Guillaume de Machaut, Volume 1: The Debate Series: Bibliography

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Guillaume de Machaut, Volume 1: The Debate Series: Bibliography

Editions of Guillaume de Machaut’s Works

Cerquiglini, Jacqueline, ed. and trans. Le Livre de la Fontaine Amoureuse. Paris: Stock, 1993.

Chichmaref, V., ed. Guillaume de Machaut: Poésies lyriques. 2 vols. Paris: Honoré Champion, 1909.

Earp, Lawrence, Domenic Leo, and Carla Chapreau, eds. Ferrell-Vogüé Machaut Manuscript: Facsimile and Introductory Study. 2 vols. Oxford: Digital Image Archive of Medieval Music Publications, 2014.

Froissart, Jean. “Dits” et “Débats”: Introduction, édition, notes, glossaire. Avec en appendice quelques poèmes de Guillaume de Machaut. Ed. Anthime Fourrier. Geneva: Droz, 1979.

Gaudet, Minnette, and Constance B. Hieatt, eds. and trans. The Tale of the Alerion. Toronto: University of Toronto Press, 1994.

Hœpffner, Ernest, ed. Œuvres de Guillaume de Machaut. 3 vols. Paris: Firmin-Didot, 1908–21.

Imbs, Paul, and Jacqueline Cerquiglini-Toulet, eds. Le Livre du Voir Dit. Paris: Librairie Générale Française, 1999.

Leech-Wilkinson, Daniel, ed. Le Livre dou Voir Dit (The Book of the True Poem). Trans. R. Barton Palmer. New York: Garland Publishing, 1998.

Ludwig, Friedrich, ed. Guillaume de Machaut: Musikalische Werke. 4 vols. Leipzig: Breitkopf and Härtel, 1954.

Mas Latrie, M. L. de, ed. La Prise d’Alexandrie ou Chronique du roi Pierre 1er de Lusignan. Geneva: Jules-Guillaume Fick, 1877.

Palmer, R. Barton, ed. and trans. The Judgment of the King of Bohemia (Le Jugement dou Roy de Behaingne). New York: Garland Publishing, 1984.

———, ed. and trans. The Judgment of the King of Navarre (Jugement deu roy de Navarre). New York: Garland Publishing, 1988.

———, ed. and trans. Le Confort d’ami (Comfort for a Friend). New York: Garland Publishing, 1992.

———, ed. and trans. The Fountain of Love (La Fonteinne Amoureuse) and Two Other Love Vision Poems. New York: Garland, 1993.

———, ed. and trans. La Prise d’Alixandre (The Taking of Alexandria). New York: Routledge, 2002.

Paris, P., ed. Le Livre du Voir-Dit de Guillaume de Machaut. Paris: Société des Bibliophiles François, 1875.

Plumley, Yolanda, Uri Smilansky, and Tamsyn Rose-Steel, eds. The Works of Guillaume de Machaut: Music, Image, Text in the Middle Ages. University of Exeter, 2016. Web. Accessed May 2016. Online at http://machaut.exeter.ac.uk/.

Schrade, Leo, ed. The Works of Guillaume de Machaut. Monaco: L’Oiseau–Lyre, 1956.

Shirley, Janet, trans. The Capture of Alexandria. Burlington, VT: Ashgate, 2001.

Wilkins, Nigel, ed. La Louange des Dames. Edinburgh: Scottish Academic Press, 1972.

Wimsatt, James I., ed. The Marguerite Poetry of Guillaume de Machaut. Chapel Hill, NC: University of North Carolina Press, 1970.

Wimsatt, James I., and William W. Kibler, eds. Le Jugement du roy de Behaingne and Remede de Fortune. Athens, GA: University of Georgia Press, 1987.

Young, Karl, ed. “The Dit de la Harpe of Guillaume de Machaut.” In Essays in Honor of Albert Feuillerat. Ed. Henri M. Peyre. New Haven, CT: Yale University Press, 1943. Pp. 1–20.


Other Sources

Albritton, Benjamin. “Moving Across Media: Machaut’s Lais and the Judgement Tradition.” In McGrady and Bain. Pp. 119–42.

Alexander, Jonathan J. G. Medieval Illuminators and Their Methods of Work. New Haven, CT: Yale University Press, 1992.

Allen, Graham. Intertextuality. Second edition. Abingdon and New York: Routledge, 2011.

Altmann, Barbara K. “Reopening the Case: Machaut’s Jugement Poems as a Source in Christine de Pizan.” In Reinterpreting Christine de Pizan. Ed. Earl Jeffrey Richards. Athens, GA: University of Georgia Press, 1992. Pp. 137–56.

———. “Guillaume de Machaut’s Lyric Poetry.” In McGrady and Bain. Pp. 311–32.

Altmann, Barbara K., and R. Barton Palmer, eds. and trans. An Anthology of Medieval Love Debate Poetry. Gainesville, FL: University Press of Florida, 2006.

Amon, Nicole. “Le Vert: Guillaume de Machaut, Poète de l’Affirmation et de la Joie.” Revue du Pacifique 2 (1976), 3–11.

Amtower, Laurel. Engaging Words: The Culture of Reading in the Later Middle Ages. New York: Palgrave, 2000.

Anderson, J. J. “Criseyde’s assured manner.” Notes and Queries 236 (1991), 160–61.

———. “The man in black, Machaut’s knight, and their ladies.” English Studies 73.5 (1992), 417–30.

Areford, David S. “The Passion Measured: A Late-Medieval Diagram of the Body of Christ.” In The Broken Body: Passion Devotion in Late-Medieval Culture. Ed. A. A. MacDonald, H. N. B. Ridderbos, and R. M. Schlusemann. Groningen: Egbert Forsten, 1998. Pp. 211–38.

Ariès, Phillipe, and Georges Duby. Histoire de la vie privée. Paris: Seuil, 1985.

Aristotle. Nicomachean Ethics. Trans. Martin Ostwald. Indianapolis: Bobbs-Merrill, 1962.

Arlt, Wulf. “Donnez signeurs — Zum Brückenschlag zwischen Ästhetik und Analyse bei Guillaume de Machaut.” In Tradition und Innovation in der Musik. Festschrift für Ernst Lichtenhahn zum 60. Geburtstag. Ed. Christoph Ballmer and Thomas von Gartmann. Winterthur: Amadeus, 1993. Pp. 39–64.

———. “Machaut in Context.” In Cerquiglini-Toulet and Wilkins. Pp. 147–64.

L’Art au temps des rois maudits: Philippe le Bel et ses fils, 1285–1328. Paris: Réunion des musées nationaux, 1998. Exhibition Catalog.

Attwood, Catherine. Dynamic Dichotomy: The Poetic “I” in Fourteenth- and Fifteenth-Century French Lyric Poetry. Amsterdam: Rodopi, 1998.

———. “The Image in the Fountain: Fortune, Fiction and Femininity in the Livre du Voir Dit of Guillaume de Machaut.” Nottingham French Studies 38 (1999), 137–49.

Aubailly, Jean-Claude, Emmanuèle Baumgartner, Francis Dubost, Liliane Dulac, Marcel Faure, and René Martin, eds. Et c’est la fin pour quoy sommes ensemble: Hommage à Jean Dufournet professeur à la Sorbonne. 3 vols. Paris: Honoré Champion, 1993.

Auerbach, Erich. Scenes from the Drama of European Literature. New York: Meridian, 1959.

Avril, François. Manuscript Painting at the Court of France: The Fourteenth Century, 1310–1380. Trans. Ursule Molinaro with Bruce Benderson. New York: George Braziller, 1978.

———. “Les manuscrits enluminés de Guillaume de Machaut: essai de chronologie.” In Chailley, ed. Poète et compositeur. Pp. 117–33.

———. L’art au temps des rois maudits: Philippe le Bel et ses fils, 1285–1328. Paris: Réunion des musées nationaux, 1998. Exhibition Catalog.

Avril, François, Philippe Chapu, Danielle Gaborit-Chopin, and Françoise Perrot, eds. Les Fastes du gothique: le siècle de Charles V, Les. Paris: Galeries nationales du Grand Palais, 1981. Exhibition Catalog.

Badel, Pierre-Yves. “Le débat.” In La littérature française aux XIVe et XVe siècles. Heidelberg: Carl Winter, 1988. Ed. Daniel Poirion. Pp. 95–110.

Bain, Jennifer. “‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs.” In McGrady and Bain. Pp. 79–102.

Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Trans. Caryl Emerson and Michael Holquist. Austin, TX: University of Texas Press, 1981.

Basso, Hélène. “Relier, relire: des poèmes courtois faits galanteries.” Babel: Littératures plurielles 16 (2007), 185–208.

Baumgartner, Emmanuèle, and Laurence Harf-Lancner, eds. Progrès, réaction, décadence dans l’Occident médiéval. Geneva: Droz, 2003.

Bec, Pierre. “Note musico-philologique sur l’orgue et l’aile chez Guillaume de Machaut.” In Aubailly et al. Pp. 149–61.

Beer, Jeanette M. A. “The Ambiguity of Guillaume de Machaut.” Parergon 27 (1980), 27–31.

———. Narrative Conventions of Truth in the Middle Ages. Geneva: Droz, 1981.

Bennett, Philip E. “The Mirage of Fiction: Narration, Narrator, and Narratee in Froissart’s Lyrico-Narrative Dits.” Modern Language Review 86.2 (1991), 285–97.

———. “Rhetoric, Poetics and History: Machaut’s Prise d’Alixandre and the anonymous Geste des ducs de Bourgogne.” Reading Medieval Studies 34 (2008), 53–75.

Bent, Margaret. “The Machaut Manuscripts Vg, B and E.” Musica Disciplina 37 (1983), 53–82.

Bétemps, Isabelle. L’Imaginaire dans l’œuvre de Guillaume de Machaut. Paris: Honoré Champion, 1998.

———. “La figure du poète dans le Voir Dit: du cœur d’amant au testam(a)nt.” Littératures 45 (2001), 5–22.

———. “Les Lais de plour: Guillaume de Machaut et Oton de Granson.” In Cerquiglini-Toulet and Wilkins. Pp. 95–106.

Biblia Sacra Iuxta Vulgatam Clementinam, eds. Alberto Colunga and Laurentio Turrado. Madrid: Biblioteca de Auctores Cristianos, 1977.

Bibliothèque nationale de France. Web. Accessed May 2016. Online at http://gallica.bnf.fr.

Biezen, Jan van, and J. P. Gumbert. Two Chansonniers from the Low Countries: French and Dutch Polyphonic Songs from the Leiden and Utrecht Fragments (Early 15th Century). Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1985.

Blamires, Alcuin. Woman Defamed and Woman Defended: An Anthology of Medieval Texts. Oxford: Oxford University Press, 1992.

———. The Case for Women in Medieval Culture. Oxford: Oxford University Press, 1997.

Blanc, Odile. “From Battlefield to Court: The Invention of Fashion in the Fourteenth Century.” In Encountering Medieval Textiles and Dress: Objects, Texts, Images. Ed. Désirée G. Koslin and Janet E. Snyder. New York: Palgrave, 2002. Pp. 157–72.

Blumenfeld-Kosinski, Renate. Reading Myth: Classical Mythology and Its Interpretations in Medieval French Literature. Stanford, CA: Stanford University Press, 1997.

Boenig, Robert. “Musical Instruments as Iconographical Artifacts in Medieval Poetry.” In Material Culture and Cultural Materialisms in the Middle Ages and Renaissance. Ed. Curtis Perry. Turnhout: Brepols, 2001. Pp. 1–15.

Boethius. The Consolation of Philosophy. Trans. Richard Green. Indianapolis: Library of Liberal Arts, 1962.

———. Fundamentals of Music. Ed. Claude V. Palisca. Trans. Calvin M. Bower. New Haven, CT: Yale University Press, 1989.

Boogaart, Jacques. “Folie couvient avoir: Citation and Transformation in Machaut’s Musical Works — Gender Change and Transgression.” In Plumley, Di Bacco, and Jossa. Pp. 15–40.

Bordonove, Georges. Jean le Bon et son temps. Paris: Ramsay, 1980.

Boswell, John. Christianity, Social Tolerance and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century. Chicago: The University of Chicago Press, 1980.

Boudet, Jean-Patrice, and Hélène Millet, eds. Eustache Deschamps en son temps. Paris: Publications de la Sorbonne, 1997.

Boulton, Maureen. “The Dialogical Imagination in the Middle Ages: The Example of Guillaume de Machaut’s Voir Dit.” Allegorica 10 (1989), 85–94.

———. “Guillaume de Machaut’s Voir Dit: The Ideology of Form.” In Busby and Kooper. Pp. 39–47.

———. The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200–1400. Philadelphia: University of Pennsylvania Press, 1993.

Bowers, Roger. “Guillaume de Machaut and His Canonry of Reims, 1338–1377.” Early Music History 23 (2004), 1–48.

Brewer, Derek. “Chaucer’s Knight As Hero, and Machaut’s Prise d’Alexandrie.” In Heroes and Heroines in Medieval English Literature. Ed. Leo Carruthers. Brewer, 1994. Pp. 81–96.

Brothers, Thomas. “Musica Ficta and Harmony in Machaut’s Songs.” The Journal of Musicology 15.4 (1997), 501–28.

Brown, Cynthia J. Poets, Patrons and Printers: Crisis of Authority in Late Medieval France. Ithaca, NY: Cornell University Press, 1995.

Brownlee, Kevin. “The Poetic Œuvre of Guillaume de Machaut: The Identity of Discourse and the Discourse of Identity.” In Cosman and Chandler. Pp. 219–33.

———. “Transformations of the Lyric ‘Je’: The Example of Guillaume de Machaut.” L’Esprit Créateur 18.1 (1978), 5–18.

———. Poetic Identity in Guillaume de Machaut. Madison, WI: The University of Wisconsin Press, 1984.

———. “Metaphoric Love Experience and Poetic Craft: Guillaume de Machaut’s Fonteinne amoureuse.” In Poetics of Love in the Middle Ages: Texts and Contexts. Ed. Moshe Lazar and Norris J. Lacy. Fairfax, VA: George Mason University Press, 1989. Pp. 147–55.

———. “Guillaume de Machaut’s Remede de Fortune: The Lyric Anthology as Narrative Progression.” In The Ladder of High Designs: Structure and Interpretation of the French Lyric Sequence. Ed. Doranne Fenoaltea and David Lee Rubin. Charlottesville, VA: University Press of Virginia, 1991. Pp. 1–25.

———. “Pygmalion, Mimesis, and the Multiple Endings of the Roman de la Rose.” Yale French Studies 95 (1999), 193–211.

———. “Fire, Desire, Duration, Death: Machaut’s Motet 10.” In Clark and Leach. Pp. 79–93.

Brownlee, Kevin, and Sylvia Huot, eds. Rethinking The Romance of the Rose: Image, Text, Reception. Philadelphia: University of Pennsylvania Press, 1992.

Bullock, Alison. “The Variant Musical? Readings of the Machaut Manuscripts.” Ph.D. Dissertation: University of Southampton, 1998.

Buren, Anne H. van, and Roger S. Wieck. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: The Morgan Library and Museum, 2011.

Burger, Glenn, and Steven F. Kruger, eds. Queering the Middle Ages. Minneapolis, MN: University of Minnesota Press, 2001.

Burke, Mary Ann. “A Medieval Experiment in Adaptation: Typology and Courtly Love. Poetry in the Second Rhetoric.” Res Publica Litterarum 3 (1980), 165–75.

Burkholder, J. Peter, Donald Jay Grout, and Claude V. Palisca. A History of Western Music. New York: Norton, 2006.

Burrow, John. Ricardian Poetry: Chaucer, Gower, Langland and the Gawain Poet. London: Routledge and Kegan Paul, 1971.

———. “Poems without Contexts: The Rawlinson Lyrics.” Essays in Criticism 29.1 (1979), 6–32.

———. “The Poet and the Book.” In Genres, Themes, and Images in English Literature. Ed. Piero Boitani and Anna Torti. Tübingen: Gunter Narr Verlag, 1988. Pp. 230–45.

Busby, Keith. Codex and Context: Reading Old French Verse Narrative in Manuscript. 2 vols. Amsterdam: Rodopi, 2002.

Busby, Keith, and Erik Kooper, eds. Courtly Literature: Culture and Context. Amsterdam: John Benjamins, 1990.

Butterfield, Ardis. “Interpolated Lyric in Medieval Narrative Poetry.” Ph.D. Dissertation: University of Cambridge, 1988.

———. “Lyric and Elegy in The Book of the Duchess.” Medium Ævum 60.1 (1991), 33–60.

———. “Pastoral and the Politics of Plague in Machaut and Chaucer.” Studies in the Age of Chaucer 16 (1994), 3–27.

———. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Cambridge: Cambridge University Press, 2002.

———. “Articulating the Author: Gower and the French Vernacular Codex.” Yearbook of English Studies 33 (2003), 80–96.

———. “Chaucer’s French Inheritance. In The Cambridge Companion to Chaucer. Second edition. Ed. Piero Boitani and Jill Mann. Cambridge and New York: Cambridge University Press, 2003. Pp 20–35.

———. “Confessio Amantis and the French Tradition.” In A Companion to Gower. Ed. Siân Echard. Cambridge: Brewer, 2004. Pp. 165–80.

Calin, Françoise, and William Calin. “Medieval Fiction and New Novel: Some Polemical Remarks on the Subject of Narrative.” Yale French Review 51 (1974), 235–50.

Calin, William. “A Reading of Machaut’s ‘Jugement dou Roy de Navarre’.” Modern Language Review 66.2 (1971), 294–97.

———. A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut. Lexington, KY: Kentucky University Press, 1974.

———. “The Poet at the Fountain: Machaut as Narrative Poet.” In Cosman and Chandler. Pp. 177–87.

———. “Problèmes de technique narrative au Moyen-Age: Le Roman de la Rose et Guillaume de Machaut.” In Mélanges de langue et littérature françaises du moyen-âge offerts à Pierre Jonin. Paris: Honoré Champion, 1979. Pp. 125–38.

———. “Le Moi chez Guillaume de Machaut.” In Chailley, ed. Poète et compositeur. Pp. 241–52. ———. A Muse for Heroes: Nine Centuries of the Epic in France. Toronto: University of Toronto Press, 1983.

———. In Defense of French Poetry: An Essay in Revaluation. University Park, PA: Pennsylvania State University Press, 1987.

———. “Medieval Intertextuality: Lyrical Inserts and Narrative in Guillaume de Machaut.” The French Review 62.1 (1988), 1–10.

———. “Contre la fin’amor? Contre la femme? Une relecture de textes du Moyen Age.” In Busby and Kooper. Pp. 61–82.

———. The French Tradition and the Literature of Medieval England. Toronto: University of Toronto Press, 1994.

———. “Machaut’s Legacy: The Chaucerian Inheritance Reconsidered.” In Palmer, Chaucer’s French Contemporaries. Pp. 29–46.

Calvez, Daniel. “La Structure du rondeau: mise au point.” French Review 55.4 (1982), 461–70.

Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: Cambridge University Press, 1989.

———. “Gothic Signs and the Surplus: The Kiss on the Cathedral.” In “Contexts: Styles and Values in Medieval Art and Literature.” Ed. Daniel Poirion and Nancy Freeman Regalado. Special issue, Yale French Studies (1991), 151–70.

———. The Medieval Art of Love: Objects and Subjects of Desire. New York: Harry N. Abrams, 1998.

———. “‘For Our Devotion and Pleasure’: The Sexual Objects of Jean, Duc de Berry.” Art History 24.2 (2001), 169–94.

Campbell, Anna. The Black Death and Men of Learning. New York: Columbia University Press, 1931.

Campbell, Thomas P. “Machaut and Chaucer: Ars Nova and the Art of Narrative.” Chaucer Review 24.4 (1990), 275–89.

Capellanus, Andreas, The Art of Courtly Love. Trans. John Jay Parry. New York: Frederick Ungar, 1960.

Cappelli, Adriano. Cronologia, Cronografia e Calendario Perpetuo. Third edition. Milan: Hoepli, 1969.

Carré, Yannick. Le Baiser sur la bouche au Moyen Âge: Rites, symboles, mentalités, à travers les textes et les images, XIe-XVe siècles. Paris: Le Léopard d’Or, 1992.

Cattin, Guilio, and Francesco Facchin. French Sacred Music. Monaco: L’Oiseau-Lyre, 1991.

Caviness, Madeline H. Visualizing Women in the Middle Ages: Sight, Spectacle, and Scopic Economy. Philadelphia: University of Pennsylvania Press, 2001.

Cayley, Emma, and Ashby Kinch, eds. Chartier in Europe. Cambridge: D. S. Brewer, 2008.

———. “Machaut and Debate Poetry.” In McGrady and Bain. Pp. 103–18.

Caylus, M. le Comte de. “Premier Mémoire sur Guillaume de Machaut, poëte et musicien dans le XIVe siècle.” Mémoires de littérature, tirés des registres de l’Académie Royale des Inscriptions et Belles-Lettres 20 (1753), 399–414.

Cazelles, Raymond. Société, Politique, noblesse et couronne sous Jean le Bon et Charles V. Geneva: Droz, 1982.

———. Etienne Marcel, champion de l’unité française. Paris: Tallandier, 1984.

Cerquiglini, Bernard, and Jacqueline Cerquiglini-Toulet. “L’écriture proverbiale.” Revue des Sciences Humaines 163 (1976), 359–75.

Cerquiglini, Jacqueline. See Cerquiglini-Toulet, Jacqueline. Cerquiglini-Toulet, Jacqueline. “Le clerc et l’écriture: Le Voir dit de Guillaume de Machaut et la définition du dit.” In Literatur in der Gesellschaft des Spätmittelalters. Ed. Hans Ulrich Gumbrecht. Heidelberg: Carl Winter, 1980. Pp. 155–63.

———. “Ethique de la totalisation et esthétique de la rupture dans le Voir-Dit de Guillaume de Machaut.” In Chailley, ed. Poète et compositeur. Pp. 253–62.

———. “Le Clerc et le louche: Sociology of an Aesthetic.” Trans. Monique Briand-Walker. Poetics Today 5.3 (1984), 479–91.

———. “L’écriture louche. La voie oblique chez les Grands Rhétoriqueurs.” In Les Grands Rhétoriqueurs. Actes de Ve Colloque International sur le Moyen Français. Milan, 6–8 Mai 1985. Vol. 1. Milan: Pubblicazioni della Università Cattolica del Sacro Cuore, 1985. Pp. 21–31.

———. “Un Engin si soutil”: Guillaume de Machaut et l’écriture au XIVe siècle. Paris: Honoré Champion, 1985.

———. “Écrire le temps. Le lyrisme de la durée aux XIVe et XVe siècles.” In Le temps et la durée dans la littérature au Moyen Âge et à la Renaissance. Ed. Yvonne Bellenger. Paris: Nizet, 1986. Pp. 103–14.

———. “Le Dit.” Grundriss der romanischen Literaturen des Mittelalters 8 (1988), 86–94.

———. “Le Voir Dit mis à nu par ses éditeurs, même. Étude de la réception d’un texte à travers ses éditions.” In Mittelalter-Rezeption. Zur Rezeptionsgeschichte der romanischen Literaturen des Mittelalters in der Neuzeit. Ed. Reinhold Grimm. Heidelberg: Carl Winter, 1991. Pp. 337–80.

———. The Color of Melancholy: The Uses of Books in the Fourteenth Century. Trans. Lydia G. Cochrane. London and Baltimore, MD: Johns Hopkins University Press, 1997.

———. “‘Ma fin est mon commencement’: The Essence of Poetry and Song in Guillaume de Machaut.” In McGrady and Bain. Pp. 69–78.

Cerquiglini-Toulet, Jacqueline, and Nigel E. Wilkins, eds. Guillaume de Machaut: 1300–2000. Paris: Presses Paris Sorbonne, 2002.

Cerquiglini-Toulet, Jacqueline, René Pérennec, and Uwe Grüning. Guillaume de Machaut: Lob der Frauen. Gedichte altfranzösisch und deutsch. Leipzig: Reclam, 1987.

Chailley, Jacques. “Du cheval de Guillaume de Machaut à Charles II de Navarre.” Romania 94 (1973), 251–58.

Chailley, Jacques, ed. Guillaume de Machaut: Poète et compositeur. Colloque-table ronde organisé par l’Université de Reims (19–22 avril 1978). Paris: Klincksieck, 1982.

Chastelaine de Vergi, La. Ed. René Ernst Victor Stuip. The Hague: Mouton, 1970.

Chaucer, Geoffrey. The Riverside Chaucer. Ed. Larry D. Benson et al. Third edition. Boston: Houghton Mifflin, 1987.

Chérest, Aimé. L’Archiprêtre: Episodes de la guerre de cent ans au XIVe siècle. Paris: A. Claudin, 1879.

Chism, Christine. “Romance.” In The Cambridge Companion to Middle English Literature: 1100–1500. Ed. Larry Scanlon. Cambridge: Cambridge University Press, 2009. Pp. 57–69.

Clark, Alice V. “Machaut Reading Machaut: Self-Borrowing and Reinterpretation in Motets 8 and 21.” In Clark and Leach. Pp. 94–101.

———. “The Motets Read and Heard.” In McGrady and Bain. Pp. 185–208. Clark, Suzannah, and Elizabeth Eva Leach, eds. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Woodbridge and Rochester: Boydell Press, 2005.

Cohen, Gustave. La poésie en France au Moyen-Âge. Paris: Richard-Masse, 1952.

Coldwell, Maria V. “Guillaume de Dole and Medieval Romances with Musical Interpolations.” Musica Disciplina 35 (1981), 55–86.

Coleman, Joyce. Public Reading and the Reading Public in Late Medieval England and France. Cambridge: Cambridge University Press, 1996.

———. “The Text Recontextualized in Performance: Deschamps’ Prelection of Machaut’s Voir Dit to the Count of Flanders.” Viator 31 (2000), 233–48.

———. “Authorizing the Story: Guillaume de Machaut as Doctor of Love.” In Telling the Story in the Middle Ages: Essays in Honor of Evelyn Birge Vitz. Ed. Kathryn A. Duys, Elizabeth Emery, and Laurie Postlewate. Cambridge and Rochester, NY: D. S. Brewer, 2015. Pp. 141–54.

Connery, William J. “The Poet and the Clerk: A Study of the Narrative Poetry of Guillaume de Machaut.” Ph.D. Dissertation: Yale University, 1974.

Contamine, Philippe. “Les compagnies d’aventure en France pendant la guerre de cent ans.” Melanges de l’Ecole Française de Rome 87 (1975), 365–96.

Cosman, Madeleine Pelner, and Bruce Chandler, eds. Machaut’s World: Science and Art in the Fourteenth Century. New York: Academy of Sciences, 1978.

Courcelle, Pierre Paul, and Jeanne Courcelle. Lecteurs païens et lecteurs chrétiens de l’Enéide. Paris: Gauthier-Villars, 1984.

Cropp, Glynnis M. “Les manuscrits du ‘Livre de Boece de Consolacion’.” Revue d’Histoire des Textes 12–13 (1982–83), 263–352.

———. “The Medieval French Tradition”. In Boethius in the Middle Ages: Latin and Vernacular Traditions of the Consolatio Philosophiae. Ed. Maarten J. F. M. Hoenen and Lodi Nauta. Leiden: Brill, 1997. Pp. 243–65.

———. “Boethius and the Consolatio Philosophiae in XIVth and XVth-century French writing.” Essays in French Literature 42 (2005), 27–43.

The Croxton Play of the Sacrament. Ed. John T. Sebastian. Kalamazoo, MI: Medieval Institute Publications, 2012.

Dalglish, William E. “The Hocket in Medieval Polyphony.” Musical Quarterly 55.3 (1969), 344–63.

D’Angiolini, Giuliano. “Le son du sens: Machaut, Stockhausenn. Le ballade 34 et le Chant des Adolescents.”Analyse Musicale 9 (1987), 43–51.

Davenport, W. A. Chaucer: Complaint and Narrative. Cambridge: Brewer, 1988.

Davis, Steven. “Guillaume de Machaut, Chaucer’s ‘Book of the Duchess,’ and the Chaucer Tradition.” Chaucer Review 36.4 (2002), 391–405.

De Boer, Cornelis. “Guillaume de Machaut et l’Ovide moralisé.” Romania 43 (1914), 335–52.

———. L’Ovide moralisé. Amsterdam: Müller, 1915–38.

De Fréville, E. “Des Grandes Compagnies au XIVe siècle. I.” Bibliothèque de l’Ecole de Chartres 3 (1841–42), 258–81, 606.

De Fréville, E. “Des Grandes Compagnies au XIVe siècle. II.” Bibliothèque de l’Ecole de Chartres, 5 (1843–44), 232–53.

Delachenal, Roland. Histoire de Charles V. 3 vols. Paris: Picard, 1909–16.

———. Chronique des Règnes de Jean II et de Charles V. Vol. 2. Paris: Renouard, 1916.

Delogu, Daisy. Theorizing the Ideal Sovereign: The Rise of the French Vernacular Royal Biography. Toronto: University of Toronto Press, 2008.

———. “‘Laisser de mal, le bien eslire’: History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut.” In McGrady and Bain. Pp. 261–76.

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