Croxton Play of the Sacrament: Bibliography

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Croxton Play of the Sacrament: Bibliography

Adams, Joseph Quincy, ed. Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of the English Drama from Its Origin down to Shakespeare. Boston: Houghton Mifflin, 1924.

Antichrist and Judgment Day: The Middle French "Jour du Jugement". Trans. Richard K. Emmerson and David F. Hult with a note on the music by Keith Glaeske. Asheville, NC: Pegasus Press, 1998.

Atkin, Tamara. “Playbooks and Printed Drama: A Reassessment of the Date and Layout of the Manuscript of the Croxton Play of the Sacrament.Review of English Studies 60 (2009), 194–205.

Atkinson, Clarissa W. Mystic and Pilgrim: The "Book" and the World of Margery Kempe. Ithaca, NY: Cornell University Press, 1983.

Axton, Richard, and John Stevens., trans. Medieval French Plays. Oxford: Basil Blackwell, 1971.

Barns, F. E. “The Background and Sources of the Croxton Play of the Sacrament.” Ph.D. dissertation, University of Chicago, 1926.

Bartholomaeus Anglicus. De rerum proprietatibus. See On the Properties of Things.

Beadle, Richard. “Prolegomena to a Literary Geography of Later Medieval Norfolk.” In Regionalism in Late Medieval Manuscripts and Texts: Essays Celebrating the Publication of "A Linguistic Atlas of Late Mediaeval English". Ed. Felicity Riddy. Cambridge: D. S. Brewer, 1991. Pp. 89–108.

Beckwith, Sarah. “Ritual, Church and Theatre: Medieval Dramas of the Sacramental Body.” In Culture and History, 1350–1600: Essays on English Communities, Identities and Writing. Ed. David Aers. Detroit, MI: Wayne State University Press, 1992. Pp. 65–89.

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———. Review of Norman Davis, Non–Cycle Plays and Fragments. Speculum 46 (1971), 733–36.

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Breviarium ad Usum Insignis Ecclesie Sarum. Ed. Francis Procter and Christopher Wordsworth. 3 vols. Cambridge: Cambridge University Press, 1879–86.

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———. “The Providers of Pyrotechnics in Plays and Celebrations.” In Material Culture and Medieval Drama. Ed. Clifford Davidson. Kalamazoo. MI: Medieval Institute Publications, 1999. Pp. 59–74.

Bynum, Caroline Walker. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. Philadelphia: University of Pennsylvania Press, 2007.

Calvert, Judith. “A Twentieth-Century Analogue of The Play of the Sacrament.” Early Drama, Art, and Music Review 20 (1997), 24–27.

The Castle of Perseverance. Ed. David N. Klausner. Kalamazoo, MI: Medieval Institute Publications, 2010.

Chaucer, Geoffrey. Riverside Chaucer. Third ed. Gen. ed. Larry D. Benson. Boston: Houghton Mifflin, 1987.

Chemers, Michael Mark. “Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament.” Comparative Drama 41 (2007), 25–55.

Chester Mystery Cycle. Ed. R. M. Lumiansky and David Mills. 2 vols. EETS s.s. 3 and 9. London: Oxford University Press, 1974–1986.

Clark, Robert L. A., and Claire Sponsler. “Othered Bodies: Racial Cross-Dressing in the Mistere de la Sainte Hostie and the Croxton Play of the Sacrament.” Journal of Medieval and Early Modern Studies 29 (1999), 61–87.

Codex Ashmole 61: A Compilation of Popular Middle English Verse. Ed. George Shuffelton. Kalamazoo, MI: Medieval Institute Publications, 2008.

Cohen, Jeffrey J. “The Flow of Blood in Medieval Norwich.” Speculum 79 (2004), 26–65.

Coldewey, John C., ed. Early English Drama: An Anthology. New York: Garland Publishing, 1993.

———. “The Non-Cycle Plays and the East Anglian Tradition.” In The Cambridge Companion to Medieval English Theatre. Ed. Richard Beadle. Cambridge: Cambridge University Press, 1994. Pp. 189-210.

Coletti, Theresa. “Paupertas est donum Dei: Hagiography, Lay Religion, and the Economics of Salvation in the Digby Mary Magdalene.” Speculum 76 (2001), 337–78. Coventry Corpus Christi Plays. Ed. Pamela M. King and Clifford Davidson. Kalamazoo, MI: Medieval Institute Publications, 2000.

Craig, Hardin. English Religious Drama of the Middle Ages. Oxford: Clarendon Press, 1955.

Cuffel, Alexandra. Gendering Disgust in Medieval Religious Polemic. Notre Dame, IN: University of Notre Dame Press, 2007.

Cutts, Cecilia. “The Croxton Play: An Anti-Lollard Piece.” Modern Language Quarterly 5:1 (1944), 45–60.

Damon, John. “Enacting Liturgy: Estote Fortes in the Croxton Play of the Sacrament.” In Romance and Rhetoric: Essays in Honor of Dhira B. Mahoney. Ed. Georgiana Donavin and Anita Obermeier. Turnhout: Brepols, 2010. Pp. 171-89.

Davenport, W. A. Fifteenth-Century English Drama: The Early Moral Plays and Their Literary Relations. Cambridge: D. S. Brewer, 1982.

Davidson, Clifford. “Positional Symbolism and English Medieval Drama.” Comparative Drama 25 (1991), 66–76.

Davis, Norman, ed. Non-Cycle Plays and Fragments. EETS s.s. 1. London: Oxford University Press, 1970.

———, ed. Non-Cycle Plays and the Winchester Dialogues: Facsimiles of Plays and Fragments in Various Manuscripts and the Dialogues in Winchester College MS 33. Leeds: University of Leeds, School of English, 1979.

Decrees of the Ecumenical Councils. Vol. 1: Nicaea I – Lateran V. Ed. Norman P. Tanner, S.J. London: Sheed & Ward; Washington DC: Georgetown University Press, 1990.

Delaney, Sheila. “Chaucer’s Prioress, the Jews, and the Muslims.” Medieval Encounters 5 (1999), 198–213.

Delany, Paul. “Constantinus Africanus’ De Coitu: A Translation.” Chaucer Review 4 (1970), 55-65.

Dobson, R. B. The Jews of Medieval York and the Massacre of March 1190. York: St. Anthony’s Press, 1974.

Dox, Donnalee. “Representation without Referent: The Jew in Medieval English Drama: An Exploration of Christian Alterity in The Conversion of Jonathas the Jew by the Miracle of the Blessed Sacrament.” Ph.D. dissertation, University of Minnesota, 1995.

———. “Medieval Drama as Documentation: ‘Real Presence’ in the Croxton Conversion of Ser Jonathas the Jewe by the Myracle of the Blissed Sacrament.” Theatre Survey 38 (1997), 97–115.

———. “Theatrical Space, Mutable Space, and the Space of Imagination: Three Readings of the Croxton Play of the Sacrament.” In Medieval Practices of Space. Ed. Barbara A. Hanawalt and Michal Kobialka. Minneapolis: University of Minnesota Press, 2000. Pp. 167–98.

Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, c. 1400–c. 1580. New Haven, CT: Yale University Press, 1992.

Enders, Jody. “Dramatic Memories and Tortured Spaces in the Mystere de la Sainte Hostie." In Medieval Practices of Space. Ed. Barbara A. Hanawalt and Michal Kobialka. Minneapolis: University of Minnesota Press, 2000. Pp. 199–222.

———. Death by Drama and Other Medieval Urban Legends. Chicago: University of Chicago Press, 2002.

———. “Theater Makes History: Ritual Murder by Proxy in the Mistere de la Sainte Hostie.” Speculum 79 (2004), 991–1016.

"Everyman" and Its Dutch Original, "Elckerlijc". Ed. Clifford Davidson, Martin W. Walsh, and Ton J. Broos. Kalamazoo, MI: Medieval Institute Publications, 2007.

Fletcher, Alan J. “The N-Town Plays.” In The Cambridge Companion to Medieval English Theatre. Ed. Richard Beadle. Cambridge: Cambridge University Press, 1994. Pp. 163–88.

Freedman, Paul. Out of the East: Spices and the Medieval Imagination. New Haven, CT: Yale University Press, 2008.

Gallagher, Catherine, and Stephen Greenblatt. Practicing New Historicism. Chicago: University of Chicago Press, 2000.

Gedenkbuch des Metzer Bürgers Philippe von Vigneulles aus den Jahren 1471 bis 1522 nach der Handschrift des Verfassers. Ed. Heinrich Michelant. Stuttgart: Litterarischer Verein, 1852.

Gibson, Gail McMurray. “Bury St. Edmunds, Lydgate, and the N-Town Cycle.” Speculum 56 (1981), 56–90.

———. “The Play of Wisdom and the Abbey of St. Edmunds.” In Milla Cozart Riggio, ed., “Wisdom” Symposium. Pp. 39–66.

———. The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages. Chicago: University of Chicago Press, 1989.

Glassman, Bernard. Anti-Semitic Stereotypes without Jews: Images of the Jews in England, 1290–1700. Detroit, MI: Wayne State University Press, 1975.

Granger, Penny. The N-Town Play: Drama and Liturgy in Medieval East Anglia. Cambridge: D. S. Brewer, 2009.

Grantley, Darryll. “Producing Miracles.” In Aspects of Early English Drama. Ed. Paula Neuss. Cambridge: D. S. Brewer, 1983. Pp. 78–91.

———. “Saints’ Plays.” In The Cambridge Companion to Medieval English Theatre. Ed. Richard Beadle. Cambridge: Cambridge University Press, 1994. Pp. 265–89.

Hall, Edwin. The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck’s Double Portrait. Berkeley: University of California Press, 1994.

Healing and Society in Medieval England: A Middle English Translation of the Pharmaceutical Writings of Gilbertus Anglicus. Ed. Faye Marie Getz. Madison: University of Wisconsin Press, 1991.

Higginbotham, Derrick. “Impersonators in the Market: Merchants and the Premodern Nation in the Croxton Play of the Sacrament.” Exemplaria 19 (2007), 163–82.

Hillaby, Joe. “Jewish Colonisation in the Twelfth Century.” In The Jews in Medieval Britain: Historical, Literary, and Archaeological Perspectives. Ed. Patricia Skinner. Woodbridge: Boydell Press, 2003. Pp. 15–40.

Hill-Vásquez, Heather. Sacred Players: The Politics of Response in the Middle English Religious Drama. Washington, DC: Catholic University of America Press, 2007.

Homan, Richard L. “Devotional Themes in the Violence and Humor of the Play of the Sacrament.” Comparative Drama 20 (1987), 327–340.

———. “Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud." Comparative Drama 18 (1984), 241–51. Reprinted in Drama in the Middle Ages: Comparative and Critical Essays. Ed. Clifford Davidson and John H. Stroupe. New York: AMS Press, 1991. Pp. 199–209.

Howard-Hill, T. H. “The Evolution of the Form of Plays in English during the Renaissance.” Renaissance Quarterly 43 (1990), 112–45.

Hudson, Anne, ed. Selections from English Wycliffite Writings. Toronto: University of Toronto Press, 1997.

James, Mervyn. “Ritual, Drama and Social Body in the Late Medieval English Town.” Past and Present 98 (1983), 3–29.

Jocelin of Brakelond. Chronicle of the Abbey of Bury St Edmunds. Trans. Diana Greenway and Jane Sayers. Oxford: Oxford University Press, 1998.

Jones, Michael. “Theatrical History in the Croxton Play of the Sacrament.” English Literary History 66 (1999), 223–60.

Kang, Ji-Soo. “The Significance of the Eucharist Scenes in the Croxton Play of the Sacrament.” Medieval English Studies 9:2 (2001), 131–53.

Kempe, Margery. Book of Margery Kempe. Ed. Lynn Staley. Kalamazoo, MI: Medieval Institute Publications, 1996.

Kerby-Fulton, Kathryn. Books under Suspicion: Censorship and Tolerance of Revelatory Writing in Late Medieval England. Notre Dame, IN: University of Notre Dame Press, 2006.

Kruger, Steven F. “The Bodies of Jews in the Late Middle Ages.” In The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard. Ed. James M. Dean and Christian K. Zacher. Newark: University of Delaware Press, 1992. Pp. 301–23.

Lampert, Lisa. “The Once and Future Jew: The Croxton Play of the Sacrament, Little Robert of Bury and Historical Memory.” Jewish History 15 (2001), 235–55.

———. Gender and Jewish Difference from Paul to Shakespeare. Philadelphia: University of Pennsylvania Press, 2004.

Langland, William. The Vision of Piers Plowman. Ed. A. V. C. Schmidt. London: J. M. Dent, 1978. Second ed., 1995.

Langmuir, Gavin I. “The Tortures of the Body of Christ.” In Christendom and Its Discontents: Exclusion, Persecution, and Rebellion, 1000–1500. Ed. Scott L. Waugh and Peter D. Diehl. Cambridge: Cambridge University Press, 1996. Pp. 287–309.

———. “At the Frontiers of Faith.” In Religious Violence between Christians and Jews: Medieval Roots, Modern Perspectives. Ed. Anna Sapir Abulafia. New York: Palgrave, 2002. Pp. 138–56.

Lascombes, André. “Revisiting The Croxton Play of the Sacrament: Spectacle and the Other’s Voice.” In European Medieval Drama 2. Ed. Sydney Higgins. Turnhout: Brepols, 1998. Pp. 261–75.

Late Medieval Religious Plays of Bodleian MSS Digby 133 and e Museo 160. Ed. Donald C. Baker, John L. Murphy, and Louis B. Hall Jr. EETS no. 283. Oxford: Oxford University Press, 1982.

Lawton, David. “Sacrilege and Theatricality: The Croxton Play of the Sacrament.Journal of Medieval and Early Modern Studies 33 (2003), 281–309.

Lay Folks’ Catechism, or the English and Latin Versions of Archbishop Thoresby’s Instruction for the People. Ed. Thomas Frederick Simmons and Henry Edward Nolloth. EETS o.s. 118. London: Kegan Paul, Trench, Trübner & Co., 1901.

Lepow, Lauren. Enacting the Sacrament: Counter-Lollardy in the Towneley Cycle. Rutherford, NJ: Fairleigh Dickinson University Press, 1990.

Lerer, Seth. “‘Representyd now in yower syght’: The Culture of Spectatorship in Late-Fifteenth-Century England.” In Bodies and Disciplines: Intersections of Literature and History in Fifteenth-Century England. Ed. Barbara A. Hanawalt and David Wallace. Minneapolis: University of Minnesota Press, 1996. Pp. 29–62.

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Love, Nicholas. The Mirror of the Blessed Life of Jesus Christ: A Full Critical Edition. Ed. Michael G. Sargent. Exeter: University of Exeter Press, 2005.

Lydgate, John. Minor Poems of John Lydgate. Part I. Ed. Henry Noble MacCracken. EETS e.s. 107. London: Oxford University Press, 1911.

Macro Plays: The Castle of Perseverance, Wisdom, Mankind. Ed. Mark Eccles. EETS no. 262. London: Oxford University Press, 1969.

Maltman, Sr. Nicholas. “Meaning and Art in the Croxton Play of the Sacrament.” English Literary History, 41 (1974), 149–64.

Mandeville, John. The Buke of John Maundeuill, Being the Travels of Sir John Mandeville, Knight, 1322–1356: A Hitherto Unpublished Version, from the Unique Copy (Egerton MS 1982) in the British Museum. Ed. George F. Warner.Westminster: Nichols & Sons, 1889.

Mankind. Ed. Kathleen M. Ashley and Gerard NeCastro. Kalamazoo, MI: Medieval Institute Publications, 2010.

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Marshall, John. “‘O Ye Souerens þat Sytt and Ye Brothern þat Stonde Ryght Wppe’: Addressing the Audience of Mankind.” In European Medieval Drama 1. Ed. Sydney Higgins. Turnhout: Brepols, 1997. Pp. 189–202.

McCulloh, John M. “Jewish Ritual Murder: William of Norwich, Thomas of Monmouth, and the Early Dissemination of the Myth.” Speculum 72 (1997), 698–740.

Meale, Carol M. “‘. . . alle the bokes that I haue of latyn, englisch, and frensch’: Laywomen and Their Books in Late Medieval England.” In Women and Literature in Britain, 1150–1500. Ed. Carol M. Meale. Cambridge: Cambridge University Press, 1993. Second ed., 1996. Pp. 128–58.

Muir, Lynette R. “Further Thoughts on the Tale of the Profaned Host.” Early Drama, Art, and Music Review 21:2 (1999), 88–97.

Nichols, Ann Eljenholm. “The Croxton Play of the Sacrament: A Re-reading.” Comparative Drama 22 (1988), 117–37.

———. “Lollard Language in the Croxton Play of the Sacrament.” Notes and Queries 36 (1989), 23–25.

Nirenberg, David. Communities of Violence: Persecution of Minorities in the Middle Ages. Princeton, NJ: Princeton University Press, 1996.

Nisse, Ruth. Defining Acts: Drama and the Politics of Interpretation in Late Medieval England. Notre Dame, IN: University of Notre Dame Press, 2005.

The N-Town Plays. Ed. Douglas Sugano with assistance by Victor I. Scherb. Kalamazoo, MI: Medieval Institute Publications, 2007.

On the Properties of Things: John Trevisa’s Translation of Bartholomaeus Anglicus, De proprietatibus rerum: A Critical Text. Ed. M. C. Seymour. 3 vols. Oxford: Clarendon Press, 1975–88.

Owens, Margaret E. Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama. Newark: University of Delaware Press, 2005.

Palmer, Barbara D. “Star Turns or Small Companies?” In “Bring furth the pagants”: Essays in Early English Drama Presented to Alexandra F. Johnston. Ed. David N. Klausner and Karen Sawyer Marsalek. Toronto: University of Toronto Press, 2007. Pp. 9–40.

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Rastall, Richard. The Heaven Singing Vol. 1 of Music in Early English Religious Drama. Cambridge: D. S. Brewer, 1996.

Reid-Schwartz, Alexandra. “Economies of Salvation: Commerce and the Eucharist in The Profanation of the Host and the Croxton Play of the Sacrament.” Comitatus 25 (1994), 1–20.

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Riggio, Milla Cozart, ed. The “Wisdom” Symposium: Papers from the Trinity College Medieval Festival. New York: AMS Press, 1986.

———. “The Staging of Wisdom.” In Milla Cozart Riggio, ed., “Wisdom” Symposium. Pp. 1–17.

Rubin, Miri. Corpus Christi: The Eucharist in Late Medieval Culture. Cambridge: Cambridge University Press, 1991.

———. “Desecration of the Host: The Birth of an Accusation.” In Christianity and Judaism. Ed. Diana Wood. Oxford: Blackwell, 1992. Pp.169–85. Reprinted in Medieval Religion: New Approaches. Ed. Constance Hoffman Berman. New York: Routledge, 2005. Pp. 363–76.

———. Gentile Tales: The Narrative Assault on Late Medieval Jews. New Haven, CT: Yale University Press, 1999.

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Scherb, Victor I. “The Earthly and Divine Physicians: Christus Medicus in the Croxton Play of the Sacrament.” In The Body and the Text: Comparative Essays in Literature and Medicine. Ed. Bruce Clarke and Wendell Aycock. Lubbock: Texas Tech University Press, 1990. Pp. 161–71.

———. “Violence and the Social Body in the Croxton Play of the Sacrament.” In Violence in Drama. Ed. James Redmond. Cambridge: Cambridge University Press, 1991. Pp. 69–78.

———. Staging Faith: East Anglian Drama in the Later Middle Ages. Madison, NJ: Fairleigh Dickinson University Press, 2001.

Shapiro, James. Shakespeare and the Jews. New York: Columbia University Press, 1996. Siege of Jerusalem. Ed. Michael Livingston. Kalamazoo, MI: Medieval Institute Publications, 2004.

Sofer, Andrew. The Stage Life of Props. Ann Arbor: University of Michigan Press, 2003.

Spector, Stephen. “Time, Space and Identity in the Play of the Sacrament." In The Stage as Mirror: Civic Theatre in Late Medieval Europe. Ed. Alan E. Knight. Cambridge: D. S. Brewer, 1997. Pp. 189–200.

Strohm, Paul. “The Croxton Play of the Sacrament: Commemoration and Repetition in Late Medieval Culture.” In Performances of the Sacred in Late Medieval and Early Modern England. Ed. Susanne Rupp and Tobias Döring. Amsterdam: Rodopi, 2005. Pp. 33–44.

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———. “Medieval Drama: The Corpus Christi in York and Croxton.” In Readings in Medieval Texts: Interpreting Old and Middle English Literature. Ed. David F. Johnson and Elaine Treharne. Oxford: Oxford University Press, 2005. Pp. 370–85.

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———, trans. Medieval German Drama: Four Plays in Translation. With a note on the music by Stephen K. Wright and Keith Glaeske. Fairview, NC: Pegasus Press, 2002.