Everyman and Its Dutch Original, Elckerlijc: Bibliography

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Everyman and Its Dutch Original, Elckerlijc: Bibliography

Adolf, Helen. “From Everyman and Elckerlijc to Hofmannsthal and Kafka.” Comparative Literature 9, no. 3 (1957): 204–14.

Anderson, M. D. Drama and Imagery in English Medieval Churches. Cambridge: Cambridge University Press, 1963.

The Art and Crafte to Knowe Well to Dye. London: William Caxton, 1490.

Audelay, John. The Poems. Ed. Ella Keats Whiting. EETS o.s. 184. London: Oxford University Press, 1931.

Augustine. On Christian Doctrine. Trans. D. W. Robertson. Indianapolis: Bobbs-Merrill, 1958.

Barlam and Iosaphat: A Middle English Life of Buddha. Ed. John C. Hirsch. EETS o.s. 290. Oxford: Oxford University Press, 1986.

———. Barlaam and Josaphat: A Transcription of MS Egerton 876, with Notes, Glossary, and Comparative Study of the Middle English and Japanese Versions. Ed. Keiko Ikegami. New York: AMS Press, 1999.

Beaty, Nancy Lee. The Craft of Dying: A Study in the Literary Tradition of the Ars Moriendi in England. New Haven: Yale University Press, 1970.

Bennett, H. S. English Books and Readers, 1475 to 1557. Second ed. Cambridge: Cambridge University Press, 1969.

Bergman, Ingmar. Four Screen Plays. Trans. Lars Malmstrom and David Kushner. New York: Simon and Schuster, 1960.

Bevington, David. From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England. Cambridge, MA: Harvard University Press, 1962.

———. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge: Harvard University Press, 1968.

———. Medieval Drama. See Everyman.

Boase, T. S. R. Death in the Middle Ages; Mortality, Judgement and Remembrance. London: Thames and Hudson, 1972.

Briesemeister, Dietrich. Bilder des Todes. Unterscheidheim: Verlag Walter Uhl, 1970.

Browne, Carleton Fairchild, ed. Religious Lyrics of the Fifteenth Century. Oxford: Clarendon Press, 1939.

Browne, E. Martin, and Henzie R. Browne. Two in One. Cambridge: Cambridge University Press, 1981.

Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press, 1990.

The Castle of Perseverance. See The Macro Plays.

Chaucer, Geoffrey. The Riverside Chaucer. Third ed. Gen ed. Larry D. Benson. Boston: Houghton Mifflin Co., 1987.

Chaundler, Thomas. Liber Apologeticus de Omni Statu Humanae Naturae. Ed. Doris Enright-Clark Shoukri. London: Modern Humanities Research Association, 1974.

Cheetham, Francis. English Medieval Alabasters: With a Catalogue of the Collection in the Victoria and Albert Museum. Oxford: Phaidon-Christie’s, 1984.

Clark, James M. The Dance of Death in the Middle Ages and Renaissance. Glasgow: Jackson, 1950.

Cole, Wendel. “Elizabethan Stages and Open-Air Stages in America a Half Century Ago.” Quarterly Journal of Speech 47 (1961): 41–50.

Coleridge, Samuel Taylor. Statesman’s Manual. In The Complete Works. Ed. W. G. T. Shedd. 7 vols. New York: Harper, 1884.

Collier, John Payne. The History of English Dramatic Poetry to the Time of Shakespeare, and Annals of the Stage to the Restoration. 3 vols. 1831. Rpt. New York: AMS Press, 1970.

Conley, John. “The Reference to Judas Maccabeus in ‘Everyman’.” Notes and Queries 212 (1967): 50–51.

———.“The Doctrine of Friendship in Everyman.” Speculum 44 (1969): 374–82.

———. “The Phrase ‘the Oyle of Forgyuenes’ in ‘Everyman’: A Reference to Extreme Unction?” Notes and Queries 220 (1975): 105–06.

———. “The Identity of Discretion in Everyman,” Notes and Queries 228 (1983): 394–96.

———. “‘If ye had parfytely chered me’: The Nurturing of Good Deeds in Everyman.” Notes and Queries 240 (1995): 166–67.

Cowling, Douglas. “The Angels’ Song in Everyman.” Notes and Queries 233 (1988): 301–03.

Craik, T. W. The Tudor Interlude: Stage, Costume and Acting. Leicester: Leicester University Press, 1958.

Cross, F. L., and E. A. Livingstone, eds. The Oxford Dictionary of the Christian Church. Third ed. Oxford: Oxford University Press, 1997.

Cunningham, John. “Comedic and Liturgical Restoration in Everyman.” Comparative Drama 22 (1988): 162–73.

The Dance of Death. See Lydgate, John.

Davidson, Audrey. Substance and Manner: Studies in Music and the Other Arts. St. Paul, MN: Hiawatha Press, 1977

Davidson, Clifford. The Guild Chapel Wall Paintings at Stratford-upon-Avon. New York: AMS Press, 1987.

———. Visualizing the Moral Life: Medieval Iconography and the Macro Morality Plays. New York: AMS Press, 1989.

———. Illustrations of the Stage and Acting in England to 1580. Kalamazoo, MI: Medieval Institute Publications, 1991.

———. “Repentance and the Fountain: The Transformation of Symbols in English Emblem Books.” In The Art of the Emblem: Essays in Honor of Karl Josef Höltgen. Ed. Michael Bath et al. New York: AMS Press, 1993. Pp. 5–37.

———. “Saint Plays and Pageants of Medieval Britain.” Early Drama, Art, and Music Review 22, no. 1 (1999): 11–37.

de Geus, B. et al., eds. Een scone Leeringe om salich te sterven: Een Middelnederlandse ars moriendi. Utrecht: HES, 1985.

Dent, R. W. Proverbial Language in English Drama Exclusive of Shakespeare, 1495–1616: An Index. Berkeley: University of California Press, 1984.

Douglas, Audrey, and Peter Greenfield, eds. Records of Early English Drama: Cumberland, Westmorland, Gloucestershire. Toronto: University of Toronto Press, 1986.

Dugdale, William. The History of St. Pauls Cathedral in London From its Foundation Untill These Times Extracted Out of Originall Charters, Records, Leiger Books, and Other Manuscripts:Beautifiedwith Sundry Prospects of the Church, Figures of Tombs and Monuments. London: Tho. Warren, 1658.

Early English Miscellanies in Prose and Verse. Ed. J. O. Halliwell-Phillipps. London: Warton Club, 1855.

The Early English Versions of the Gesta Romanorum. Ed. Sidney Herrtage. EETS e.s. 33. London: N. Trübner, 1879.

Elckerlijc. In Elckerlijk, a Fifteenth Century Dutch Morality, and Everyman, a Nearly Contemporary Translation. Ed. Henri Logeman. Gand: Librairie Clemm, 1892.

———. In Den Spyeghel der Salicheyt van Elckerlijc. Ed. Kornelis H. De Raaf and Petrus Dorlandus. Groningen: P. Noordhoff, 1897.

———. In Elckerlyc-Studiën. Ed. Leonard Willems. ’s-Gravenhage: M. Nijhoff, 1934.

———. In Vijf Geestelijke Toneelspelen der Middeleeuwen. Ed. H. J. E. Endepols. Amsterdam: Elsevier, 1940.

———. In Elckerlijc, Nieuwe bijdragen met geëmendeerde uitgave. Ed. J. van Mierlo. Turnhout: Van Mierlo-Proost, 1949.

———. In Den Spyeghel der Salicheyt van Elckerlijc. Ed. H. J. E. Endepols. Sixth ed. Groningen: J. B. Wolters, 1955.

———. In Den Spieghel der Salicheit van Elckerlijc. Ed. R. Vos. Groningen: J. B. Wolters, 1967.

———. In The Mirror of Salvation: A Moral Play of Everyman, c.1490. Trans. Adriaan J. Barnouw. The Hague: Martinus Nijhoff, 1971.

———. In De Spiegel der Zaligheid van Elkerlijk. Ed. M. J. M. de Haan and B. J. van Delden. Leiden: Vakgroep Nederlandse Taal- & Letterkunde, 1979.

———. In Den Spyeghel der Salicheyt van Elckerlijc. Ed. A. Van Elslander. Eighth ed. Antwerp: Nederlandsche Boekhandel, 1985.

———. In The Mirror of Everyman’s Salvation: A Prose Translation of the Original Everyman. Ed. and trans. John Conley, Guido de Baere, H. J. C. Schaap, and W. H. Toppen. Amsterdam: Rodopi, 1985.

———. In Mariken van Nieumeghen & Elckerlijc. Ed. and trans. [into Modern Dutch] Bart Ramakers and Willem Wilmink. Amsterdam: Prometheus/Bert Bakker, 1998.

Elliott, John. Playing God: Medieval Mysteries on the Modern Stage. Toronto: University of Toronto Press, 1989.

Erenstein, R. L., ed. Een theatergeschiedenis der Nederlanden: Tien eeuwen drama en theater in Nederland en Vlaanderen. Amsterdam: Amsterdam University Press, 1996.

Erthe upon Erthe. In The Middle English Poem, Erthe upon Erthe, printed from twenty-four manuscripts. Ed. Hilda M. R. Murray. EETS o.s. 141. London: K. Paul, Trench, Trübner and Co., 1911.

Everyman. In Everyman, Reprinted from the Edition by John Skot at Britwell Court. Ed. W. W. Greg. Materialen zur Kunde des älteren Englischen Dramas 4. Louvain: Uystpruyst, 1904.

———. In Everyman, Reprinted from the Edition by John Skot in the Possession of Mr. A. H. Huth. Ed. W. W. Greg. Materialen zur Kunde des älteren Englischen Dramas 24. Louvain: Uystpruyst, 1909.

———. In Everyman, Reprinted from the Fragments of Two Editions by Pynson Preserved in the Bodleian Library and the British Museum. Ed. W. W. Greg. Materialen zur Kunde des älteren Englischen Dramas 28b. Louvain: Uystpruyst, 1910.

———. In Medieval Drama. Ed. David Bevington. Boston: Houghton Mifflin, 1975.

———. Ed. A. C. Cawley. 1961. Rpt., Manchester: Manchester University Press, 1977.

———. In Everyman: A Performance Text. Ed. John Astington. Toronto: Poculi Ludique Societas, 1980.

———. In The Summoning of Everyman. Ed. Geoffrey Cooper and Christopher Wortham. Nedlands: University of Western Australia Press, 1980.

———. In Three Late Medieval Morality Plays. Ed. G. A. Lester. New York: W. W. Norton; London: Ernest Benn, 1981. [Modern spelling.]

———. In The Mirror of Everyman’s Salvation. Ed. Conley et al. See Elckerlijc.

———. In Medieval Drama: An Anthology. Ed. Greg Walker. Oxford: Blackwell, 2000.

Fletcher, Alan. “Coveytyse Copbord schal be at the Ende of the Castel by the Beddys Feet.” English Studies 68, no. 4 (1987): 305–12.

Garner, Stanton B., Jr. “Theatricality in Mankind and Everyman,” Studies in Philology 84, no. 3 (1987): 272–85.

Gibson, Walter S. Hieronymus Bosch. New York: Praeger, 1973.

Gilman, Donald, ed. Everyman and Company: Essays on the Theme and Structure of the European Moral Play. New York: AMS Press, 1989.

Gottfried, Robert S. Epidemic Disease in Fifteenth Century England: The Medical Response and Demographic Consequences. New Brunswick, NJ: Rutgers University Press, 1978.

Greenfield, Peter H. “A Processional Everyman at St. Martin’s College.” Research Opportunities in Renaissance Drama 32 (1993): 151–54.

Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: Bibliographical Society, 1939–59.

Hummelen, W. M. H. “The Drama of the Dutch Rhetoricians.” In Everyman and Company: Essays on the Theme and Structure of the European Moral Play. Ed. Donald Gilman. New York: AMS Press, 1988. Pp. 169–92.

———. “The Boundaries of the Rhetoricians’ Stage.” Comparative Drama 28 (1994): 235–51.

Illustrated Carthusian Religious Miscellany: British Library London Additional MS. 37049. Ed. James Hogg. Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1981.

Jambeck, Thomas J. “Everyman and the Implications of Bernardine Humanism in the Character “Knowledge.” Medievalia et Humanistica, n.s. 8 (1977): 103–23.

Johnson, Wallace H. “The Double Desertion of Everyman.” American Notes and Queries 6 (1968): 85–87.

Kazemier, G. “Elckerlijc, Het Dal sonder Wederkeeren, en de Mystiek.” De Nieuwe Taalgids 34 (1940): 87–96, 116–28.

King, George A. “The Pre-Reformation Painted Glass in St. Andrew’s Church, Norwich.” Norfolk Archaeology 18 (1913): 283–94.

Kölbing, E. “Kleine Beiträge zur Erklärung und Textkritik vor-Shakespeare’scher Dramen.” English Studien 21 (1895): 170.

Kolve, V. A. “Everyman and the Parable of the Talents.” In Medieval English Drama: Essays Critical and Contextual. Ed. Jerome Taylor and Alan H. Nelson. Chicago: University of Chicago Press, 1972. Pp. 316–40.

Lang, David Marshall. The Wisdom of Balahvar: A Christian Legend of the Buddha. New York: Macmillan, 1957.

Larsen, Erling. “All Things to Everyman.” Nuance 2, no. 2 (1954): 30.

Little, Lester. “Pride Goes before Avarice: Social Change and Vices in Latin Christendom.” American Historical Review 76 (1971): 16–49.

[Lydgate, John.] The Dance of Death, ed. Florence Warren. EETS o.s. 181. London: Oxford University Press, 1931.

Mackenzie, W. Roy. The English Moralities from the Point of View of Allegory. 1914. Rpt. New York: Gordian Press, 1966.

The Macro Plays. Ed. Mark Eccles. EETS o.s. 262. London: Oxford University Press, 1969.

Mâle, Émile. Religious Art in France, the Late Middle Ages: Medieval Iconography and Its Sources, trans. Marthiel Mathews. Princeton: Princeton University Press, 1986.

Middle English Sermons. Ed. Woodburn O. Ross. EETS o.s. 209. London: Oxford University Press, 1940.

Munson, William. “Knowing and Doing in Everyman.” Chaucer Review 19, no. 3 (1985): 252–71.

Nichols, Ann Eljenholm. “Costume in the Moralities: The Evidence of East Anglian Art.” Comparative Drama 20 (1986–87): 305–14.

———. Seeable Signs: The Iconography of the Seven Sacraments, 1350–1544. Woodbridge: Boydell Press, 1994.

Non-Cycle Plays and Fragments. Ed. Norman Davis. EETS s.s 1. London: Oxford University Press, 1970.

The N-Town Play. Ed. Stephen Spector. 2 vols. EETS s.s. 11–12. Oxford: Oxford University Press, 1991.

O’Connor, Marion. “Everyman, The Creation and The Passion: The Royal Shakespeare Company Medieval Season 1996–1997.” Medieval and Renaissance Drama in England 11 (1999): 19–33.

Oosterwijk, Sophie. “Lessons in ‘Hopping’: The Dance of Death and the Chester Mystery Cycle.” Comparative Drama 36 (2002–03): 249–87.

Owst, G. R. Literature and Pulpit in Medieval England. Second ed. 1961. Rpt. Oxford: Basil Blackwell, 1966.

Pächt, Otto, and J. J. G. Alexander. Illuminated Manuscripts in the Bodleian Library, Oxford, 3: British, Irish, and Icelandic Schools. Oxford: Clarendon Press, 1973.

Perry, Mary Phillips. “On the Psychostasis in Christian Art — II.” Burlington Magazine 22 (1912): 208–18.

Phythian-Adams, Charles. Desolation of a City: Coventry and the Urban Crisis of the Late Middle Ages. Cambridge: Cambridge University Press, 1979.

Pickering, Kenneth. Drama in the Cathedral: The Canterbury Festival Plays, 1928–1948. Worthing, UK: Churchman, 1985.

Piehler, Paul. The Visionary Landscape: A Study in Medieval Allegory. London: Edward Arnold, 1971.

Pollard, Alfred and G. R. Redgrave, et al. A Short-title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad, 1475–1640. London: Bibliographic Society, 1976–91.

Potter, Robert A. The English Morality Play: Origins, History, and Influence of a Dramatic Tradition. London: Routledge and Kegan Paul, 1975.

Pride of Life. See Non-Cycle Plays and Fragments.

Puddephat, Wilfrid. “The Mural Paintings of the Dance of Death in the Guild Chapel of Stratford-upon-Avon.” Birmingham Archaeological Society Transactions 76 (1960): 29–35.

Rastall, Richard. “Music and Liturgy in Everyman: Some Aspects of Production.” Leeds Studies in English, n.s. 29 (1998): 305–14.

Riehle, Wolfgang. The Middle English Mystics. Trans. Bernard Standring. London: Routledge and Kegan Paul, 1981.

Rogers, Nicholas. “The Particular Judgement: Two Earlier Examples of a Motif in Jan Mostaert’s Lost Self-Portrait,” Oud Holland (1983): 125–27.

The Rohan Master: A Book of Hours: Bibliothèque Nationale, Paris, MS. Latin 9471. New York: Braziller, 1973.

Roper, William. The Lyfe of Sir Thomas Moore, Knighte. Ed. Elsie Vaughan Hitchcock. EETS o.s. 197. London: Oxford University Press, 1935.

Ryan, Lawrence V. “Doctrine and Dramatic Structure in Everyman.” Speculum 32 (1957): 722–35.

Salter, K. W. “Lear and the Morality Tradition.” Notes and Queries 199 (1954): 110.

Schmitt, Natalie Crohn. “The Idea of a Person in Medieval Morality Plays.” Comparative Drama 12 (1978): 23–34.

Schreiber, Earl G. “Everyman in America.” Comparative Drama 9 (1975): 99–115.

Shakespeare, William. The Riverside Shakespeare. Ed. G. Blakemore Evans et al. Boston: Houghton-Mifflin, 1997.

Sir Thomas More. In The Shakespeare Apocrypha, Being a Collection of Fourteen Plays Which Have Been Ascribed to Shakespeare. Ed. C. F. Tucker Brooke. Oxford: Clarendon Press, 1918.

Slack, Paul. “Mortality Crises and Epidemic Disease in England 1485–1610.” In Health, Medicine and Mortality in the Sixteenth Century. Ed. Charles Webster. Cambridge: Cambridge University Press, 1979. Pp. 9–59.

Speaight, Robert. William Poel and the Elizabethan Revival. London: William Heinemann, 1954.

Spinrad, Phoebe S. “The Last Temptation of Everyman.” Philological Quarterly 64 (1985): 185–94.

———. The Summons of Death on the Medieval and Renaissance English Stage. Columbus: Ohio State University Press, 1987.

Tasker, Edward G. Encyclopedia of Medieval Church Art. London: B. T. Batsford, 1993.

Tigg, E. R. “Is Elckerlijc Prior to Everyman?” Journal of English and Germanic Philology 38 (1939): 568– 96.

———. “Is Elckerlijc Prior to Everyman?” Neophilologus 26 (1941): 121–41.

Tilley, Morris Palmer. Elizabethan Proverb Lore. New York: Macmillan, 1926.

———. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor: University of Michigan Press, 1950.

The Towneley Plays. Ed. Martin Stevens and A. C. Cawley. 2 vols. EETS s.s. 13–14. Oxford: Oxford University Press, 1994.

Tristram, Philippa. Figures of Life and Death in Medieval English Literature. New York: New York University Press, 1976.

Turner, Victor. “Liminal to Liminoid in Play, Flow, and Ritual: An Essay in Comparative Symbiolology.” Rice University Studies 60 (1974): 53–92.

Van Laan, Thomas F. “Everyman: A Structural Analysis.” PMLA 78 (1963): 465–75.

Vocht, Henry de. Everyman: A Comparative Study of Texts and Sources. Louvain: Uystpruyst, 1947.

Vos, R. “De datering van de Elckerlijc.” Spiegel der Letteren 9 (1965–66): 101–09.

Walker, Greg. The Politics of Performance in Early Renaissance Drama. Cambridge: Cambridge University Press, 1998.

Wasson, John. “The Morality Play: Ancestor of Elizabethan Drama?” Comparative Drama 13 (1979): 210–21.

Wilson, Edward. A Descriptive Index of the English Lyrics in John of Grimestone’s Preaching Book. Medium Ævum Monographs, n.s. 2. Oxford: Blackwell, for the Society for the Study of Mediaeval Languages and Literature, 1973.

Wood, Francis A. “Elckerlijc–Everyman: The Question of Priority.” Modern Philology 8 (1910): 279–302.

Woolf, Rosemary. The English Religious Lyric in the Middle Ages. Oxford: Clarendon Press, 1968.

The Worlde and the Childe. Ed. Clifford Davidson and Peter Happé. Kalamazoo, MI: Medieval Institute Publications, 1999.

Whiting, Bartlett Jere, and Helen Wescott Whiting. Proverbs, Sentences and Proverbial Phrases from English Writings, Mainly before 1500. Cambridge, MA: Harvard University Press, 1968.