Poem 3, Balade [The Day of Grace]

by: James I. Wimsatt (Editor)

from: Chaucer and the Poems of “Ch” (Revised Edition)  2009

[Ch III; MS #239]
Ch 5 10 15 20 25 30	3. Balade Je cuide et croy qu’en tous les joieux jours      Que le soleil cler et net suelt parer, Et les heures faire leur commun cours Pour nuit obscure a son droit amener, Celui fu bon — je le doy honorer! Gay, gent, plaisant, et de grace adjourna; Phebus aussi de doulçour l’aourna, Et le moment de ses biens enrichi Chascun des diex, son pouoir li donna, Quant ma dame me donna nom d’Ami. Pitié se mist en ses plus biaux atours, Et en excil fu Dangier oultre mer. Confort, Deduit, Leesce, Gay Secours Firent Refus par Bel Prier finer. Cuer debonnaire et digne d’onnorer Vint de moult loins ou pays par de ça — Loyal Penser de droit l’i envoia; Et Bien Servir mist a mort Long Detry Et Honte, avec qui fuï ça et la, Quant ma dame, etc. Dont j’en loe sur toute rien Amours, Et la doulçour de ma dame sans per, A qui je doy de droit toutes honnours, Servir, cremir, et loyaument amer — Son vueil li viengne a son bon desirer — Si vraiement qu’autre n’ameray ja. L’eure fu bonne et Amours l’ordena, Et pour moy fu renouvelé Mercy Qui humblement s’aparu et monstra Quant ma dame, etc.	3. [The Day of Grace] I think and believe that among all the joyful days That the clear, bright sun is wont to adorn, When the hours make their common course And lead dark night to its own land, That day was good — I must honor it! It dawned gay, noble, pleasant, and gracious; Phebus also adorned it with sweetness, And each of the gods endowed the moment With their benefits, and gave it their power, When my lady gave me the name of Friend. Pity came forth in her prettiest attire, While Danger was in exile overseas; Comfort, Delight, Joy, and Happy Help, With Fair Prayer made Refusal stop; The debonnaire Heart, worthy of honor, Came from far away to this country — Loyal Thought sent her here, as was right; And Serve-Well put to death both Long Delay And Shame, with whom I had fled hither and yon, When my lady gave me the name of Friend. Therefore I praise Love above all for it, And the sweetness of my peerless lady, To whom by right I owe all honor, To serve, fear, and love loyally — May her desire be fulfilled according to her good wish — So truly that I will never love another. The hour was good, Love ordained it; For me Mercy was renewed Who modestly appeared and revealed herself When my lady gave me the name of Friend.

Go To Poem 4, Chançon Royal [A Prayer for Lovers]

Footnotes

THE POEMS OF "CH": NOTES

Abbreviations: A: Neuchâtel; B: Paris, Bibliothèque nationale de France, MS lat. 3343; C: Barcelona text; CT: Chaucer, Canterbury Tales; LGW: Chaucer, The Legend of Good Women; P: University of Pennsylvania MS French 15.

[Ch I; MS #235] Chançon Royal

12ff Many of the personifications that appear in the “Ch” poems, such as Franchise, Esperance, Dangier, and Doulz Regart here, are closely associated with the allegory of the Roman de la Rose, which Chaucer says he translated (LGW F.329).

Textual Notes

16 conforte. P: confort a.

42 entrer. P: en tron.

48 or 49 Line missing.

52 clamerai. P: clamera.





[Ch II; MS #237] Balade

10 The burning lover is a familiar figure. Thus Damian in Chaucer’s Merchant’s Tale, at the sight of May, almost “swelte and swowned,” so is he burnt by Venus’ torch (CT IV[E]1776–77).





[Ch III; MS #239] Balade

There are no notes for this poem.





[Ch IV; MS #240] Chançon Royal

32 sejour. P: ce jour.





[Ch V; MS #241] Balade

1 The story of the false judge Apius is found in Livy’s History III; Roman de la Rose, lines 5559–5628; Gower’s Confessio Amantis 7.5131–5306; and Chaucer’s Physician’s Tale. Ovid tells the story of how the impious Lycaon prepares a meal of human flesh for Jupiter in Metamorphoses I.198–243.

3 Herod the Great is perhaps best remembered for the Massacre of the Innocents episode related in Matthew 2:16–18. His son, another Herod, reluctantly had John the Baptist beheaded to fulfill a promise made to his wife’s daughter, Salome (Matthew 14:1–11, Mark 6:17–28). The former reference makes more sense in this context, although remarks by the Pardoner (CT VI[C]488–90) and the Prioress (CT VII[B²]574–75) indicate Chaucer’s familiarity with both stories. Nero’s brutal acts were familiar to medieval wordsmiths and audiences alike. Chaucer’s Monk tells the story of Nero’s death in his tale (CT VII[B²]3369–73).

4–5 For Dido’s vain pleas to Aeneas compare Aeneid IV.305–92.

19 la fontaine Helie. For the mountain Helicon, where Pegasus’ hoof created the fountain of the Muses (the Hypocrene), see Ovid, Metamorphoses V.250–63.

25–28 Medea’s story is a favorite of medieval writers. Jason’s infidelity to her is the subject of many medieval retellings, including Chaucer’s Legend of Good Women, where Medea’s revenge is omitted as in Ovid’s Heroides, to make her a martyr to love. Gower’s Confessio Amantis, the longest of the English retellings, presents her as a sympathetic victim of Jason’s perjury (5.3247–4222).

Textual Notes

3 d’Erode. P: de Rode.

18–19 Lines reversed in P.

31 ne fu. P: me fu.

33 fis. P: fus.





[Ch VI; MS #242] Balade

1–2 The daughters of Apollo and Clymene are the Heliades, sisters of Phaeton, but they are five in number. There may be a confusion here with the three Graces, who were the daughters of Jupiter and Eurynome; Eurynome’s daughter Leucothoë was also loved by Phoebus. The character of the Graces, attendants of Venus, might help the sense of the poem, but the uncertainty of the husband’s identity (line 8) leaves the final meaning a puzzle.

4 In Greek mythology Damia is equated with Demeter, the Roman Ceres, goddess of the fields.

11 Palinurus was the helmsman of one of Aeneas’ ships who is sacrificed to Neptune by Aeneas’ mother, Venus (Aeneid V.814–71). In the underworld, Palinurus tells Aeneas how he died (Aeneid VI.337–83). This final meeting is depicted in Chaucer’s House of Fame (line 443).

23 Eolus was the ruler of the winds who is frequently represented as blowing two horns. Compare Chaucer’s House of Fame, lines 1571–83.

Textual Notes

11 Palanurus. P: Palamirus.

13 creée. P: cree.

24 fondera. P: forgera.

28 qui. P: que.





[Ch VII; MS #244] Balade

2 King Acrisius of Argos locked his childless daughter, Danaë, in a bronze tower or cave after hearing he would be killed by her son. Zeus, however, comes to her variously as a sunbeam, rain, or a shower of gold and impregnates her with Perseus.

5–6 Argus. Juno appointed the hundred-eyed Argus to guard Io, Jupiter’s mistress whom he had turned into a cow to protect her from Juno’s anger. References to a guard with a hundred eyes were proverbial. Chaucer’s Wife of Bath prides herself on her ability to fool even the hundred-eyed Argus (CT III[D]358–61). See also Gower’s Confessio Amantis 4.3317–61; and Chaucer’s Knight’s Tale (CT I[A]1390), Merchant’s Tale (CT IV[E]2111), and Troilus and Crisyede 4.1459.

13 Tantalus offered the gods a stew made from the body of his son, Pelops, to test their divinity. His punishment involved standing in shallow water beneath a fruit tree with low branches. Whenever he reached for a piece of fruit, the branches withdrew and whenever he went to drink, the water receded. In Chaucer’s Book of the Duchess, the Man in Black asserts that he has “more sorowe than Tantale” (line 709).





[Ch VIII; MS #245] Balade

1–14 Thisbe, Ariadne, Dido, and Phyllis are all subjects of individual tales in Chaucer’s Legend of Good Women. Many of the other women named here appear as references in other Chaucerian works.

Textual Notes

17 jours. P: tours.

24 Fisses. P: Eusses.





[Ch IX; MS #249] Chanson Royal

31 This line is a syllable short and does not make sense as it stands. The translation represents a guess as to the intended meaning.

Textual Notes

17 flenchist. P: flechist.





[Ch X; MS #260] Rondel

There are no notes for this poem.





[Ch XI; MS #263] Chançon Royal

1–9 This list of seven nonpareils includes two from the Old Testament (Esther and Judith) and five from Greek myth.

Textual Notes

40 Mon. P: A mon.

43 avient. P: venant.

59 que. P: qua.





[Ch XII; P #273] Balade

1 si. P: se.

12 Bel . . . bon. P: bonne.

13 que onques. P: conques.





[Ch XIII; P #274] Balade

16 fors que. P: forques.





[Ch XIV; MS #275] Balade

1–24 In each stanza the endings of the first six lines are echoed at the end of the following hemistich (confort/ressort). This is “rime batellée.”

Textual Notes

11 Mais. P: Et.
et fort. P: effort.

12 Et. P: De.

15 je. P: ou.





[Ch XV; P #276] Balade

19 qu’a souhait. P: quassouhait.