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John Lydgate's Dance of Death and Related Works: Bibliography

EDITIONS (IN CHRONOLOGICAL ORDER)

The dolefull dance and song of death; intituled, dance after my pipe. [London]: F. Coles, J. Wright, T. Vere, and W. Gilbertson, [1655–58]. [Shaking of the Sheets]

The dolefull dance and song of death; intituled; Dance after my pipe. London: F. Coles, T. Vere, and W. Gilbertson, [1658–64]. [Shaking of the Sheets]

The doleful Dance and Song of Death; Intituled, Dance after my Pipe. [London]: F. Coles, T. Vere, and J. Wright, [1663–74?]. [Shaking of the Sheets]

The doleful Dance, and Song of Death; Intituled, Dance after my pipe. [London]: T. Vere, I. Wright, J. Clarke, W. Thackeray, and T. Passenger, [1678–81]. [Shaking of the Sheets]

Dalrymple, Sir David Dalrymple, ed. “The Ressoning betwixt Deth and Man.” Ancient Scottish Poems. Published from the MS. of George Bannatyne. Edinburgh: A. Murray and J. Cochran for John Balfour, 1770. Pp. 134–35.

La grande danse macabre des hommes et des femmes, precédée du dict des trois mors et des trois vifz, du debat du corps et de l’âme et la complaincte de l’âme dampnée. Paris: Bailleu, 1862. [French Danse Macabre]

Laing, David, ed. “The Ressoning betwixt Deth and Man.” In The Poems and Fables of Robert Henryson: Now First Collected with Notes, and a Memoir of his Life. Edinburgh: William Paterson, 1865. Pp. 27–29.

de Lincy, Le Roux, and L. M. Tisserand, eds. “La danse macabre reproduite textuellement d’apres l’unique exemplaire connu de l’édition princeps de Guyot Marchant (Paris, 1485) et completée avec l’édition de 1486.” In Paris et ses historiens aux XIVe et XVe Siècles. Paris: Imprimerie Impériale, 1867. Pp. 291–317. [French Danse macabre]

Murdoch, James Barclay, ed. “The Ressoning betuix Deth and Man.” In The Bannatyne Manuscript. 4 vols. in 11 parts, paged continuously. Glasgow: Anderson, 1873–96. 2.153–55.

Dufour, Valentin, ed. La dance macabre peinte sous les charniers des Saints Innocents de Paris (1425): reproduction de l’édition princeps donnée par Guyot Marchant, texte et gravures sur bois (1485). Paris: Féchoz, 1874. Rpt. 1875, 1891. [French Danse macabre]

Horstmann, Carl, ed. “The Messengers of Death.” In “Naträge zu den Legenden.” Archiv für das Studium der neueren Sprachen und Literaturen 79 (1887), 432–34.

Chappell, W., ed. “The Dance and Song of Death.” In Roxburghe Ballads vol. III. Hertford: Stephen Austin & Sons, 1880; Rpt. New York: AMS Press, 1966, pp. 183–86. [Shaking of the Sheets]

Furnivall, Frederick James, ed. “Of Þre Messagers of Deeth.” In The Minor Poems of the Vernon MS., Part II (with a few from the Digby MSS. 2 and 86). 2 Vols. EETS o.s. 177. London: Kegan Paul, Trench, Trübner & Co., 1901. 2:443–48.

Söderhjelm, Werner, ed. “Le miroir des dames et demoiselles,” Neuphilologische Mitteilungen 6.2 (1904), 29–35.

Glixelli, Stefan, ed. Les cinq poèmes des trois morts et des trois vifs. Paris: Honoré Champion, 1914.

Champion, Pierre, ed. La danse macabre, reproduction en fac-similé de l'édition de Guy Marchant, Paris, 1486. Paris: Éditions des Quatre Chemins, 1925. [French Danse macabre]

Hammond, Eleanor Prescott, ed. “The Dance Macabre.” English Verse between Chaucer and Surrey: Being Examples of Conventional Secular Poetry, Exclusive of Romance, Ballad, Lyric, and Drama, in the Period from Henry the Fourth to Henry the Eighth. Durham, NC: Duke University Press, 1927. Pp. 131–42. [Lydgate’s Dance of Death, A version]

Ritchie, W. Tod, ed. “The Ressoning betuix Deth and Man.” In The Bannatyne Manuscript Written in Tyme of Pest, 1568, by George Bannatyne. 4 vols. STS 3rd series 5; 2nd series 22, 23, 26. Edinburgh and London: William Blackwood and Sons, 1928–34. 1:71–73; 2:139–41.

Warren, Florence. and Beatrice White, eds. “The Daunce of Death.” In The Dance of Death, Edited from MSS. Ellesmere 26/A.13 and B.M. Lansdowne 699, Collated with the Other Extant MSS. EETS o.s. 181. London: Oxford University Press, 1931; Rpt. New York: Klaus Reprint Co., 1971. Pp. 1–77. [Lydgate’s Dance of Death, A and B versions]

———. “The French Text.” In The Dance of Death, Edited from MSS. Ellesmere 26/A.13 and B.M. Lansdowne 699, Collated with the Other Extant MSS. EETS o.s. 181. London: Oxford University Press, 1931; Rpt. New York: Klaus Reprint Co., 1971. Pp. 79–96. [French Danse macabre]

Brunner, Karl, ed. “Dance of Makabre.” In “Mittelenglische Todesgedichte.” Archiv für das Studium der neueren Sprachen und Literaturen 167 (1935), 27–28, 30. [Dawnce of Makabre]

Brown, Carleton Fairchild, ed. “A Mirror for Young Ladies at their Toilet.” In Religious Lyrics of the XVth Century. Oxford: Clarendon, 1939. P. 241.

Chaney, Edward F., ed. La danse macabré des charniers des Saints Innocents à Paris. Manchester: Manchester University Press, 1945. [French Danse macabre]

Cutler, John L., ed. “No. 2136, A Mirror for Young Ladies at their Toilet.” In “A Middle English Acrostic.” Modern Language Notes 70.2 (1955), 88.

Wood, Henry Harvey, ed. “The Ressoning betuix Deth and Man.” In The Poems and Fables of Robert Henryson. Second Edition. Edinburgh and London: Oliver and Boyd, 1933; Rpt. 1958. Pp. 211–12.

MacCracken, Henry Noble, ed. “Death’s Warning.” In The Minor Poems of John Lydgate, Edited from all Available MSS., with an Attempt to Establish the Lydgate Canon. Part II: Secular Poems. EETS o.s. 192. London: Oxford University Press, 1934. Rpt. 1961. Pp. 655–57.

Gray, Douglas, ed. “A Dolfull Daunce & Song of Death Intituled: the Shakeing of the Sheetes.” In “Two Songs of Death.” Neuphilologische Mitteilungen 64 (1963), 64–67.

Rosenfeld, Hellmut, ed. “Die Vado-Mori-Elegie.” In Der mittelalterliche Totentanz: Entstehung—Entwicklung—Bedeutung. Cologne: Böhlau Verlag, 1968. Pp. 323–26.

Smith, G. Gregory, ed. “The Ressoning betwixt Deth and Man.” In The Poems of Robert Henryson. 3 vols. STS 1st series 55, 58, 64. Edinburgh: William Blackwood and Sons, 1906–14. Rpt. New York, 1968. 3.134–38.

Woolf, Rosemary, ed. “Mi Leeve Liif.” In The English Religious Lyric in the Middle Ages. Oxford: Clarendon Press, 1968. Pp. 317–18. [Warning Spoken by the Soul of a Dead Person]

Doty, Brant Lee, ed. “Dawnce of Makabre.” In “An Edition of British Museum Manuscript Additional 37049: a Religious Miscellany.” Ph.D. Dissertation: Michigan State University, 1969. Pp. 206–11. [Dawnce of Makabre]

Silverstein, Theodore, ed. “Cest le Myrroure pur les Iofenes Dames.” In Medieval English Lyrics. London: Edwin Arnold Ltd., 1971. Pp. 121–22. [A Mirror for Young Ladies]

Saugnieux, Joël, ed. “La danse macabre française de Guyot Marchant (1486).” In Les danses macabres de France et d’Espagne et leurs prolongements littéraires. Lyon: Emmanuel Vitte, 1972. Pp. 143–64. [French Danse macabre]

———. “Danza general.” In Les danses macabres de France et d’Espagne et leurs prolongements littéraires. Lyon: Emmanuel Vitte, 1972. Pp. 165–82.

Hirsh, John C., ed. “Index of Middle English Verse No. 2255.” In “Prayer and Meditation in Late Mediaeval England: MS Bodley 789.” Medium Ævum 48 (1979), 61–62. [Warning Spoken by the Soul of a Dead Person]

Fox, Denton, and William A. Ringler, eds. “The Ressoning betuix Deth and Man.” The Bannatyne Manuscript: National Library of Scotland Advocates’ MS. 1.1.6. London: Scolar Press, in Association with The National Library of Scotland, 1980. Pp. 43–44. Fols. 56r–57r.

Kaiser, Gert, ed. and trans. “La danse macabre” in Der tanzende Tod: Mittelalterliche Totentänze. Frankfurt am Main: Insel-Verlag, 1982. Pp. 72–107. [French Danse macabre]

Hogg, James, ed. “A Morbid Preoccupation with Mortality? The Carthusian London British Library MS. Add. 37049.” Zeit, Tod und Ewigkeit in der Renaissance Literatur 2 (1986), 52–54. [Dawnce of Makabre]

Doyle, I. A., ed. The Manuscript. A Facsimile of Bodleian Library, Oxford, MS. Eng. Poet.a.1, with an introduction by A.I. Doyle. Cambridge: D. S. Brewer, 1987. Fols. 297vc–98rb. [Three Messengers of Death]

Parkinson, David J., ed. “The Ressoning betwix Deth and Man.” In Robert Henryson: The Complete Works. Kalamazoo, MI: Medieval Institute Publications, 2010. Pp. 155–56.

Scase, Wendy, and Nick Kennedy , eds. (software). A Facsimile Edition of the Vernon Manuscript: Oxford, Bodleian Library, MS. Eng. Poet. A. 1. Oxford: The Bodleian Library, 2011. Fols. 297vc–98rb. [Three Messengers of Death]

Fein, David A., ed. and trans. The Danse Macabre Printed by Guyot Marchant, 1485. Tempe: Arizona Center for Medieval and Renaissance Studies, 2013. [French Danse macabre]

OTHER WORKS

Ackerman, Robert W. “The Debate of the Body and the Soul and Parochial Christianity.” Speculum 37.4 (1962), 541–65.

Appleford, Amy. “The Dance of Death in London: John Carpenter, John Lydgate, and the Daunce of Poulys.” Journal of Medieval and Early Modern Studies 38.2 (2008), 285–314.

———. Learning to Die in London, 1380–1540. Philadelphia: University of Pennsylvania Press, 2015.

Ariès, Philippe. The Hour of Our Death. Trans. Helen Weaver. New York: Knopf, 1981.

Ashley, Kathleen, and Robert L. A. Clark, eds. Medieval Conduct. Minneapolis: University of Minnesota Press, 2001.

Audelay, John. “Three Dead Kings.” In John the Blind Audelay, Poems and Carols (Oxford, Bodleian Library MS Douce 302). Ed. Susanna Fein. Kalamazoo, MI: Medieval Institute Publications. Pp. 218–22.

Backer, George de, ed. Dictionnaire des proverbes françois avec l’explication de leurs significations, & une partie de leur origine. Le tout tiré & recueilli des meilleurs autheurs de ce dernier siecle. Par G. D. B. Brusselles: Coerge de Backer, 1710.

Batiouchkof, Theodore. “Le débat de l’âme et du corps (Part 1).” Romania 20.77 (1891), 1–55.

———. “Le débat de l’âme et du corps (Part 2).” Romania 20.80 (1891), 513–78.

Beaune, Colette, ed. Journal d’un bourgeois de Paris de 1405 à 1449. Paris: Librairie générale française, 1990.

Becker, Karin. “La danse macabre au féminin: La danse des femmes de Martial d’Auvergne.” In La mort dans la littérature française du Moyen Âge. Ed. Jean-François Kosta-Théfaine. Villers-Cotterêts: Ressouvenances, 2013. Pp. 282–302.

Bellis, Joanna. The Hundred Years War in Literature: 1337–1600. Woodbridge: D. S. Brewer, 2016.

Binski, Paul. Medieval Death: Ritual and Representation. London: British Museum Press, 1996.

Blatt, Heather. Participatory Reading in Late-Medieval England. Manchester: Manchester University Press, 2018.

Boccaccio, Giovanni. Famous Women. Ed. and trans. Virginia Brown. Cambridge, MA: Harvard University Press, 2001.

Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages. Woodbridge: D. S. Brewer, 1985.

The Book of Hours of Charles V. Madrid, Biblioteca Nacional de Espana, Cod. Vitr, 24–3, 2008–18. Online at http://bdh-rd.bne.es/viewer.vm?id=0000051953.

The booke of the common prayer and administraction of the Sacramentes, and other rites and ceremonies of the Churche. London: Edward Whitchurch, 1549.

Brunner, Karl. “Mittelenglische Todesgedichte.” Archiv für das Studium der neueren Sprachen und Literaturen 167 (1935), 20–35.

Burger, Glenn D. Conduct Becoming: Good Wives and Husbands in the Later Middle Ages. Philadelphia: University of Pennsylvania Press, 2018.

Butterfield, Ardis. The Familiar Enemy: Chaucer, Language, and Nation in the Hundred Years War. Oxford: Oxford University Press, 2009.

Caciola, Nancy. “Wraiths, Revenants and Ritual in Medieval Culture.” Past & Present 152 (1996), 3–45.

Carruthers, Mary J. The Book of Memory: A Study of Memory in Medieval Culture. Second edition. Cambridge: Cambridge University Press, 2008.

The Catholic Encyclopedia. Vol. 1–15. New York: Robert Appleton Company, 1907–12. Online at https://www.catholic.org/encyclopedia/.

Chaganti, Seeta. “Danse Macabre and the Virtual Churchyard.” Postmedieval 3.1 (2012), 7–26.

———. Strange Footing: Poetic Form and Dance in the Late Middle Ages. Chicago: University of Chicago Press, 2018.

Chappell, William, ed. Popular Music of the Olden Time. 2 vols. London: Cramer, Beale, & Chappell, 1885–86.

Chaucer, Geoffrey. The Riverside Chaucer. Third edition. Gen. ed. Larry D. Benson. Boston: Houghton Mifflin, 1987.

Clark, James M. The Dance of Death in the Middle Ages and the Renaissance. Glasgow: Jackson, Son and Company, 1950.

Cohen, Kathleen. Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and the Renaissance. Berkeley: University of California Press, 1973.

Cooper, Lisa, and Andrea Denny-Brown, eds. Lydgate Matters: Poetry and Material Culture in the Fifteenth Century. New York: Palgrave MacMillan, 2008.

Copeland, Rita. Rhetoric, Hermeneutics, and Translation in the Middle Ages: Academic Traditions and Vernacular Texts. Cambridge: Cambridge University Press, 1991.

Cutler, John L. “A Middle English Acrostic.” Modern Language Notes 70.2 (1955), 87–89.

Daniell, Christopher. Death and Burial in Medieval England, 1066–1550. London: Routledge, 1997.

Davis, Matthew Evan. “Lydgate at Long Melford: Reassessing the Testament and ‘Quis Dabit Meo Capiti Fontem Lacrimarum’ in Their Local Context.” Journal of Medieval Religious Cultures 43.1 (2017), 77–114.

“Detailed Record for Harley 116.” Catalogue of Illuminated Manuscripts. British Library. Online at http://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=3466&CollID=8&Nstart =116.

Dictionnaire du Moyen Français (1330–1500). Analyse et traitement informatique de la langue française, Université de Lorraine, 2015. Online at http://www.atilf.fr/dmf.

DIMEV: An Open-Access, Digital Edition of the Index of Middle English Verse. Ed. Linne R. Mooney, Daniel W. Mosser, Elizabeth Solopova, Deborah Thorpe, and David Hill Radcliffe. Virginia Polytechnic Institute and State University, 1995. Online at www.dimev.net.

Dictionary of the Scots Language. Ed. William A. Craigie. Online at http://www.dsl.ac.uk.

DuBruck, Edelgard. “Another Look at ‘Macabre.’ Nouveau c. r. de Robert Eisler (Danse macabre dans traditio, VI, 1948) suivi de remarques de M. Félix Lecoy (auteur du premier c. r. dans Romania, LXXI, 1950).” Romania 79.316 (1958), 536–44.

DuBruck, Edelgard E., and Barbara I. Gusick, eds. Death and Dying in the Middle Ages. New York: Peter Lang, 1999.

Dujakovic, Maja. “The Dance of Death, the Dance of Life: Cemetery of the Innocents and the Danse Macabre.” In Out of the Stream: Studies in Medieval and Renaissance Mural Painting. Ed. Luís Urbano Alfonso and Vítor Serrão. Newcastle upon Tyne: Cambridge Scholars Publishing, 2007. Pp. 206–32.

Dymond, David, and Clive Paine. The Spoil of Melford Church: the Reformation in a Suffolk Parish. Ipswich: Salient Press, 1989.

Erler, Mary C. Women, Reading, and Piety in Late Medieval England. Cambridge: Cambridge University Press, 2002.

Euripedes. Children of Heracles: Hippolytus; Andromache; Hecuba. Ed. and trans. David Kovacs. Cambridge, MA: Harvard University Press, 1995.

Eustace, Frances, with Pamela M. King. “Dances of the Living and the Dead: A Study of Danse Macabre Imagery within the Context of Late-Medieval Dance Culture.” In Oosterwijk and Knöll, Mixed Metaphors, pp. 43–71.

Floyd, Jennifer Eileen. “St. George and the ‘Steyned Halle’: Lydgate’s Verse for the London Armourers.” In Cooper and Denny-Brown, Lydgate Matters, pp. 139–64.

———. “Writing on the Wall: John Lydgate’s Architectural Verse.” Ph.D. Dissertation: Stanford University, 2008.

Furnivall, Frederick James, ed. The Minor Poems of the Vernon MS., Part II (with a few from the Digby MSS. 2 and 86). EETS o.s. 177. London: Kegan Paul, Trench, Trübner & Co., 1901.

———. Political, Religious, and Love Poems from the Archbishop of Canterbury’s Lambeth MS. No. 306, and Other Sources. EETS o.s. 15. London: N. Trübner & Co., 1866.

Gayk, Shannon. Image, Text, and Religious Reform in Fifteenth-Century England. Cambridge: Cambridge University Press, 2010.

Geanakoplos, Deno John. Constantinople and the West: Essays on the Late Byzantine (Paleologan) and Italian Renaissances and the Byzantine and Roman Churches. Madison: The University of Wisconsin Press, 1989.

Gérold, Théodore. Le Manuscrit de Bayeux: texte et musique d’un recueil de chansons du XVe siècle. Strasbourg: Librairie Istra, 1921.

Gertsman, Elina. The Dance of Death in the Middle Ages: Image, Text, Performance. Turnhout: Brepols, 2010.

———. “Pleyinge and Peyntinge: Performing the Dance of Death.” Studies in Iconography 27 (2006), 1–43.

Gower, John. Traitié selonc les auctours pour essampler les amantz marietz. In The French Balades. Ed. and trans. R. F. Yeager. Kalamazoo, MI: Medieval Institute Publications, 2011. Pp. 12–33.

Gray, Douglas. “Two Songs of Death.” Neuphilologische Mitteilungen 64.1 (1963), 52–74.

———, ed. The Oxford Book of Late Medieval Verse and Prose. Oxford: Clarendon Press, 1985.

Griffith, David. “A Newly Identified Verse Item by John Lydgate at Holy Trinity Church, Long Melford, Suffolk.” Notes and Queries 58.3 (2011), 364–67.

Guillebert de Mets. Description de la ville de Paris 1434. Ed. and trans. Evelyn Mullally. Turnhout: Brepols, 2015.

Harris, Jonathan. The End of Byzantium. New Haven: Yale University Press, 2010.

Harrison, Ann Tukey. “The Danse Macabre de Femmes.” In The Danse Macabre of Women: MS. Fr. 995 of the Bibliothèque Nationale. Kent, OH: Kent State University Press, 1994. Pp. 46–133.

———. “La Grant Dance Macabre des Femmes.” Fifteenth-Century Studies 3 (1980), 81–91.

Hassell, James Woodrow, Jr. Middle French Proverbs, Sentences, and Proverbial Phrases. Toronto: Pontifical Institute of Mediaeval Studies, 1982.

Hélinant, Cistercian monk at Froidmont. Les vers de la mort par Hélinant, moine de Froidmont. Ed. Fredrik Wulff and Emmanuel Walberg. Paris: Firmin Didot, 1905.

Holinshed, Raphael. The First and Second Volumes of Chronicles. London: [Henry Denham] for John Harrison, George Bishop, Rafe Newberie, Henrie Denham, and Thomas Woodcocke, 1587.

The Holy Bible: Douay-Rheims Version. Rockford, IL: Tan Books and Publishers, 1899.

Infantes, Víctor. Las danzas de la muerte: Génesis y desarrollo de un género medieval (siglos XIII–XVII). Salamanca: Ediciones Universidad de Salamanca, 1997.

Keene, Derek, Arthur Burns, and Andrew W. Saint, eds. St. Paul’s: The Cathedral Church of London, 604–2004. New Haven: Yale University Press, 2004.

Kinch, Ashby. Imago Mortis: Mediating Images of Death in Late Medieval Culture. Leiden: Brill, 2013.

Kralik, Christine. “Dialogue and Violence in Medieval Illuminations of the Three Living and the Three Dead.” In Oosterwijk and Knöll, Mixed Metaphors, pp. 133–54.

Kurtz, Leonard Paul. The Dance of Death and the Macabre Spirit in European Literature. New York: Columbia University Press, 1934.

Laidlaw, James C. “The Cent Balades: The Marriage of Content and Form.” In Christine de Pizan and Medieval French Lyric. Ed. Earl Jeffrey Richards. Gainesville: University Press of Florida, 1998. Pp. 53–82.

Laing, Margaret. “Confusion ‘Wrs’ Confounded: Litteral Substitution Sets in Early Middle English Writing Systems.” Neuphilologische Mitteilungen 100.3 (1999), 251–70.

Le Fèvre, Jean. Le respit de la mort par Jean le Fèvre. Ed. Geneviève Hasenohr-Esnos. Paris: A. & J. Picard, 1969.

Le Goff, Jacques. Your Money or Your Life: Economy and Religion in the Middle Ages. Trans. Patricia Ranum. New York: Zone Books, 1988.

Lydgate, John. The Dance of Death, Edited from MSS. Ellesmere 26/A.13 and B.M. Lansdowne 699, Collated with the Other Extant MSS. Ed. Florence Warren and Beatrice White. EETS o.s. 181. London: Oxford University Press, 1931; Rpt. New York: Klaus Reprint Co., 1971.

———. The Fall of Princes. Ed. Henry Bergen. EETS e.s. 121–24. Oxford: Oxford University Press, 1924–27.

———. The Pilgrimage of the Life of Man, English by John Lydgate, A.D. 1426, from the French of Guillaume de Deguileville, A.D. 1330, 1355. Ed. Frederick James Furnivall and Katharine B. Locock. 3 vols. EETS e.s. 77, 83, 92. London: K. Paul, Trench, Trübner & Co., 1899–1904.

———. The Minor Poems of John Lydgate, Edited from all Available MSS., with an Attempt to Establish the Lydgate Canon. Ed. Henry Noble MacCracken. 2 vols. EETS o.s. 192. London: Oxford University Press, 1934. Rpt. 1961.

MacDonald, Alasdair A. “The Bannatyne Manuscript — A Marian Anthology.” The Innes Review 37.1 (1986), 36–47.

Mann, Jill. Chaucer and Medieval Estates Satire: The Literature of Social Classes and the General Prologue to the Canterbury Tales. Cambridge: Cambridge University Press, 1973.

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Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986.

———. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.

Nash, W. L. “Ancient Egyptian Draughts-Boards and Draughts-Men.” Proceedings of the Society of Biblical Archæology 24 (1902), 341–48.

Oosterwijk, Sophie. “Of Corpses, Constables and Kings: the Danse Macabre in Late Medieval and Renaissance Culture.” Journal of the British Archaeological Association 157.1 (2004), 61–90.

———. “Money, Morality, Mortality: The Migration of the Danse Macabre from Murals to Misericords.” In Freedom of Movement in the Middle Ages: Proceedings of the 2003 Harlaxton Symposium. Ed. Peregrine Horden. Donington: Shaun Tyas, 2007. Pp. 37–56.

———. “Of Dead Kings, Dukes and Constables: The Historical Context of the Danse Macabre in Late Medieval Paris.” Journal of the British Archaeological Association 161.1 (2008), 131–62.

———.“Dance, Dialogue and Duality: Fatal Encounters in the Medieval Danse Macabre.” In Oosterwijk and Knöll, Mixed Metaphors, pp. 9–42.

Oosterwijk, Sophie, and Stefanie Knöll, eds. Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.

Ouy, Gilbert. Les manuscrits de l’Abbaye de Saint-Victor: Catalogue établi sur la base du répertoire de Claude de Grandrue (1514). 2 vols. Turnhout: Brepols, 1999.

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Paris, Gaston. “Le Danse Macabré de Jean Le Fèvre.” Romania 24.93 (1895), 129–32.

Perry, R. D. “Lydgate’s Danse Macabre and the Trauma of the Hundred Years War.” Literature and Medicine 33.2 (2015), 326–47.

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Raskolnikov, Masha. Body Against Soul: Gender and Sowlehele in Middle English Allegory. Columbus: Ohio State University Press, 2009.

Reynolds, Catherine. “‘Les angloys, de leur droicte nature, veullent touzjours guerreer’: Evidence for Painting in Paris and Normandy, c. 1420–1450.” In Power, Culture, and Religion in France, c. 1350–c. 1550. Ed. Christopher Allmand. Woodbridge: The Boydell Press, 1989. Pp. 37–55.

Rollins, Hyder Edward. Old English Ballads, 1553–1625. Cambridge: Cambridge University Press, 1920.

Saugnieux, Joël. Les danses macabres de France et d’Espagne et leurs prolongements littéraires. Lyon: Emmanuel Vitte, 1972.

Scase, Wendy. The Making of the Vernon Manuscript: The Production and Contexts of Oxford, Bodleian Library, MS Eng. poet.a.1. Turnhout: Brepols, 2013.

Schwab, Winfried. “Letters without Words? The Danse Macabre Initials by Hans Holbein and His Followers.” In Oosterwijk and Knöll, Mixed Metaphors, pp. 361–84.

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Söderhjelm, Werner. “Le miroir des dames et des demoiselles.” Neuphilologische Mitteilungen 6.2 (1904), 29–35.

Sperber, Hans. “The Etymology of Macabre.” In Studia Philologica et Litteraria in Honorem L. Spitzer. Ed. A. G. Hatcher and K. L. Selig. Bern: Francke Verlag, 1958. Pp. 391–401.

Sponsler, Claire. “Text and Textile: Lydgate’s Tapestry Poems.” In Medieval Fabrications: Dress, Textiles, Clothwork, and Other Cultural Imaginings. Ed. E. Jane Burns. New York: Palgrave Macmillan, 2004. Pp. 19–34.

———. “Lydgate and London’s Public Culture.” In Cooper and Denny-Brown, Lydgate Matters, pp. 13–33.

———. The Queen's Dumbshows: John Lydgate and the Making of Early Theater. Philadelphia: University of Pennsylvania Press, 2014.

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