The Digby Mary Magdalene Play: Bibliography

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The Digby Mary Magdalene Play: Bibliography

Akbari, Suzanne Conklin. Idols in the East: European Representations of Islam and the Orient, 1100–1450. Ithaca, NY: Cornell University Press, 2009.

Alfonso of Jaén. “The Middle English Epistola solitarii ad reges of Alfonso of Jaén: An Edition of the Text in London, British Library, MS Cotton Julius Fii.” In Voaden, Prophets Abroad. Pp. 159–81.

Amos, Mark Addison. “‘Somme lords & somme other of lower astates’: London’s Urban Elite and the Symbolic Battle for Status.” In Biggs et al. Pp. 159–75.

Ancient Mysteries from the Digby Manuscripts. Ed. Thomas Sharpe. Edinburgh: Edinburgh Printing Co. for the Abbotsford Club, 1835.

Anderson, Joanne W. “Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano).” In Erhardt and Morris. Pp. 45–73.

Angela of Foligno. Angela of Foligno: Complete Works. Trans. Paul Lachance. Mahwah, NJ: Paulist Press, 1993.

Anglo-Norman Dictionary. Online at http://anglo-norman.net.

Anselm. Prayers and Meditations of St. Anselm. Trans. Sister Benedicta Ward. Harmondworth: Penguin, 1973.

Antichrist and Judgement Day: The Middle French “Jour de Judgement.” Trans. Richard K. Emmerson and David F. Hult. Asheville, NC: Pegasus Press, 1998.

Appleford, Amy. “Shakespeare’s Katherine of Aragon: Last Medieval Queen, First Recusant Martyr.” Journal of Medieval and Early Modern Studies 40 (2010), 149–72.

———. Learning to Die in London, 1380–1540. Philadelphia: University of Pennsylvania Press, 2015.

Ashley, Kathleen M. “‘Wyt’ and ‘Wysdam’ in N-Town Cycle.” Philological Quarterly 58.2 (Spring 1979), 121–35.

———.“The Fleury Raising of Lazarus and Twelfth-Century Currents of Thought.” Comparative Drama 15.2 (1981), 139–58.

———. “The Resurrection of Lazarus in the Late Medieval English and French Cycle Drama.” Papers on Language and Literature 22.3 (Summer 1986), 227–44.

———. “Image and Ideology: Saint Anne in Late Medieval Drama.” In Interpreting Cultural Symbols. Ed. Kathleen Ashley and Pamela Sheingorn. Athens: University of Georgia Press, 1990. Pp. 111–30.

Atkin, Tamara. The Drama of Reform: Theology and Theatricality, 1461–1553. Turnhout: Brepols, 2013.

Badham, Sally. “Mercantile Involvement in Religious Guilds.” In Barron and Sutton. Pp. 221–41.

Badir, Patricia. “‘To allure vnto their loue’: Iconoclasm and Striptease in Lewis Wager’s The Life and Repentance of Marie Magdalene.” Theatre Journal 51 (1999), 1–20.

———. “Medieval Poetics and Protestant Magdalenes.” In Reading the Medieval in Early Modern England. Ed. Gordon McMullan and David Matthews. Cambridge: Cambridge University Press, 2007. Pp. 205–19.

———. The Maudlin Impression: English Literary Images of Mary Magdalene, 1550–1700. Notre Dame, IN: University of Notre Dame Press, 2009.

Baigent, Michael, Richard Leigh, and Henry Lincoln. Holy Blood, Holy Grail. New York: Delacorte Press, 1982.

Baker, Donald C., and James L. Murphy. “The Late Medieval Plays of MS Digby 133: Scribes, Dates, and Early History.” Research Opportunities in Renaissance Drama 10 (1967), 153–66.

Bale, John. The Complete Plays of John Bale. 2 vols. Ed. Peter Happé. Cambridge: D. S. Brewer, 1985–86.

Barratt, Alexandra, ed. Womens’ Writing in Middle English. London: Longman, 1992.

Barron, Caroline M., and Anne F. Sutton, eds. The Medieval Merchant. Proceedings of the 2012 Harlaxton Symposium. Donington: Shaun Tyas, 2014.

Baskerville, Charles Read. Pierre Gringore’s Pageants for the Entry of Mary Tudor into Paris. Chicago: University of Chicago Press, 1934.

Bates, David, and Robert Liddiard, eds. East Anglia and Its North Sea World in the Middle Ages. Woodbridge: Boydell Press, 2013.

Bateson, Mary, ed. “The Register of Crabhouse Nunnery.” Norfolk Archaeology 11 (1892), 1–71.

Beadle, Richard. “The Medieval Drama of East Anglia: Studies in Dialect, Documentary Records and Stagecraft.” 2 vols. Ph.D. dissertation. University of York, Center for Medieval Studies, 1977.

———. “Plays and Playing at Thetford and Nearby 1498–1540.” Theatre Notebook 32.1 (1978), 4–11.

———. “Prolegomena to a Literary Geography of Later Medieval Norfolk.” In Regionalism in Late Medieval Manuscripts and Texts. Ed. Felicity Riddy. Cambridge: D. S. Brewer, 1991. Pp. 89–108.

———, ed. The Cambridge Companion to Medieval English Theatre. Cambridge: Cambridge University Press, 2006.

———. “Macro MS 5: A Historical Reconstruction.” Transactions of the Cambridge Bibliographical Society 16 (2016), 35–77.

Beckwith, Sarah. “Sacrum Signum: Sacramentality and Dissent in York’s Theater of Corpus Christi.” In Criticism and Dissent in the Middle Ages. Ed. Rita Copeland. Cambridge: Cambridge University Press, 1996. Pp. 264–88.

Ben-Tsur, Dalia. “Early Ramifications of Theatrical Iconoclasm: The Conversion of Catholic Biblical Plays into Protestant Drama.” Partial Answers 3.1 (2005), 43–56.

Bennett, Jacob. “The Mary Magdalene of Bishop’s Lynn.” Studies in Philology 75 (1978), 1–9.

———. “The Meaning of the Digby Mary Magdalen.” Studies in Philology 101.1 (2004), 38–47.

Benskin, Michael. “The letters <þ> and in Later Middle English, and Some Related Matters.” Journal of the Society of Archivists 7 (1982), 13–30.

Benson, C. David. The History of Troy in Middle English Literature: Guido delle Colonne’s Historia Destructionis Troiae in Medieval England. Woodbridge: D. S. Brewer, 1980.

Bériou, Nicole. “La Madeleine dans les sermons parisiens du XIIIe siècle.” Mélange de l’École français de Rome – Moyen Âge 104.1 (1992), 269–340.

Bernard of Clairvaux. On the Song of Songs I. Trans. Kilian Walsh. Cistercian Fathers Series 4. Kalamazoo, MI: Cistercian Publications, 1976.

Bestul, Thomas H. “The Meditation on Mary Magdalene of Alexander Nequam.” The Journal of Medieval Latin 9 (1999), 1–40.

Bevington, David, ed. Medieval Drama. Boston: Houghton Mifflin, 1975.

Biggs, Douglas, Sharon D. Michalove, and A. Compton Reeves, eds. Traditions and Transformations in Late Medieval England. Leiden: Brill, 2002.

Birney, Earle. “The Franklin’s ‘Sop in Wyn.’” Notes and Queries n.s. 6.9 (October 1959), 345–47.

Blamires, Alcuin, ed. with Karen Pratt and C. W. Marx. Woman Defamed and Woman Defended. Oxford: Clarendon Press, 1992.

Blamires, Alcuin. “Women and Preaching in Medieval Orthodoxy, Heresy, and Saints’ Lives.” Viator 26 (1995), 135–52.

Bloomfield, Morton W. The Seven Deadly Sins: An Introduction to the History of a Religious Concept. East Lansing: Michigan State University Press, 1952.

Boehnen, Scott. “The Aesthetics of ‘Sprawling’ Drama: The Digby Mary Magdelene as Pilgrims’ Play.” Journal of English and Germanic Philology 98 (1999), 325–52.

Bokenham, Osbern. Legendys of Hooly Wummen. Ed. Mary S. Sarjeantson. EETS o.s. 206. London: Humphrey Milford, Oxford University Press, 1938.

Bourgeault, Cynthia. The Meaning of Mary Magdalene: Discovering the Woman at the Heart of Christianity. Boston, MA: Shambhala, 2010.

Brock, Ann Graham. Mary Magdalene, The First Apostle: The Struggle for Authority. Cambridge, MA: Harvard University Press, 2003.

Brokaw, Katherine Steele. Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama. Ithaca, NY: Cornell University Press, 2016.

Brown, Dan. The Da Vinci Code. New York: Doubleday, 2003.

Burgess, Clive. “Making Mammon Serve God: Merchant Piety in Later Medieval England.” In Barron and Sutton. Pp. 183–207.

Burstein, Dan, and Arne J. De Keijzer, eds. Secrets of Mary Magdalene: the Untold Story of History’s Most Misunderstood Woman. New York: CDS Books, 2006.

Bush, Jerome. “Resources of Locus and Platea Staging: The Digby Mary Magdalene.” Studies in Philology 86.2 (1989), 139–65.

Butterworth, Philip. “Hellfire: Flame as Special Effect.” In Davidson and Seiler. Pp. 67–101.

Capgrave, John. The Life of Saint Katherine. Ed. Karen A. Winstead. Kalamazoo, MI: Medieval Institute Publications, 1999.

Carruthers, Mary. “Sweetness.” Speculum 81.4 (October 2006), 999–1013.

Carter, Susan. “The Digby Mary Magdalen: Constructing the Apostola Apostolorum.” Studies in Philology 106.4 (2009), 402–19.

The Castle of Perseverance. Ed. David N. Klausner. Kalamazoo, MI: Medieval Institute Publications, 2010.

Cavalca, Domenico. The Life of Mary Magdalen. Translated from the Italian of an Unknown Fourteenth-Century Writer. Trans. Valentina Hawtrey. London: John Lane, 1904.

Chaganti, Seeta. “The Platea: Pre- and Postmodern: A Landscape of Medieval Performance Studies.” Exemplaria 25.3 (2013), 252–64.

The Chastising of God’s Children and the Treatise of Perfection of the Sons of God. Ed. Joyce Bazire and Eric Colledge. Oxford: Basil Blackwell, 1957.

Chaucer, Geoffrey. The Riverside Chaucer. Third edition. Ed. Larry D. Benson et al. Boston: Houghton Mifflin, 1987.

Chemers, Michael Mark. “Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament.” Comparative Drama 41.1 (2007), 25–55.

The Chester Mystery Cycle. Ed. David Mills. East Lansing: Colleagues Press, 1992.

The Chester Mystery Cycle. Ed. R. M. Lumiansky and David Mills. 2 vols. EETS s.s. 3 and 9. Oxford: Oxford University Press, 1974 and 1986.

Christine de Pizan. The Book of the City of Ladies. Trans. Earl Jeffrey Richards. New York: Persea Books, 1982.

Clichtove, Josse. “Epistle 124: Josse Clichtove to François du Moulin de Rochefort [Paris. Before July 22, 1518].” In Lefèvre, d’Etaples, Jacques. The Prefatory Epistles of Jacques Lefèvre d’Etaples and Related Texts. Ed. Eugene F. Rice, Jr. New York: Columbia University Press, 1972. Pp. 399–406.

Clopper, Lawrence M. “The History and Development of the Chester Cycle.” Modern Philology 75.3 (February 1978), 219–46.

———. “Communitas: The Play of Saints in Late Medieval and Tudor England.” Mediaevalia 18 (1995 [for 1992]), 81–109.

———. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. Chicago: University of Chicago Press, 2001.

The Cloud of Unknowing and the Book of Privy Counselling. Ed. Phyllis Hodgson. EETS o.s. 218. 1944; rpt., London: Oxford University Press, 1981.

The Cloud of Unknowing and Related Treatises. Ed. Phyllis Hodgson. Analecta Cartusiana 3. Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzberg, 1982.

Cockett, Peter. “The Actor’s Carnal Eye: A Contemporary Staging of the Digby Mary Magdalene.” Baylor Journal of Theatre and Performance 3.2 (2006), 67–83.

Coldewey, John. “The Digby Plays and the Chelmsford Records.” Research Opportunities in Renaissance Drama 18 (1975), 103–21.

———. “The Non-Cycle Plays and the East Anglian Tradition.” In Beadle, Cambridge Companion. 189–210.

Coletti, Theresa. “The Design of the Digby Play of Mary Magdalene.” Studies in Philology 76.4 (1979), 313–33.

———. “Re-reading the Story of Herod in the Middle English Innocents Plays.” In Retelling Tales: Essays in Honor of Russell Peck. Ed. Thomas Hahn and Alan Lupack. Woodbridge: D. S. Brewer, 1997. Pp. 35–59.

———. “Genealogy, Sexuality, and Sacred Power: The Saint Anne Dedication of the Digby Candlemas Day and the Killing of the Children of Israel.” Journal of Medieval and Early Modern Studies 29.1 (Winter 1999), 25–59.

———. “‘Paupertas est donum Dei’: Hagiography, Lay Religion, and the Economics of Salvation in the Digby Mary Magdalene.” Speculum 76.2 (2001), 337–78.

———. “‘Curtesy doth it yow lere’: The Sociology of Transgression in the Digby Mary Magdalene.” ELH 71.1 (2004), 1–28.

———. Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England. Philadelphia: University of Pennsylvania Press, 2004.

———. “Social Contexts of the East Anglian Saint Play: The Digby Mary Magdalene and the Late Medieval Hospital?” In Medieval East Anglia. Ed. Christopher Harper-Bill. Woodbridge: Boydell Press, 2005. Pp. 287–301.

———. “The Digby Mary Magdalene.” In Kastan. Pp. 170–73.

———. “The Digby Plays.” In Kastan. Pp. 174–77.

———. Review of Lady, Hero, Saint: The Digby Play’s Mary Magdalene, by Joanne Findon. The Medieval Review. Indiana University. December 2012. Web. Online at https://scholarworks.iu.edu/journals/index.php/tmr/article/view/17638/23756.

———. “Afterward.” In Loewen and Waugh. Pp. 276–90.

The Commonplace Book of Robert Reynes of Acle: An Edition of Tanner MS. 407. Ed. Cameron Louis. New York: Garland, 1980.

Cooper, Lisa H., and Andrea Denny-Brown, eds. The Arma Christi in Medieval and Early Modern Material Culture, with a Critical Edition of ‘O Vernicle.’ Farnham, UK; Burlington, VT: Ashgate, 2014.

Cornelius, Roberta. “The Figurative Castle: A Study of the Mediaeval Allegory of the Edifice with Especial Reference to Religious Writings.” Ph.D. dissertation. Bryn Mawr, 1930.

Cowling, Jane. “A Fifteenth-Century Saint Play in Winchester: Some Problems of Interpretation.” Medieval and Renaissance Drama in England 13 (2001), 19–33.

Cox, John D. The Devil and the Sacred in English Drama, 1350–1642. Cambridge: Cambridge University Press, 2000.

Craymer, Suzanne. “Margery Kempe’s Imitation of Mary Magdalene and the Digby Plays.” Mystics Quarterly 19.4 (1993), 173–81.

The Croxton Play of the Sacrament. Ed. John T. Sebastian. Kalamazoo, MI: Medieval Institute Publications, 2012.

D’Ancona, Alessandro, ed. Sacre Rappresentazione dei secoli XIV, XV, e XVI. 3 vols. Florence: Successori Le Monnier, 1872.

Davenport, Tony. “‘Lusty fresche galaunts.’” In Aspects of Early English Drama. Ed. Paula Neuss. Cambridge: D. S. Brewer, 1983. Pp. 110–28.

Davidson, Clifford. “The Digby Mary Magdalene and the Magdalene Cult of the Middle Ages.” Annuale Mediævale 13 (1972), 70–87.

———, ed. The Saint Play in Medieval Europe. Kalamazoo, MI: Medieval Institute Publications, 1986.

———. “The Middle English Saint Play and Its Iconography.” In Davidson, The Saint Play. Pp. 31–122.

———. Technology, Guilds, and Early English Drama. Kalamazoo, MI: Medieval Institute Publications, 1997.

———. “British Saint Play Records: Coping with Ambiguity.” Early Theatre 2 (1999), 97–106.

———. “Saint Plays and Pageants of Medieval Britain.” Early Drama, Art, and Music Review 22 (1999), 11–37.

———. “Violence and the Saint Play.” Studies in Philology 98.3 (2001), 292–314.

Davidson, Clifford, and Thomas H. Seiler, eds. The Iconography of Hell. Kalamazoo, MI: Medieval Institute Publications, 1992.

Davis, Matthew Evan. “The Apostolesse’s Social Network: The Meaning of Mary Magdalene in Fifteenth-Century East Anglia.” Ph.D. dissertation. Texas A&M University, 2013.

———. “As Above, So Below: Staging the Digby Mary Magdalene.” Theatre Notebook 70.2 (2017), 74–108.

Delaney, Sheila. Impolitic Bodies: Poetry, Saints, and Society in Fifteenth-Century England. New York: Oxford University Press, 1998.

Delasanta, Rodney K., and Constance M. Rousseau. “Chaucer’s Orygenes upon the Maudeleyne: A Translation.” Chaucer Review 30.4 (1996), 319–42.

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D’Evelyn, Charlotte, and Frances A. Foster. “Saints’ Legends.” In A Manual of the Writings in Middle English, 1050–1500. Vol. 2. Ed. J. Burke Severs. Hamden, CT: Archon Books, 1970. Pp. 413–39, 556–635.

The Digby Plays. Ed. F. J. Furnivall. EETS e.s. 70. London: Oxford University Press, 1896; rpt. 1967.

The Digby Plays: Facsimiles of the Plays in Bodley MSS Digby 133 and e Museo 160. Introduction by Donald C. Baker and John L. Murphy. Leeds: University of Leeds, 1976.

DiSalvo, Gina Marie. “The Unexpected Saints: Hagiography and Early Modern Theater.” Ph.D. dissertation. Northwestern University, 2014.

Dixon, Mimi Still. “‘Thys Body of Mary’: ‘Femynyte’ and ‘Inward Mythe’ in the Digby Mary Magdalene.” Mediaevalia 18 (1995 [for 1992]), 221–44.

Dubruck, Edelgard E., and Barbara I. Gusick, eds. Death and Dying in the Middle Ages. New York: Peter Lang, 1999.

Duffy, Eamon. “Holy Maydens, Holy Wyfes: The Cult of Women Saints in Fifteenth- and Sixteenth-Century England.” In Women in the Church. Ed. W. J. Sheils and Diana Wood. Oxford: Basil Blackwell, 1990. Pp. 175–96.

———. The Stripping of the Altars: Traditional Religion in England 1400–1580. New Haven, CT: Yale University Press, 1992.

Dugan, Holly. “Scent of a Woman: Performing the Politics of Smell in Later Medieval England.” Journal of Medieval and Early Modern Studies 38.2 (Spring 2008), 229–52.

———. The Ephemeral History of Perfume: Scent and Sense in Early Modern England. Baltimore, MD: Johns Hopkins University Press, 2011.

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Ehrstine, Glenn. “Framing the Passion: Mansion Staging as Visual Mnemonic.” In Visualizing Medieval Performance. Ed. Elina Gertsman. Aldershot: Ashgate, 2008. Pp. 263–77.

Erhardt, Michelle A. “Introduction.” In Erhardt and Morris. Pp. 1–18.

———. “The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence.” In Erhardt and Morris. Pp. 21–44.

Erhardt, Michelle A., and Amy M. Morris, eds. Mary Magdalene: Iconographic Studies from the Middle Ages to the Baroque. Leiden: Brill, 2012.

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———. “English Vowed Women at the End of the Middle Ages.” Mediaeval Studies 57 (1995), 155–203.

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Findon, Joanne. “Napping in the Arbour in the Digby Mary Magdalene Play.” Early Theatre 9.2 (2006), 35–55.

———. Lady, Hero, Saint: The Digby Play’s Mary Magdalene. Toronto: Pontifical Institute of Mediaeval Studies, 2011.

———. “‘Now is aloft þat late was ondyr!’: Enclosure, Liberation, and Spatial Semantics in the Digby Mary Magdalene Play.” In Loewen and Waugh. Pp. 247–57.

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———. “Manuscript as Sacred Object: Robert Hegge’s N-Town Plays.” Journal of Medieval and Early Modern Studies 44.3 (2014), 503–29.

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———. “The Digby Mary Magdalen in Performance: A Merry Peripeteia.” In The best pairt of our play: Essays Presented to John J. McGavin. Ed. Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker. Part 1. Special Issue, Medieval English Theatre 37 (2015), 105–18.

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