella. The fifth double-spread setting is of the ball itself where five couples dance on the tesselated floor before windows that mirror their movements; they twirl as the page opens to create the effect of actual dancing. Nobility stand around the dance floor watching the exhibit. The stepmother looks on in anger as Cinderella and the Prince adore each other. Two ladies make a pass at a young courter, and the king and queen move close to the prince in admiration. Again, the set has two booklets: the left one has a clock in the foreground showing three minutes before midnight. Through the window you see the anxious Cinderella hurrying away. As you open the booklet her gorgeous gown turns into the old rags as Cinders pops up and rushes past a pumpkin as the black rat and white mice scamper before her. As you open the right booklet, the stepmother, now back home, closes the door of a closet, thus hiding Cinderella from view while the two sisters address the prince, who carries the glass slipper. The kind animals peek at the scene through the window. They move about as the page opens. The sixth and last major setting is of the turreted castle with the king, queen and steward on the rampart, while others wave from windows and birds fly out of bushes and trees. There is one booklet on the lower left. When you open it, having read about Cinderella's confident request to put on the slipper, the first double spread shows the slipper slipping on to her foot. When you turn to the second spread of the booklet, the draw bridge drops, a crowd of townspeople pop up and wave, and a bar sliding beneath the road opens up a grassy spot to reveal the Prince and Cinderella on a horse as they ride away. Cinderella gestures at the townsfolk and a portion of the path reveals the words "The End," as what has now become a right corner booklet informs us that "Cinderella and her prince had found each other at last and would live happily ever after." The book is well-worth the $24.95 at which it is priced.]

[The box opens out into a playing area with a wardrobe with a latch on the left that holds one Cinderella paper doll, one mouse paper doll, one press-on ballgown with accessories, along with a whiskbroom, dustpan, purse, magic wand, and crown. When the wardrobe door is opened and the contents removed, there is a storage area/broom closet. In the right side of the box is a fireplace and mantle above which is a picture of the stepsisters. This panel folds down to open up a pop-up stairway with a tesselated floor in the foreground and window and chandelier in the background, that is, a stage on which Cinderella can perform her duties and make her entrances and exits in work clothes or ballgown. The box also includes one story book that tells the basic story from Perrault, with line drawings along the way to whet the imagination of the play's director and performer. It is a cleverly designed project.]

[This remarkable action book has figures on the recto side of the page placed under plasticine, who move when the page is opened. The story is told on the left (verso) pages. The artwork is quite fine. Five moving images.]

[Entitled “America's Cinderella,” the float had a stone tower at the rear of the float, with a large clock beneath the battlements. The clock has just struck midnight. A long pink slipper extends through the tower, the length of the float, creating the effect of a stairway from the tower as well as the gigantic idea of Cinderella's hopes. A large pumpkin rests in the shoe; a moment before it was a coach, but now it is being drawn by two mice, rather than prancing horses. Miss Florida (i.e., Cinderella) stands at the top of the slipper's arch, still dressed in white with her crown, waving to the crowd, as if she is about to descend). In this instance the slipper is the staircase.]

[Announcing the awards won by Lisa Johnson, Miss Fremont County Teen 2000.]

Cinderella bumberella turn right round,
Cinderella bumberella touch the ground.
Cinderella bumberella show your pretty foot,
Cinderella bumberella take your hook.(p. 227)

Cinderella lost her shoe
On the banks of Waterloo,
Left, right, left right,
Attention! Halt! One, two

Cinderella dressed in yella
Went upstairs to see her fella
How many kisses did he give her?
Five, ten, fifteen, twenty, twenty-five....

Cinderella dressed in yellow,
Went upstairs to kiss a fellow,
Made a mistake, kissed a snake,
How many doctors did it take?(p. 254)

Cinderella dressed in yellow,
Went down town to buy some mustard,
On the way her girdle busted,
How many people were disgusted?

Umberella, down the cellar,
There I spy a little feller;
Save his body, save his soul,
Please will you give us a cob o' coil?

[ A two-part game board with four playing pieces, a spinner, and magic clock game cards. Find a coachman, a crown, and a glass slipper and win your dream prince for life. "An excellent beginner game for imaginative children."]

[A 60 piece jigsaw puzzle of Cinderella being shown into the pumpkin coach by a plump wigged coachman while the fairy godmother gestures with her wand. Cinderella, in her white gloves waves in appreciation to her benefactor.]

[A Press-Out-and-Play Book with narrative below the puzzles. The "book" folds out into five panels, four of which have six-piece puzzles depicting the story. The cover shows Cinderella and her kitty by the fire. Inside the cover Cinderella scrubs the floor while the stepmother and and daughter look at the invitation to the ball. The four puzzles show Cinderella being transformed by the fairy; Cinderella at the ball; Cinderella fleeing at midnight, slipper falling off behind; and the prince putting the slipper on her foot as the stepfamily watches from the next room. On the back, three panels depict the wedding feast as the prince offers cupcakes and cookies. Other titles in the 4 Jigsaw Puzzles Series include Pinocchio, Little Red Riding Hood, and Sleeping Beauty.]

[125 magic recipes for budget meals and leftovers. "It isn't easy to prepare exciting delicious meals when you're on a Cinderella budget. It takes magic--cullinary magic. And that's what this little book is all about...formulas to transform any budget meal into a banquet....Buy more than you need and cook more than you'll serve. Then, on the following day, turn to Cinderella Leftovers...and in no time you'll have a feast to set before your Prince Charming.... Throughout this book you'll find bewitching ways to turn budget food into gourmet delights--without straining your purse.... You'll find many new and inexpensive ways to prepare appetizers (glamorous enough to appear at the most formal party) and desserts (happy endings to any meal), as well.... Let your imagination add the final touches: use interesting garnishes, serve well-arranged food platters; set a pretty table and add a centerpiece. You'll have a ball adding your own touch of eye-appeal to the taste appeal of your meals" (pp. 2-3).]

["Make a little girl's dream come true with a Cinderella Cake." Women's Day Food section. Recipes for Cinderella and Mice. "You'll feel like a fairy godmother when you create this magical cake. The beautiful princess is sure to be the belle of any ball — or at least a birthday bash. A crew of adoring mice completes the tale."]

Cinderella Cake, by Christine Makuch.

[Prep: 20 min. Bake: 45 min. Cool: 1 hr. Frost and Decorate: Depends on skill.
(Keep referring to the large photo as you pipe the frosting).

2 boxes (16 oz each) poundcake mix
About 1/2 cup granulated sugar
Bows and slipper: 2 yellow and 6 red spice sticks and 2 yellow round spice drops (such as Chuckles)
Candy decors
Plastic Cinderella doll (see photo) or other 11 1/2 in. tall doll such as Barbie)
2 tubs (16 oz. each) vanilla frosting
1/4 cup confectioners' sugar

Piping tips: skirt, petticoat, sleeves and hip swags, 2 medium(#103) petal tips and 1 small (#3) round tip: bodice, 1 small (#24) star tip.
4 disposable 12-in. decorating bags
Blue food color, preferably paste (liquid food color will give you a paler blue)

(Tip: The cake can be completed up to 1 day ahead, but be sure you have enough refrigerator space. "Cinderella" is about 12 in. high and 9 in. in diameter.)

1. Heat oven to 350o F. Grease and flour one 6-cup bundt pan (or 1 1/2-quart oven proof bowl, 8 in. across top), one 8 x 1 1/2 in. round layer-cake pan, and one 10-oz custard cup.
2. Prepare both boxes cake mix together as directed on box. Pour 4 cups batter into bundt pan (or bowl), 3 1/2 cups into round pan and remaining 3/4 cup into custard cup
3. Bake custard cup 25 minutes, round pan 35 minutes, and bundt pan (or bowl) 45 minutes or until a wooden pick inserted in centers comes out clean. Cool in pans on wire racks 10 minutes, then run a knife around cakes and turn out onto racks to cool completely. When cool, trim tops of cakes to make level. (If using bowl cake, cut a 1 1/2 in.-diameter circle in the center.)
4. Bows: Sprinkle cutting board with some of the granulated sugar. Roll 2 yellow and two red spice sticks in sugar to coat well. Roll out with a rolling pin, 1 spice stick at a time, turning often to cool, to a 4 1/2 - 1 1/4 in. rectangle each (corners will be rounded). Trim uneven edges on sides. Cut each into 5 even strips. Shape each strip into a bow. Press in center to seal. Cut each off at an angle. Glue on decors with frosting. Slipper: Roll out 1 yellow spice drop to a 1 1/4 in. Round. Place under doll's foot and press around foot, pinching together where needed. Glue decor on with frosting. Heel: Cut remaining yellow drop in half lengthwise. Using rolling pin, roll half into a tapered log. Remove slipper from foot; set aside. Lightly moisten wider end with water; press in place.
5. [etc.]
 

[The globe is c. 1 7/8" in diameter on a base decorated with rhinestone diamonds, crown, drapery and scallop shells. Cinderella, in her blue ball gown, spreads her skirt as she turns amidst a shower of fairy dust instead of snow. Price: $12.00. Marketed in the summer of 2000 in Disney stores worldwide.]

[Blue rubber with yellow pumpkin stem and yellow and pink curtained coach doors. Wheel base 2 3/8" x 1 3/4"; rear wheels 1"; front wheels 3/4". Vine-like coachman's seat coming from the base of the pumpkin rather than the stem. Overall height, with stem top, 2 1/2". The wheels do no turn.]

[Fine porcelain with Swarovski crystal on the top with 24 karat gold accent. Pictured against a green background is Cinderella in a pink ball gown with flowing train and flowing yellow hair, looking back from the foot of the stair at the lost slipper while the pumpkin coach and its crew and horses await. As she flees a trail of fairy dust follows her. The music box plays an 18 note movement from Prokofiev's "Cinderella Ballet." 7.62 cm (ca. 3 inches) in height. $69.00, in three installments.]

[Subtitled "Cinderella of Sculpture" because soap, the scullion's companion, is, when compared to marble or bronze, so lowly an artistic medium. The first exercise Gaba uses to demonstrate carving the human form is "A Cinderella Lady," which begins with front/side draftsman scale drawings, then takes the "artist" through stages to the finished sculpture. Gaba's skills as a soap sculptor are, indeed, remarkable; the book includes 33 plates, with photographs of diverse sculptures of young women such as one of a man kneeling at the foot of a damsel, while a cherubic Cupid prepares to shoot her; a bride touching her breast as a Cupid- figure climbs into her lap; an elegant lady holding a letter in her hand, looking wistfully out the window; and so on.]

[Hantel Ltd. is a family run business formed in Warwick, England in 1973. In 1980 the Wilsons moved to Scotland. The Cinderella collection includes Cinderella in Rags (VM108, 45 mm), with yellow hair in pug and four corkscrew locks hanging down her back; brown blouse, dark brown hip shawl, tan overskirt with red and green patches, grey underskirt, white apron and underwear. Bare feet. Hinged arms and hinged waist. Prince Charming(VM109, 52 mm), ochre hair, green cap with white plume, green swallowtail coat with light green collar and under-trim, lined with ermine, ermine epaulettes and cuffs, with gold buttons, white pants, and purple boots. Hinged arms and legs. Ugly Sister in Green(VM110, 48 mm), with green hair in a bun, gold tiarra with rubies, green fan, dark green blouse with red broach, three color green skirt with gold trim, green stockings, red shoes and petticoat. Has a large nose. Hinged arms and waist. Ugly Sister in red (VM111, 48 mm), with black hair in a triangular do, gold tiara with emeralds, green and gold fan, three-tone red dress with gold bows on middle skirt, gold slippers with red bows. Hinged arms and waist. White Rat (VM112, 20 mm), sitting upright, with l mm tail, pink nose and ear lining; red eyes. Brown Mice (VM113 & VM114, 18 mm each), sitting up. Gray Lizard (VM 115, 20 mm), with elevated head. Cinderella in Ball Gown (VM116, 4,6 mm), with yellow hair in pug and four corkscrew locks hanging down her back and one over her left shoulder, silver tiarra, silver fan in right hand, purple bow on bodice, purple under-dress, white gown with bouffant sleeves gathered with two green ribbons, white hip flounces and gatherings in skirt with blue seat and silver placket and large green bow at bottom in front; silver slippers. Hinged arms and hinged at waist. Fairy Godmother (5.5 mm), with blue crown, blue blouse and overskirt, with gold trim; gold underskirt with black dogtooth hem; white petticoat; large gold wings and wand with gold star. Hinged arms and waist. Orange Pumpkin on vine, with pumpkin flower and bud, two leaves, and two tendrils; olive-green lizard on top of pumpkin, and a brown mouse beside; on a green base (VM117, h.53mm; l.56 mm; w.41); an elaborate piece.]

[Cinderella flees to enter the waiting coach. Her slipper lies at the foot of the winding stair. The coachman and footman are in place, ready to go, while the two excited white horses rear in their eagerness to get away. The pumpkin carriage is stripped with rows of hearts.]

[As Cinderella strides forward the slipper slips off her front foot as she looks back in flight. Her hair is golden, tied in a ponytail with a white headband with gems in front. Her dress is white with blue trim on the bodice and sleeves. With her right hand she lifts her dress exposing her front foot. The figurine is set up on a wooden stand.]

[Here the slipper falls off her back left leg, as Cinderella, still moving to the left, looks back. Her golden hair has one braid that goes over the top of her head. The skirt of her gown is bordered by red roses and green leaves. Her low cut dress, with its tight-fitting bodice, has no sleeves.]

[In this stunning piece, Cinderella steps down from the pumpkin coach, assisted by a kneeling youth with white powdered wig. She wears a white gown with bouffant sleeves, ruffled waist, and flowing skirt. The toe of her glass slipper shows as she steps forward onto stepstool. A coachman sits in the driver's seat holding the reins to four white horses. Behind them a stairway ascends to an arched landing and platform on which two heralds, one with a straight trumpet and the other with a snare drum, hail the arrival. Two cyprus trees stand in the background behind the coach. Cinderella wears a tiarra. Her hair is golden, her eyes blue. She wears white gloves which reach above her elbows. The scene is mounted on a wooden base.]

[This clock "captures forever the wondrous moment when the clock strikes twelve and Cinderella dashes down the palace stairs. The entire work shimmers in full-lead European crystal. Its soaring spires and the legendary princess opulently coated with 24 karat gold. The beautiful clock hand-set within its tower has a precise quartz movement.]

[Sculpted in shimmering full-lead crystal and lavishly crowned with regal accents coated in 24-kared gold.]
 

[Cinderella Rag Dolls with multiple aprons which, when lifted, cover her face to create a new character and the next step in the story. The aprons tell the story.]

Doll I: [9 1/4 inches tall; arm spread, 6 1/4 inches. Made in Taiwan. Date: Ca. 1950. White body with red hands and feet. Apron 1: A blonde with blue flower in her hair and a patched babushka and apron: "Once upon a time there was a pretty, kind girl named CINDRELLA. she cleaned, cooked and sewed. Her clothes were old and patched. She had no time for fun and parties. Apron 2: A black-haired, mean-looking stepmother; her apron reads: She lived with her selfish and mean STEPMOTHER. Every young girl in the kingdom was invited to the Prince's ball but Cinderella had no pretty clothes to wear. Apron 3: A blue-haired fairy godmother with red cape; her apron reads: Suddenly her FAIRY GODMOTHER appeared with her magic wand. A pumpkin became a golden coach. Her rags became a beautiful gown. Glass slippers were on her feet. But at midnight the magic would disappear. Apron 4: The prince, with golden crown and orange pageboy hair, blue suit with epaulettes; his apron reads: The HANDSOME PRINCE fell in love with CINDERELLA, but she left suddenly at midnight, losing her slipper. The Prince searched the kingdom. When the Prince found her again he placed the glass slipper upon her foot and they lived happily ever after.]

Doll II: [10 1/2 inches tall; arm spread 7 inches. Copyright J.S., N.Y. Date: ca. 1990. White body with red mittens and shoes. Apron 1: A sad-faced, blonde with red polka dot bandana. Patched apron reads: Once upon a time there was a poor girl named Cinderella. Her Ugly, Wicked Stepmother forced her to scrub, sweep, iron, cook, wash and mend all day long until she was ready to drop. Apron 2: Blue-haired fierce looking Stepmother. Apron reads: Wicked Stepmother did not let Cinderella have any pretty clothes, for she wanted to keep her at home, working. So poor Cinderella dressed in rags; now she sat weeping because she could not go to the Prince's Birthday Ball. Apron 3: Brown-haired fairy Godmother, with white star in her crown and green dress with blue trim with yellow polka dots. Apron reads: Suddenly, a Strange Lady appeared. "Why do you weep, child?" she asked. "I have no gown, so I cannot go to the Ball!" Cinderella cried. "I, your Fairy Godmother, say you WILL go to the Ball, and you will be the most beautiful lady there. Apron 4: Cinderella in blue and pink gown with white lace and gold crown. The apron reads: With a wave of her Magic Wand, Cinderella's rags became a dazzling gown. She thanked her Godmother and, entering the Golden Coach that appeared magically, she joyfully rode to the Prince's Birthday Ball. Apron 5: a grown prince with brown page-boy hair and yellow and white suit with red collar. The apron reads: "Who is that lovely girl?" asked the Prince. "Why, it's Cinderella!" cried Stepmother. "What is that bad girl doing here?" But the Prince was not listening — he was falling in love with Cinderella. Soon they were married and Lived Happily Ever After.]

[Blue dress with pink trim, with Disney Cinderella embossed on the bodice.]

[Yellow hair in beehive with silver-braid headpiece set with four large "diamonds" and fine wide-net veil covering face. Light blue gown with silver stars and sheer opalescant surcoat with puff sleeves, silver trim, and blue bows. Diamond studded bodice. Clear glass slippers with silver soles and diamond toepieces. Her eyes open and close.]

[Cinderella is 12" tall, with yellow hair and blue eyes. Dressed in blue ball dress with irridescent buffont sleaves and waist cape. Pearl earrings. Distributed by Mattel UK (Leicester) and Mattel Australia (Melbourne). Other dolls in the Princess Stories Collection include: Snow White, Belle, Sleeping Beauty, and Jasmine. Each includes A Little Little Golden Book. $12.99.]
 

[White sole with black heel. Clear plastic tops. A velcro patch on each toe to attach bows. Comes in three sizes.]

[The recommended fabrics are Satin, Crepe Back Satin, Taffeta, Sleeve and Skirt Puff Overlays in Organza to match the fabric. Underlining in Organza. Petticoat Yoke of Taffeta. Petticoat Skirt in Crinoline fabric. Simplicity also has Disney costume patterns for Belle and the Little Mermaid (pattern 9902 — 19 pieces), and Sleeping Beauty and Snow White (pattern 9384 — 38 pieces). Check http:/www.simplicity.com.]

[The original tile is now in the William Morris Gallery, London, part of a series of pictorial tiles illustrating The Story of Cinderella. The series is lettered, "This is the story of the maid with the shoe of glass and of how she became Queen that was before called Cinder-wench." Burne-Jones's drawings were copied onto the tiles by Lucy Faulkner, who with her sister Kate painted many of the Morris & Company's major tile commissions in the 1860s. The Cinderella tiles were first used, along with panels illustrating Beauty and the Beast and Sleeping Beauty, to decorate the fireplace mantles in bedrooms at The Hill, the home of the artist Myles Birket Foster in Witley England. The design of the trivet depicts Cinderella after her marriage to the Prince. She wears a crown on her flowing preRaphaelite hair and bears a red rose in her left hand. The trivet has been reproduced in ceramic with hand-applied decals and a cork backing. Distributed by The New York Metropolitan Museum of Art in conjunction with the Burne-Jones Exhibit, June, 1998.]

[One of several book tins made by The Silver Crane Company. The "bookcover" shows Cinderella being transformed by the fairy godmother into her lovely gown and glass slippers. A fire heats a pot in the hearth, and in a corner is a pumpkin, with three white mice. The cover text reads: "Cinderella: Once upon a time there lived a beautiful young woman who lived with her father and wicked step-mother."]
 

[A blonde Cinderella, with her hair up, steps from the pumpkin coach with four white horses, displaying her blue, short-sleeved ballroom dress and glass slippers. The castle is depicted in the background.]

[The two mice play with a blue ribbon in the glass slipper.]

[Each picture has at the bottom a "Find the..." activity, with five images hidden within the drawing. The Cinderella drawing shows an amazed Cinderella in rags as an overweight airborn fairy godmother twirls her magic wand over the pumpkin and mice. Hidden in the drawing are a cup, sailboat, pair of shorts, turtle, and hairbrush which the colorer is challenged to discover.]

["Naughty but Nice: Squeaky clean, happily ready for kids, Sex and the City's Sarah Jessica Parker makes her mark as a sharp-tongued sleep-around single gal: Go figure."]

[The cover shows the St. Louis Rams quarterback, number 13, without helmet, with arms raised, forefingers extended in the #1 pose, calling out in joy. The edition includes the following feature items: "Kurt Warner, from Supermarket to Super Bowl," by Michael Silver: "In an NFL season of surprises, the best was that of a former grocery boy turned MVP," p. 4; "Zach Thomas, Crashing the Party," by Rick Reilly: "The Free-spirited Miami linebacker found the perfect outlet forhis wild ways: Football," p. 12; "Jimmy Smith: Burning Sensation," by Michael Silver: "He lost his job and nearly his life but never the fire that has made him a top receiver," p. 18; "50 Years of Cinderellas: The Slipper Fit," by David Sabino: Whether by L.A. bus or Vietnamese fishing boat, these (i.e., Night Train Lane, Johnny Unitas, Larry Brown, Tom Dempsey, Rocky Bleier, Dick Vermeil, Steve Largent, Dat Nguyen) underdogs found their way to the NFL," p. 22; "Wayne Chrebet, Don't Sell Him Short," by John Ed Beadley: "Dissed by many, including a star teammate, the Jets wideout has proved his doubters wrong," p. 26; "Darren Bennett, A Wonder from Down Under," by John Walters: "An Aussie arrived from Down Under, bought a football and — presto!— became an NFL punter," p. 34; "Terrell Davis, A Salute to Survival," by Leigh Montville: For the Denver running back, the path to stardom went down some very mean streets," p. 38.]

[An art nouveau fairy godmother with wand touches a swirl of cranes that sweep upward to the left (two wearing spectacles). The godmother, in an islamic decor, sweeps upward to the right as if out of the sea, with flowing black hair and star and crescent moon adorning her head. The text reads across the top: Théatre National de L'Opéra-Comique; while in the lower middle in large bold caps "Cendrillon," followed by "Conte de Fées (d'après Perrault) par Henri Cain. Musique de J. Massenet." At the bottom the feet of five ladies try on slippers that rest on pillows. This is a sensationally beautiful poster, priced in London (January 1998) at £900.00.]

[In this poster, Cinderella, in an elegant white dress with a feathered hair piece, steps down from the carriage at the ball. This elegant poster is predominantly in red, black, and white.]

[Nude Cinderella with peacock feather fan skirt sits to put on the red slipper with its gleaming gold bobble. She wears gold earrings and has long black hair. Hovering over her are two large ugly black figures, with pendulous breasts and large feet, akin, perhaps to Jung's shadow realm that embraces the feminine.]

[Depicts Cinderella, gracefully curtseying to left, after her rags have been transformed into a ballgown, and her Fairy Godmother, at right, in front of a rat who has been transformed into a coachman, about to transform the large pumpkin beside her into Cinderella's coach. On the table at the center of the image is a glowing sphere, containing a glass slipper. Signed in full in the lower right corner and captioned in the lower left corner. Image size: 10 3/4 x 17 7/8 inches (273 x 454 mm.) Matted and framed, and glazed. Offered for sale in spring 2001 by Heritage Bookshop, Melrose, CA., for $18,500.00.]

[A craftsman of pottery and porcelein. Born in Pilsen, Bohemia, in the Czech Republic, in 1964. She came to Canada in her youth and studied at George Brown College, University of Toronto. Then, in 1992, she returned to Czechoslovakia to study pottery making with Miloslav Cech. She calls herself the Bohemian Cinderella because she likes the name.]

[Tom Keifer (lead vocals, guitar, piano), Eric Brittingham (bass, vocals), Jeff LaBar (guitar, vocals), Fred Coury (drums). Fan mail is directed to Cinderella Fan Club, P.O.Box 642, Paola, PA 19301. Their cassette "Night Songs" includes: Night Songs, Shake Me, Nobody's Fool, Nothin' For Nothin', Once Around The Ride, Hell on Wheels, Somebody Save Me, In From The Outside, Push Push, and Back Home Again (1986). Manufactured and marketed by PolyGram Records, Inc. 810 Seventh Avenue, New York, NY 10019.]

[Her publicity biography reads: "Little Cinderella doesn't need any fairy godmother to bring out what's inside of her. It's a petite yet insatiable sexual carnivore who exudes sex appeal with its every provocative movement. Cinderella has risen through the porn ranks very quickly since her 1996 debut, and she owes it all to being such a nasty vixen. Cinderella is a cute blonde with long straight hair that accentuates the waif-like aura she already emits. She's got an extremely thin, small-breasted figure that can dish out a surprising amount of sexual athleticism when it's called for (and even when it's not). Cinderella tore through the pron circuit immediately after her early 1996 debut in a series of pro-am videos. She stole the show in `Up and Cummers #29' opposite Randy West and Devon Shore and immediately caught the eyes of the nastiest porn producers in the business. Max Hardcore liked her work with him in `Casting Call # 17' so much that he quickly scooped her up for a featured role in his `Max 9.' Cinderella takes home the glass slipper for her fiesty and energetic three-way romp with Max and the lovely Barbie Angel. She also turned out Rodney Moore when given the chance in "Nothing Like Nurse Nookie #3." Little Cindy's already appeared in more than 30 hardcore features, and be on the lookout for lots more in the months and years to come."

Lil' Sinderella's films include: 100% amateur 34; Adventures of Max the Naughty Dog; Aim to Thrill; All Little Women #09 — Young and Blonde (240 minutes); All Little Women #10 — A-Cup Cuties (240 minutes); All Little Women #11 — Amateurs Tiniest Women (240 minutes); Amateur 1st Timers; Anal Camera 18; Anal Sex Freaks; Anal Video Virgins 2; Appointment for Sex; Ass Bangers; Ass Kissers 2; Ass Masters #23 (140 minutes); Bare Pussies (240 minutes); Begging for it; Best in X-Rated Cinema #32 (360 minutes); Blondes Behaving Badly; Blondes Have More C** #16 (240 minutes); Blue Moon; Casting Call 17; Casting Call 18 (108 minutes); Caught From Behind #22 (90 minutes); Charli's Fantasies' Cherry Poppers 15; Coed Cocksuckers 2; Coed Confessions; College Coed Cuties; College Maidens; Deceit (81 minutes); Desire for Sex; Dirty Little Women; Dukes of Anal; Eighteen and Anxious; Eye Candy; Everybody Wants Some Bionca Style; Forever Wild; Fucking Up That Ass; Girls Who Crave Big Cocks #30 (240 minutes); Girls Who S.C. and E.C. #47 (240 minutes); Hillbilly Honeys (85 minutes); Hollywood Hineys #08 (90 minutes); House of Flesh; Indecent (89 minutes); Indecent Exposures; Kiss Ass (81 minutes); Lipstick Lesbians 4; Lollipop Shoppe; Lollipop Shoppe 2; Lustful Vacation; Max 9: Where Danger Lurks (78 minutes): Max 11: Tunnel of Lust; Max World 12: Chicks for Free; Maxed Out 3; Million Dollar Buns; More Dirty Debutantes #56 (140 minutes); Nineteen #08 — College Girls (89 minutes); Nineteen Video Magazine #7; Nineteen Video Magazine 8; Nothing Like Nurse Nookie 3 (115 minutes); One Night Stand; Passion (82 minutes); Petite and Sweet #11 (140 minutes); Petite and Sweet #31 (140 minutes); Porn Again; Pretty Anal Ladies 2; Pretty Anal Ladies 4; Pussy Hunt 26 (140 minutes); Pussy Hunt 33 (140 minutes); Pussyman Auditions #18; Pussy Poppers 6; Raunch-O-Rama #208 — Tight and Tiny (120 minutes); Raunch-O-Rama Super Six #43 — Sex With Black Men (360 minutes); Raunch-O-Rama Super Six #44 — Sex With Tiny Girls (360 minutes); Shades of Blonde (110 minutes; Shooting Gallery (126); Sinboy 2 — Yo' Ass is Mine (115 minutes); Slippery Slopes; Sluts, Butts, and Pussy; Solo Adventures; Sorority Sex Kittens 3 (145 minutes); SOS Video Magazine 1; Strip Show; Super C** #11 (240 minutes); Take 69; Tammi Ann is Exposed; Thirty One Girl Pickup; Toilet Tramps 2; Underground (73 minutes); Underground 2: Subway to Sodom; Underground 3 (85 minutes): Sit on This!; Up and Cummers 29 (120 minutes); Video Virgins 29 (120 minutes); Virgin Hotline; War Whores (140 minutes); Whiplash (130 minutes); Wild and Wicked 7 (84 minutes); World's Luckiest Man; X-Factor 3. Young and Wild #08 (140 minutes).

Little Sinderella also appeared in the documentary Caesarian Section. Her name appears repeatedly on a marquee in the film The Velocity of Gary, dir. Dan Ireland (1999), 101 minutes, a film about homosexuality, porn films stars, and aids.]

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[This tourist attraction is located at Point Champlain, the highest spot over-looking the Ottawa River. The Cinderella exhibit features a large pumpkin coach being pulled by six white mice. A life size Prince bows to Cinderella who curtsies in return in her ball dress. At the push of a button an abbreviated version of Perrault is told in English or French. Many of the exhibits feature animated figures but Cinderella is not one of them.]